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Christine with monarch wings |
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Penny |
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Sara |
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Susan |
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Christine with monarch wings |
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Penny |
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Sara |
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Susan |
Today I welcome Ginger Park to speak about her newest picture book, Suka's Farm, which she co-wrote with her sister Frances, illustrated by Tiffany Chen, published by Albert Whitman. I first came to know about Ginger and Frances while living in South Korea. My headmaster at the international school in which I taught, was friends with them in the states. He shared that their parents were from North Korea. I read one of their picture books about their mother's escape out of the country, My Freedom Trip. And who knew that one day I'd be interviewing them?!
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Ginger Park (l), sister Frances Park (r) |
Welcome, Ginger. Tell us a little bit about yourself.
We live in the Northern Virginia suburbs of Washington, DC. When we’re not writing, you can usually find us at our sweet shop in the heart of the Capital City known as Chocolate Chocolate―our happy place. Customers stop by for their luscious bon bons and real-time chat, and to peruse our book nook of Park sisters’ titles. We’ve been deemed the “Cheers” of chocolate for good reason―our shop is a safe pause from the world’s woes. Whatever is happening out there, stays out there. Our customers have celebrated every book launch party with us, and the goodwill is impossible to describe in words―it touches us squarely in our hearts. Come April 10, our shop will be overflowing with friends and customers for our SUKA’S FARM book launch. We can’t wait!
Just to give you a little insight into Suka's Farm, here's my short review: The Park Sisters create another book together about one of their father’s experiences as a goat farmer assistant for a Japanese farmer in Korea during a dark period of Japanese occupation. However, even in the most ominous moments, little boy, Kwan, finds a way to help his family.
1. What inspired you to write Suka's Farm? How did you get the idea?
After our father passed away in 1979, we wanted
to immortalize his memory through words. The story was inspired by his
impoverished boyhood days growing up during the Japanese occupation of Korea. At
age ten, our father’s hungry family prompted him to ask a Japanese farmer for
work. Our father rose every morning at dawn to work before and after school, tending
a herd of goats. Just like in the book, our mother told us that our father
named each of his beloved goats.
2. Did you have to make up any of the details? What kind of research did you do?
Some of the details are from our
imaginations. For example, our grandparents weren’t woodcarver and painter―they
were pastor and missionary (at a time when less than 4% of the population were
Christian). Character names are fictionalized, including the goats’ cute names
(we never knew their real names). We carefully researched the Japanese occupation
timeline (1910-1945) such as the years Koreans were forced to give up their
birth names for Japanese ones.
3. How do you and your sister Frances collaborate on stories? What's your process?
It’s a magical experience! Truly an
organic process. One of us comes up with the idea and drafts out the story,
then passes it on to the other. Funny thing is, we never talk about our work in
the light of day―it’s our unspoken rule of collaboration. Early on in the 90s,
our communications were handwritten comments in margins, eventually progressing
to email. Now we use Gmail chat. Once the manuscript is ‘perfect’, we take
turns reading the story out loud. Of course, there are always a few edits. When
we’re ready to submit to our agent, we do a celebratory high-five.
4. How long did it take to write this story?
The decision to write the picture book came
on New Year’s Day two years ago. We were pondering 2023 resolutions when it
occurred to us that it was the year our father would turn 100 years old. We
looked at each other and said it was time to write that story that had been in
our hearts for decades. It was hard condensing our father’s powerful story into
a picture book, but it was a fun challenge. We completed the story in a month
or so.
5. How long did it take to sell this story?
Our ever-awesome agent, Jennifer Unter, submitted
the manuscript to Albert Whitman and Company (publisher of one of our earlier picture
books titled GRANDPA’S SCROLL) and received a ‘verbal’ email acceptance on the
same day!
6. What do you hope readers take away from reading this book?
If children read SUKA’S FARM and feel hope and inspiration, then we feel we have made a small contribution to the world. The book is a tribute to our father, the story a testament to his spirit during one of Korea’s most tumultuous eras. SUKA’S FARM focuses on small fields and the day-to-day life of a hungry boy with dreams, and of friendship and humanity.
7. What is your favorite part of the illustrations?
Tiffany Chen’s reimagination of a bygone era is nothing short of masterful. She brought the 1941 Korean landscape to life―the surrounding mountains, the endless fields, the clothing of yore―in exquisite fashion.
8. What was most surprising about the illustrations?
Tiffany's cartoon-like portraits (and we mean that in the most positive light) gently complement a story about the harsh realities of the Japanese occupation of Korea.
9. What advice do you have for writers?
No matter what anyone says, never give up on a project that you love. Keep writing even if it’s for no one else but yourself. You just might surprise the world.
10. What's next for you?
It’s a secret, but we’re very excited about our next project. Hint―a picture book about our chocolate shop and the power of community.
Oooo, I can't wait. That book sounds delightful and delicious! And I've tasted the chocolates from Ginger & Frances's shop! How fun to sell books and chocolates! Congrats!
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Customers at their shop, Chocolate Chocolate |
We are the Korean American author-sister team of many
award-winning children’s books. Our stories are inspired by our family history
and reflect our Korean heritage. We’re delighted to announce the forthcoming
publication of MY SISTER’S DOLJABI (October 2025). As mentioned in Publisher’s
Weekly: Josh Gregory at Albert Whitman has bought world rights to My Sister's
Doljabi, a picture book by Ginger Park and Frances Park, illustrated by Violet
Kim. Hoon is helping his parents plan his baby sister's first birthday—the most
important birthday for Koreans. The celebration traditionally closes with a fun
ceremony called the doljabi (which translates to "birthday grab"),
where the baby is placed before a set of symbolic items and encouraged to
choose one of the objects, which is thought to predict the baby's future.
Publication is set for October 2025; Jennifer Unter at the Unter Agency
represented the authors, and April Jones Prince at Studio Goodwin Sturges
represented the illustrator.
Greetings, GROGgers. It's National Poetry Month!
How will you celebrate? Let us know in the comments! And for more poetic inspiration, check out these prior GROG posts: here, here, and here.
You may be feeling that you're not a poet, or that it's too late for you to learn to write poetry. Today I have the enormous pleasure of introducing someone who proves that you are wrong: poet Libby VanBuskirk, who at 91 years young is currently anticipating the publication of her first poetry collection, Living With Time, by Kelsay Books.
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Libby VanBuskirk |
Libby and I have been writing partners for many years. Her feedback is always kind and wise. She models a whole-hearted embrace of living authentically, and has dedicated herself to continuing to practice and grow in her writing, finding fresh inspiration in each new decade.
Libby took a few moments out from her writing regimen to share some thoughts on poetry and on her soon-to-be-published collection, which was inspired, in part, by the loss of her husband in 2019.
GROG: Libby, your forthcoming poetry collection takes its title from your poem "Living With Time." Tell us a little about the book.
LIBBY: Most of the poems in the book take place at a northern New England lake which feels almost holy to me. Through poetry and living close to the natural world, I have observed and explored the changes that time brings—present, past and future. I am intrigued by the movement of time, how it shapes our lives.
GROG: I found the title poem deeply moving -- you can read it here. Libby, why do you write poetry?
LIBBY: I love the sounds in poetry. I also have seen that the beauty and power of poetry can help us explore themes we sometimes avoid. Poems can lead to thought-provoking discussions about our changing lives, aging, and death.
GROG: Agreed those are topics we sometimes want to avoid. What inspired you to write the poems in your collection?
LIBBY: I was inspired by growing older, by the increasingly common experience of loss, and especially by the sudden loss of my husband by drowning. As some of my poems describe, loss can bring us terrible, shocking moments.
GROG: I'm so sorry that happened, Libby. I think you convey these feelings, moments, and images so beautifully in your poetry. What do you want readers to gain from reading your collection of poems?
LIBBY: I hope my poems help readers see the beauty in life at all ages. And maybe the collection, "Living with Time," can be helpful as a gift to mark an advanced birthday or to give to a relative or friend suffering a period of loss.
GROG: I like that, "an advanced birthday." Tell us about the poems in the collection.
LIBBY: The book includes about 65 poems. Some are lyric and others are formal poems, in forms that I’ve been learning over the past few years. I have loved reading and experimenting with these forms.
GROG: Yes! Poetry forms can be really fun. And how did you select and arrange those 65 poems?
LIBBY: The poems in Living with Time fall into three parts, all centered on the theme of time’s power to change our lives.
Part one probes life’s changes as I see them reflected in the natural world.
In the Part two poems, monumental change comes with my husband's sudden death. These poems address themes such as: How can I live without him, when our lives were so intertwined? Through metaphor and imagery and the clarity of poetry, I reflect on loss as I look for him everywhere and try to bring him back in odd ways, re-visit incidents in our lives together, or want to escape alone to a spot by the sea.
In Part three, the poems are about how I feel ready to grow again, and strive to build a new life through poetry.
GROG: So, it's not about loss only, but time, and living, and growing, and beauty. What steps did you take to get your collection published?
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Libby's drafting process: "To Recycle" |
My publisher, Kelsay Books, publishes both books and The Orchards Poetry Journal. Twice in recent years, the editors there accepted poems I wrote for the journal. I especially appreciated their kind words when they said they loved my work. Their enthusiasm encouraged me to submit my collection to Kelsay for publication, and I am so relieved they accepted it.
GROG: And of course it takes a village, right?
LIBBY: Right! I am grateful to the many people who helped me make this book happen. I was lucky that a good friend, the poet Jeanne Svensson, served as my editor as I’ve worked on the book. In the very beginning of my dream to collect the poems into a book, she chose which poems to include and even helped to shape their order. Other friends have read and critiqued the poems.
I learned a great deal from Vermont poet David Weinstock, the leader of my weekly poetry group, and from studying with another Vermont poet, Rebecca Starks. With her, I have explored poetic forms—the sonnet, the villanelle, haiku and haibun, a beautiful Arabic form, the ghazal, and others.
GROG: Thank you for sharing these insights, Libby. I'm so excited that your book is on its way, and can't wait to hold a copy in my hand!
***
And here's more from Libby about her colorful life -- including that she once interviewed TS Eliot (!!) and has a passion for the indigenous textiles of the Andes:
I began my avid years of writing at Wheaton College in Massachusetts, studying with the poet Gray Burr. Since then I have studied writing at Radcliffe Seminars, the University of Vermont and recently in weekly intensive poetry seminars with Vermont poet Rebecca Starks.
Soon after college, I won a national writing award from Mademoiselle Magazine which led to an interview with T.S. Eliot. (GROG: !!!)
I received a Barbara Carlin grant from SCBWI (Society of Children’s Book Writers and Illustrators) for a picture book text, and won a poetry prize from Writers’ Digest.
My poetry has appeared in Beloit Poetry Journal, Orchards Poetry Journal, Quartet, Blueline Literary Review, and elsewhere. I published a book of short stories for children, Beyond the Stones of Machu Picchu, in 2013 (Thrums Books, Colorado). The stories offer a close-up look at Inca families today and their powerful ways of celebrating the natural world.
I have also followed my interests as an educator and a fiber artist, traveling to Peru eight times to research and write about indigenous Andean textiles and their meanings. My husband and I helped a Peruvian Inca weaver to found the Center for Traditional Textiles of Cusco. I co-taught courses on Inca history and culture at the University of Vermont, and guest-curated the exhibition, “Weaving the Patterns of the Land” at the Robert Hull Fleming Museum.
Currently, I am focused on poetry, my long-term love.
***
Visit Libby's beautiful website to read some of her poetry.
You can also peruse the entire Summer 2024 issue of The Orchards Poetry Journal, here.
Why not try a poetic form today? See this post for some ideas. And leave a comment about your own poetry practices.
Happy Poetry Month to one and all!
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Patricia (photo from her website) |
If you're a writer, blogger, or storyteller looking for a better way to connect with your readers, Substack might be exactly what you need. It is more than just a blogging platform that combines newsletter functionality, a website for your writing, and built-in community tools. This makes it easier for writers to grow their audience without the frustrations of traditional blogging.
The GROG is exploring Substack as a new home for its content, though we will continue to post on Blogger as we transition. In the meantime, we want to introduce our readers to Substack and explain why so many writers are making the move.
At its core, Substack is about direct connection. Instead of relying on algorithms or hoping people find your latest post through social media or search engines, your writing goes straight to subscribers’ inboxes. This direct approach gives writers more control over their audience and engagement.
Here are some of the features that set Substack apart:
A clean, easy-to-use writing space without the distractions of ads or complex site management
A built-in recommendation system that helps readers discover new writers
Support for multiple content formats, including writing, podcasts, and video
No costs for free publications, with the option to introduce paid subscriptions if desired
Many writers who have used platforms like Blogger and WordPress are moving to Substack. Here are a few of the reasons why:
Social media platforms control visibility through algorithms, and traditional blogs can be difficult to promote without external traffic sources. On Substack, writers fully own their subscriber lists. Every time a writer publishes, their work goes directly to their readers' inboxes. There is no need to rely on social media algorithms, and if a writer ever decides to leave Substack, they can export their entire subscriber list.
Maintaining a traditional blog can take significant effort, from managing hosting and updates to formatting posts and troubleshooting technical issues. Substack removes those barriers by handling the infrastructure so writers can focus on their content.
With Substack:
There are no hosting fees
There are no charges for email distribution to subscribers
There are no plugins or technical maintenance required
For many writers, Substack simplifies their publishing process. Instead of managing a website, they can devote more energy to writing and engaging with their readers.
Publishing on a personal blog can sometimes feel like sending work into the void. Without an existing audience, it can be difficult to attract new readers. Substack has a built-in discovery system that helps writers expand their reach.
Writers can recommend other publications, creating opportunities for cross-promotion
Readers who subscribe to similar newsletters receive personalized recommendations
Featured sections on Substack highlight engaging content, allowing new writers to gain visibility
Instead of relying solely on social media or search engine traffic, Substack creates pathways for writers to be discovered organically.
Most writers today use multiple platforms to connect with their audience:
A blog for long-form content
An email newsletter to reach subscribers directly
Social media to engage with readers
Substack simplifies this process by combining all of these elements in one place. Every post is automatically sent as an email to subscribers while also living on the writer’s Substack website. This means there is no need to maintain separate platforms for blogging and newsletters.
Writers benefit from:
Less duplication of effort
More direct engagement with readers
A streamlined workflow that reduces administrative tasks
The GROG is committed to supporting writers, and we believe Substack provides exciting opportunities to connect with our readers. As we explore this new platform, we are looking forward to:
Reaching readers more directly through email distribution
Reducing the need for technical maintenance
Taking advantage of Substack’s built-in recommendation features
Streamlining our publishing process so we can focus on quality content
We will continue posting on Blogger as we transition, and we look forward to sharing more details about our Substack plans in the future.
To introduce our community to Substack, we will be hosting a webinar on March 26. This session will provide an overview of Substack’s features, explain how writers can use the platform effectively, and answer questions from attendees.
HERE is a short form to sign up.
GROG Webinar on Substack
Wednesday, March 26 · 7:00 – 8:00pm
Time zone: America/Chicago
The webinar will cover:
The basics of setting up a Substack publication
Best practices for growing an audience
How writers can use Substack to build community
A preview of the GROG’s plans for Substack
If you are curious about Substack and how it might benefit your writing, we invite you to join the conversation.
We look forward to exploring this platform together and continuing to support writers in finding new ways to connect with their audience.