Wednesday, April 16, 2025

The Fifth Annual GROG Arthropod Roundtable

hosted by Sue Heavenrich

Welcome to the Fifth Annual Arthropod Roundtable! Grab your cup of coffee, pull up a chair, and please help me welcome our guests. Christine Van Zandt’s book Milkweed for Monarchs fluttered off the shelves last year. Sara Levine’s Watching and Waiting: What Hatches from Nature’s Nurseries hatched out just a couple weeks ago. Penny Parker Klostermann’s newest book, The Spider Lady: Nan Songer and Her Arachnid World War II Army will be weaving it’s magic when it releases in a couple weeks. And Susan Edwards Richmond’s third book in the Community Science Counts series, The Great Pollinator Count, just released yesterday.


Some of you may know that insects are my passion. But they weren’t always. In fact, when I was a kid I was terrified of cockroaches. This could be because I could hear them skitter about in the air ducts, and occasionally a couple would drop out and land on me. The ultimate irony: my graduate research was on the behavior of … you guessed it – cockroaches!

That got me wondering whether arthropods were ever “scary” or “creepy-crawly” to other folks? So I asked a few:
Christine with monarch wings

Christine: I was that kid who picked up bugs. I didn’t really understand why kids (or adults!) would scream when, for example, they saw a spider. My parents deserve credit for that since they let me play outside in our large yards. In the back, we had an area that was an ivy “tunnel”—and who knows what lived in there—but it was my favorite place to read books.

Sara: Mostly not.  When I was growing up, I was the one in my family who came to the rescue for bugs found inside the house. When my sister would find a spider, she would yell, “Come and get it! I’m going to kill it!” and that was my cue to come running. I would carefully cover the bug with a glass, slide a piece of paper underneath and escort the arthropod safely outside

Susan:  The only arthropod  I’ve ever really had an ambivalent relationship with is the spider. (Well, and ticks, after we got a dog!) I’ve appreciated spiders’ skills and their niche in nature, but, in the past, preferred to view them with a little distance. I’ve definitely gotten  more drawn to insects and arthropods as a group, however, since I’ve been teaching nature preschool.  In addition to having fascinating life cycles, these animals are easy for young children to discover and observe up close in their environment.

Penny: Interestingly enough, spiders were the only arthropods that were scary to me. And they were very scary to me.  My arachnophobia slowly changed to respect as I did hours and hours of research on spiders to better understand Nan Songer's work. I learned that they avoid humans, whereas before I had the unfounded fear that they might come after me. I was fascinated by the many ways they use their silk and the different ways they hunt or capture prey.  Now, when a spider is nearby, I don't feel the need to flee or stomp. (Yes. Sorry! In my pre-respect past, stomping out of fear definitely happened.)

Me: I totally understand the stomping-out-of-fear response, and am happy that you and your local spiders are now in a relationship of respect. So what made you realize that you HAD to write this book?

Penny
Penny: When I first learned about Nan Songer, I immediately scoured the web (Ha! Couldn't resist.) to see if there was a children’s book about her. I was shocked to find there wasn't a book for children or adults. Besides being shocked, I'll admit that I was also thrilled that I could be the one to share her story. I felt like I'd struck gold in terms of an unsung hero. Her story is unusual and riveting! In order to harvest enough silk needed for crosshairs in scopes during World War II, she kept up to ten thousand spiders in a room in her home! That deserves ten thousand exclamation points instead of just one, right?  Even though my work on this book started in 2017, I've never lost enthusiasm about Nan's contribution to the war effort. I HAD to write this book to share Nan's story and due to my certainty that others would find her work as a home front hero as compelling as I do.

Susan: My passion for children participating in community science has continued to grow since the 2019 release of my first picture book, BIRD COUNT.  Young children are eager to explore their environment and are natural scientists, with their keen focus and propensity for questions.  But many children—and adults as well—are instilled with a fear of bees and other stinging insects, while often celebrating butterflies.  Respect and caution are healthy, but I wanted my readers to gain the same appreciation for all of our insect pollinators

When I learned that Georgia conducted an annual insect pollinator census, which includes schoolchildren, I knew this would be my gateway!  In founder and coordinator University of Georgia Extension’s Becky Griffin, I found the perfect mentor.  She was super knowledgeable and enthusiastic about a book that would engage young participants in the census. Becky and I are pairing up for two weeks of launch events following the book’s April 15 release. The Great Southeast Pollinator Census has now expanded to include four more states—North and South Carolina, Florida, and, most recently, Alabama.  May this notion of promoting a healthy pollinator population continue to grow!      

Sara: A number of things came together. Invertebrate eggs, egg cases, and galls are fascinating, but there is so little on this topic in picture books. I especially wanted to share information about galls, which are bumps formed from the tissue of a plant in which young insects or mites develop. These unique nurseries grow when a mother insect or mite puts down chemicals on the plant while she is laying her eggs. How cool is that?!  Galls come in interesting and unique shapes, and they are easy to find and identify once you know where to look.  The book includes beautiful photographs to introduce children to galls, as well as eggs and egg cases, and to what animals are growing inside of them.

I also wanted to write a lyrical book that emphasized an empathetic approach to learning about animals. Scientific learning is often taught with a focus on taking things apart to see what is inside and how things work. But what if we wait instead and see what happens?

Christine: When I found out that the western monarch was nearly extinct, I knew I had to do something about it. I grew up going to the California coast with my parents in the winter to see millions of monarchs overwintering in the trees. It was amazing. In 2020, there were fewer than 2000 butterflies; in 2024, only about 9000. That may not be enough individuals to sustain the population.

We’ve lost so many animals already and losing the monarch seems preventable if people plant milkweed. Like pandas or koalas, monarch caterpillars can only eat one kind of food: milkweed. There’s not much of found in nature anymore because we’ve cleared land for homes or farms. Home gardeners are reluctant to grow plants that aren’t perfect even though munched leaves mean caterpillars may make it into forming a chrysalis. Also, pesticide use harms a wide range of insects.

Me: What do you hope readers take away from reading your book?

Sara
Sara: I hope readers will come away with an excitement about insect eggs, egg cases, and galls, and that they head outside to search for them. And when they find them, I hope they will be patient and kind enough to observe them over time to see what hatches out.

Christine: I hope they want to help save this amazing animal and encourage their parents, schools, and neighborhoods to plant milkweed. If that’s not possible, then I hope kids share this information so that others, who can plant milkweed, may help out.

Penny: Nan's interest in insects and spiders began when she was a child and continued into her adult years. As an adult, she continued to call her research a "hobby" but, ultimately, her skills and knowledge led to a career that she enjoyed and that also contributed to the war effort. I hope young readers will realize that childhood hobbies and interests are not only enjoyable, but important. They impact their future by nurturing creativity, helping to develop critical thinking and problem-solving skills and learning about time management. Who knows, a hobby or interest might even lead to a career, just as it did for Nan Songer.

Susan:   I hope that young children and their families will develop a fascination with the tremendous diversity of these insects—and that THE GREAT POLLINATOR COUNT will inspire them to go outside and observe their own local pollinators.  Another of my hopes is that this book will help people draw connections among all living things, and realize how important each one is to the health of our planet, and, consequently, ourselves.  Maybe readers will want to plant their own pollinator gardens at school or at home, contribute data to local and regional counts, or nurture a desire to learn more on the path to becoming stewards of their environment.  

Me:  As someone who’s been counting pollinators for the past 16 years with the Great Sunflower Project, I agree! I know that counting bees has made me more aware of the need to plant more pollinator flowers.

So … what can we do this Earth Day and every day to help make our world a better place for bugs?

Susan
Susan: Earth Day is the perfect time to launch an initiative with your children, whether you are a teacher, librarian, parent, or other educator or caregiver.  It’s never too early to start developing habits of observation and care that can continue all year and  throughout a lifetime.  Growing and observing the life cycle of a garden or a garden insect, conducting counts, developing research projects or presentations, or writing letters to advocate for local conservation efforts are all wonderful ways to honor our friends the arthropods and improve all of our lives.  

Christine: Hearing bad news isn’t fun, but if we take a moment to realize our impact on the planet then, maybe, we will do one thing to help out the animals and plants we share our world with. Delving into this kind of information can be overwhelming and saddening. I tell myself that I can’t change everything but I can change something.

Penny: Learning what arthropods contribute to our environment is a good first step. In the case of spiders, eating insects is their main contribution. Did you know that spiders eat four hundred million to eight hundred million tons of insects each year and that a single spider eats around two thousand insects a year! By controlling the insect population, spiders reduce the need for chemical pesticides. Spiders also minimize the spread of disease since many of the insects they eat carry diseases that are harmful to humans and animals. 

This Earth Day, make your yard spider-friendly by planting tall sturdy plants to give them a place to spin. Provide a water source such as a bird bath. A thin layer of mulch, leaves or grass clippings will help protect them from the elements. These tips will also attract other insects that contribute to the environment and  will provide plenty of meals for the spiders.

Sara:  Please don’t use pesticides on your yard. Encourage native plants to grow, which provide food and shelter for native bugs. And when you see a bug inside you can’t live with, don’t kill it. Instead, go get a glass and a piece of paper to help safely bring it outside. 

Me: I know I could talk bugs all day long, but my coffee cup is empty. Please drop by our websites and blogs, and remember to go outside and get to know some awesome arthropods.

Flutter over to Christine Van Zandt website at christinevanzandt.com 
Penny Parker Klostermann has spun her website at  pennyklostermann.com  
Sara Levine nurtures stories and more at www.saralevinebooks.com
Susan E. Richmond counts bees at www.susanedwardsrichmond.com
I hang my bug net over at www.sueheavenrich.com

Wednesday, April 9, 2025

Suka's Farm: An Interview with Ginger Park

Today I welcome Ginger Park to speak about her newest picture book, Suka's Farm, which she co-wrote with her sister Frances, illustrated by Tiffany Chen, published by Albert Whitman. I first came to know about Ginger and Frances while living in South Korea. My headmaster at the international school in which I taught, was friends with them in the states. He shared that their parents were from North Korea. I read one of their picture books about their mother's escape out of the country, My Freedom Trip. And who knew that one day I'd be interviewing them?! 

Ginger Park (l), sister Frances Park (r)

Welcome, Ginger. Tell us a little bit about yourself.

We live in the Northern Virginia suburbs of Washington, DC. When we’re not writing, you can usually find us at our sweet shop in the heart of the Capital City known as Chocolate Chocolate―our happy place. Customers stop by for their luscious bon bons and real-time chat, and to peruse our book nook of Park sisters’ titles. We’ve been deemed the “Cheers” of chocolate for good reason―our shop is a safe pause from the world’s woes. Whatever is happening out there, stays out there. Our customers have celebrated every book launch party with us, and the goodwill is impossible to describe in words―it touches us squarely in our hearts. Come April 10, our shop will be overflowing with friends and customers for our SUKA’S FARM book launch. We can’t wait! 

Just to give you a little insight into Suka's Farm, here's my short review: The Park Sisters create another book together about one of their father’s experiences as a goat farmer assistant for a Japanese farmer in Korea during a dark period of Japanese occupation. However, even in the most ominous moments, little boy, Kwan, finds a way to help his family. 

1. What inspired you to write Suka's Farm? How did you get the idea?

After our father passed away in 1979, we wanted to immortalize his memory through words. The story was inspired by his impoverished boyhood days growing up during the Japanese occupation of Korea. At age ten, our father’s hungry family prompted him to ask a Japanese farmer for work. Our father rose every morning at dawn to work before and after school, tending a herd of goats. Just like in the book, our mother told us that our father named each of his beloved goats.

2. Did you have to make up any of the details? What kind of research did you do?

Some of the details are from our imaginations. For example, our grandparents weren’t woodcarver and painter―they were pastor and missionary (at a time when less than 4% of the population were Christian). Character names are fictionalized, including the goats’ cute names (we never knew their real names). We carefully researched the Japanese occupation timeline (1910-1945) such as the years Koreans were forced to give up their birth names for Japanese ones.  

3. How do you and your sister Frances collaborate on stories? What's your process?

It’s a magical experience! Truly an organic process. One of us comes up with the idea and drafts out the story, then passes it on to the other. Funny thing is, we never talk about our work in the light of day―it’s our unspoken rule of collaboration. Early on in the 90s, our communications were handwritten comments in margins, eventually progressing to email. Now we use Gmail chat. Once the manuscript is ‘perfect’, we take turns reading the story out loud. Of course, there are always a few edits. When we’re ready to submit to our agent, we do a celebratory high-five.

4. How long did it take to write this story?

The decision to write the picture book came on New Year’s Day two years ago. We were pondering 2023 resolutions when it occurred to us that it was the year our father would turn 100 years old. We looked at each other and said it was time to write that story that had been in our hearts for decades. It was hard condensing our father’s powerful story into a picture book, but it was a fun challenge. We completed the story in a month or so.

5. How long did it take to sell this story?

Our ever-awesome agent, Jennifer Unter, submitted the manuscript to Albert Whitman and Company (publisher of one of our earlier picture books titled GRANDPA’S SCROLL) and received a ‘verbal’ email acceptance on the same day!

6. What do you hope readers take away from reading this book?

If children read SUKA’S FARM and feel hope and inspiration, then we feel we have made a small contribution to the world. The book is a tribute to our father, the story a testament to his spirit during one of Korea’s most tumultuous eras. SUKA’S FARM focuses on small fields and the day-to-day life of a hungry boy with dreams, and of friendship and humanity.  

7. What is your favorite part of the illustrations?

Tiffany Chen’s reimagination of a bygone era is nothing short of masterful. She brought the 1941 Korean landscape to life―the surrounding mountains, the endless fields, the clothing of yore―in exquisite fashion.

8. What was most surprising about the illustrations?

Tiffany's cartoon-like portraits (and we mean that in the most positive light) gently complement a story about the harsh realities of the Japanese occupation of Korea.

9. What advice do you have for writers?

No matter what anyone says, never give up on a project that you love. Keep writing even if it’s for no one else but yourself. You just might surprise the world. 

10. What's next for you?

It’s a secret, but we’re very excited about our next project. Hint―a picture book about our chocolate shop and the power of community.

Oooo, I can't wait. That book sounds delightful and delicious! And I've tasted the chocolates from Ginger & Frances's shop! How fun to sell books and chocolates! Congrats!

Customers at their shop, Chocolate Chocolate

We are the Korean American author-sister team of many award-winning children’s books. Our stories are inspired by our family history and reflect our Korean heritage. We’re delighted to announce the forthcoming publication of MY SISTER’S DOLJABI (October 2025). As mentioned in Publisher’s Weekly: Josh Gregory at Albert Whitman has bought world rights to My Sister's Doljabi, a picture book by Ginger Park and Frances Park, illustrated by Violet Kim. Hoon is helping his parents plan his baby sister's first birthday—the most important birthday for Koreans. The celebration traditionally closes with a fun ceremony called the doljabi (which translates to "birthday grab"), where the baby is placed before a set of symbolic items and encouraged to choose one of the objects, which is thought to predict the baby's future. Publication is set for October 2025; Jennifer Unter at the Unter Agency represented the authors, and April Jones Prince at Studio Goodwin Sturges represented the illustrator.

website: https://www.parksisters.com/

connect: 
Facebook: @ginger.park.31
@bookbabe.frances

Instagram: @gingerpark_ 
@bookbabe.frances

Twitter: @Gingerpark_

Bluesky: @gingerparkwrites.bksy.social

Threads: @gingerpark_

Wednesday, April 2, 2025

Poetry Month 2025: You Can Be a Poet! Poet Libby VanBuskirk talks about her debut poetry collection ~Christy Mihaly

Greetings, GROGgers. It's National Poetry Month! 

How will you celebrate? Let us know in the comments! And for more poetic inspiration, check out these  prior GROG posts: here, here, and here.

You may be feeling that you're not a poet, or that it's too late for you to learn to write poetry. Today I have the enormous pleasure of introducing someone who proves that you are wrong: poet Libby VanBuskirk, who at 91 years young is currently anticipating the publication of her first poetry collection, Living With Time, by Kelsay Books.

Libby VanBuskirk

Libby and I have been writing partners for many years. Her feedback is always kind and wise. She models a whole-hearted embrace of living authentically, and has dedicated herself to continuing to practice and grow in her writing, finding fresh inspiration in each new decade.  

Libby took a few moments out from her writing regimen to share some thoughts on poetry and on her soon-to-be-published collection, which was inspired, in part, by the loss of her husband in 2019.

GROG: Libby, your forthcoming poetry collection takes its title from your poem "Living With Time." Tell us a little about the book. 

LIBBY: Most of the poems in the book take place at a northern New England lake which feels almost holy to me. Through poetry and living close to the natural world, I have observed and explored the changes that time brings—present, past and future. I am intrigued by the movement of time, how it shapes our lives.

GROG: I found the title poem deeply moving -- you can read it here. Libby, why do you write poetry?

LIBBY: I love the sounds in poetry. I also have seen that the beauty and power of poetry can help us explore themes we sometimes avoid. Poems can lead to thought-provoking discussions about our changing lives, aging, and death.

GROG: Agreed those are topics we sometimes want to avoid. What inspired you to write the poems in your collection?

LIBBY: I was inspired by growing older, by the increasingly common experience of loss, and especially by the sudden loss of my husband by drowning. As some of my poems describe, loss can bring us terrible, shocking moments.

GROG: I'm so sorry that happened, Libby. I think you convey these feelings, moments, and images so beautifully in your poetry. What do you want readers to gain from reading your collection of poems?

LIBBY: I hope my poems help readers see the beauty in life at all ages. And maybe the collection, "Living with Time," can be helpful as a gift to mark an advanced birthday or to give to a relative or friend suffering a period of loss.

GROG: I like that, "an advanced birthday." Tell us about the poems in the collection.

LIBBY: The book includes about 65 poems. Some are lyric and others are formal poems, in forms that I’ve been learning over the past few years. I have loved reading and experimenting with these forms.

GROG: Yes! Poetry forms can be really fun. And how did you select and arrange those 65 poems?

LIBBY: The poems in Living with Time fall into three parts, all centered on the theme of time’s power to change our lives.

Part one probes life’s changes as I see them reflected in the natural world.

In the Part two poems, monumental change comes with my husband's sudden death. These poems address themes such as: How can I live without him, when our lives were so intertwined? Through metaphor and imagery and the clarity of poetry, I reflect on loss as I look for him everywhere and try to bring him back in odd ways, re-visit incidents in our lives together, or want to escape alone to a spot by the sea.

In Part three, the poems are about how I feel ready to grow again, and strive to build a new life through poetry.

GROG: So, it's not about loss only, but time, and living, and growing, and beauty. What steps did you take to get your collection published?

Libby's drafting process: "To Recycle"
LIBBY: It is very hard to get a poetry collection published! But, once I focused on wanting to write and publish poetry, over the last five years, I started submitting and publishing in poetry journals and anthologies.

My publisher, Kelsay Books, publishes both books and The Orchards Poetry Journal. Twice in recent years, the editors there accepted poems I wrote for the journal. I especially appreciated their kind words when they said they loved my work. Their enthusiasm encouraged me to submit my collection to Kelsay for publication, and I am so relieved they accepted it. 

GROG: And of course it takes a village, right?

LIBBY: Right! I am grateful to the many people who helped me make this book happen. I was lucky that a good friend, the poet Jeanne Svensson, served as my editor as I’ve worked on the book. In the very beginning of my dream to collect the poems into a book, she chose which poems to include and even helped to shape their order. Other friends have read and critiqued the poems.

I learned a great deal from Vermont poet David Weinstock, the leader of my weekly poetry group, and from studying with another Vermont poet, Rebecca Starks. With her, I have explored poetic forms—the sonnet, the villanelle, haiku and haibun, a beautiful Arabic form, the ghazal, and others.

GROG: Thank you for sharing these insights, Libby. I'm so excited that your book is on its way, and can't wait to hold a copy in my hand!

***

And here's more from Libby about her colorful life -- including that she once interviewed TS Eliot (!!) and has a passion for the indigenous textiles of the Andes:

I began my avid years of writing at Wheaton College in Massachusetts, studying with the poet Gray Burr. Since then I have studied writing at Radcliffe Seminars, the University of Vermont and recently in weekly intensive poetry seminars with Vermont poet Rebecca Starks.

Soon after college, I won a national writing award from Mademoiselle Magazine which led to an interview with T.S. Eliot. (GROG: !!!)

I received a Barbara Carlin grant from SCBWI (Society of Children’s Book Writers and Illustrators) for a picture book text, and won a poetry prize from Writers’ Digest.

My poetry has appeared in Beloit Poetry Journal, Orchards Poetry Journal, Quartet, Blueline Literary Review, and elsewhere. I published a book of short stories for children, Beyond the Stones of Machu Picchu, in 2013 (Thrums Books, Colorado). The stories offer a close-up look at Inca families today and their powerful ways of celebrating the natural world.

I have also followed my interests as an educator and a fiber artist, traveling to Peru eight times to research and write about indigenous Andean textiles and their meanings. My husband and I helped a Peruvian Inca weaver to found the Center for Traditional Textiles of Cusco. I co-taught courses on Inca history and culture at the University of Vermont, and guest-curated the exhibition, “Weaving the Patterns of the Land” at the Robert Hull Fleming Museum.

Currently, I am focused on poetry, my long-term love.

***

Visit Libby's beautiful website to read some of her poetry. 

You can also peruse the entire Summer 2024 issue of The Orchards Poetry Journalhere.   

Why not try a poetic form today? See this post for some ideas. And leave a comment about your own poetry practices.

Happy Poetry Month to one and all! 

Wednesday, March 26, 2025

Put Interviewing in Your Writer's Toolbox

by Sue Heavenrich

Nonfiction author, Patricia Newman has a new book coming out next week:  Sharks Unhooked, The Adventures of Cristina Zenato, Underwater Ranger. Illustrated by Becca Hall, this picture book is meant for kindergarteners through fourth-graders. The combination of engaging text and illustrations invites readers into the life of Cristina who, from an early age, dreamt of protecting her shark friends. 

It’s a great story, complemented with plenty of back matter … and tucked into that back matter was a source note citing an interview that Patricia Newman had with Cristina Zenato.

“Wait, you interviewed Cristina?” I asked Patricia.*  “How did you decide that an interview was the best way to gather information?" And with that, we were off on an interview!

Patricia: I often write about scientists and other people living and working in the world, and interviewing is almost always the best way to gather primary source material for my books. Interviews help me tell my story from different perspectives, and often bring me to the location where the research happened and give me some familiarity with the actual tools used. 


At the beginning of most middle-grade projects, I schedule a twenty-minute interview with my subject to explain the book-making process and help the subject understand the time commitment involved. I also ask some basic questions that I’ve developed after checking out several online sources, such as newspaper articles, scientific studies, videos, etc. After this first interview, I usually have enough material to write a proposal for my editor. If I receive a contract, I either schedule an in-person research trip or Zoom interviews.

Picture books don’t normally require proposals, and I did not write one for Sharks Unhooked so my first interview with Cristina lasted about an hour. Afterwards, I read more widely including the resources she suggested before booking a second interview with her.

As nonfiction writers, we’re obliged to gather as much primary source material as possible. Most internet sources provide great background, but you really want to find the unpublished, the new, the different. There’s no substitute for meeting your subject and developing a personal rapport.

Sue: What did you do to prepare for your interview with Cristina Zenato?

Patricia (photo from her website)
Patricia: I usually start by scouring the library and the Internet for books, articles, media interviews, reports, websites, photos, videos, maps, diagrams – anything I can get my hands on. I want to be as informed as possible to use my slotted interview time wisely. 

When I first started, I made up long lists of questions. But interviewing a subject in the field while walking and holding a digital audio recorder and a notebook is not practical! I find it best to ask a few large-concept questions to get the ball rolling. My interviews are much more like conversations. I let my subjects talk as long as they like, trying to keep interruptions to a minimum. Most people don’t think in succinct interview responses; they wander, add detail, and often go off on tangents. That meandering is where the good stuff is!

With Cristina, I began with two main questions: how did your fascination with the ocean develop? And why did you want to learn to dive? As she talked, her passion bubbled to the surface. All I needed to do was clarify details and ask follow-up questions.

Sue: I love that you think of interviews more like conversations. So did you just pick up the phone and talk? 

Patricia: I researched and wrote Sharks Unhooked in 2021, so the pandemic put a major crimp in my research travel. I relied on Zoom (as most of us did), and of course, recorded the interviews using Zoom’s record feature.
  
Recording interviews is essential. After each interview, I listen to the recording while making notes in my research notebook. I mark the parts I like and also make a list of any follow-up questions that I’ll ask during the next interview. 

Depending on the scope of the book, I usually interview each subject at least twice. Two shorter interviews are usually easier to schedule than one marathon. As I begin writing, I often send short emails with easy clarification questions.

Note: Patricia mentioned that when she’s out in the field doing interviews, she uses a hand-held digital recorder that connects directly to her computer via USB so she can download interview files at the end of each day and charge the recorder.

Sue: I didn’t notice any direct quotes in the book. How did you integrate Cristina’s interview responses into the picture book text?

Patricia: When I write middle-grade nonfiction, such as Giant Rays of Hope, I integrate several quotes that scientists have shared with me in our interviews. And all the quotes are sourced at the back of the book.

But Sharks Unhooked is a lyrical picture book, and integrating exact quotes gave the text a clunky feel. Except for one. “You have sharks!” is a direct quote from our interview. Basically, I listened to the poetic, flowing way Cristina spoke about sharks and their underwater world, and I tried to mimic that poetry with the cadence of the text, alliteration, and line breaks. I do, however, include direct quotes in the back matter.

Sue: One of the things that happens during an interview is that folks veer off track. How do you make sure you get the information you need?
 
Patricia: I welcome those winding twists and turns! When I write a book, I give myself the luxury of time when I interview an expert. I’m not a journalist on deadline trying to churn out five column inches. I want a deep dive.

My conversation with Cristina covered her childhood, her adolescence, and her young adulthood before she ever swam with sharks. I needed that information to build a solid case for why sharks were so important to her. Life’s winding road makes our subjects who they are. That’s where you find the nuggets to hook your readers and connect them to your story. 

Every expert I’ve ever interviewed is excited to talk about their life’s work. Let them!

Sue: Thank you so much for sharing your interviewing tips, Patricia. You can find out more about Patricia and her books at her website, www.patriciamnewman.com

Of course, not everything I asked Patricia made it into this post – just as not everything she asked Cristina made it into her book. As for citing interviews for bibliography or sources, Patricia keeps it simple. Here’s how she cited one interview:  
Zenato, Cristina, interview by Patricia Newman. 2021. (August 3).  
*our conversation happened via email!

If the idea of interviewing someone is scary, here are four resources to help you get started:

Anatomy of Nonfiction, by Margery Facklam and Peggy Thomas (Writer's Institute Publications, 2011). Chapter 4 has a huge section about doing interviews. 

Talk to Me: How to Ask Better Questions, Get Better Answers, and Interview Anyone Like a Pro, by Dean Nelson (Harper Perennial, 2019).

“10 Interviewing Tips for Journalists,” by Alison Hill. Writer’s Digest,  Apr 27, 2022.

“An illustrated guide to the basics of interviewing,” by Annie Aguiar. The Poynter Institute for Media Studies, October 31, 2023. It’s short, visual, and to the point.

Wednesday, March 19, 2025

Why Many Writers Are Moving to Substack (And Why You Might Want to, Too) by Todd Burleson



If you're a writer, blogger, or storyteller looking for a better way to connect with your readers, Substack might be exactly what you need. It is more than just a blogging platform that combines newsletter functionality, a website for your writing, and built-in community tools. This makes it easier for writers to grow their audience without the frustrations of traditional blogging.


The GROG is exploring Substack as a new home for its content, though we will continue to post on Blogger as we transition. In the meantime, we want to introduce our readers to Substack and explain why so many writers are making the move.




What Makes Substack Different?

At its core, Substack is about direct connection. Instead of relying on algorithms or hoping people find your latest post through social media or search engines, your writing goes straight to subscribers’ inboxes. This direct approach gives writers more control over their audience and engagement.


Here are some of the features that set Substack apart:


  • A clean, easy-to-use writing space without the distractions of ads or complex site management

  • A built-in recommendation system that helps readers discover new writers

  • Support for multiple content formats, including writing, podcasts, and video

  • No costs for free publications, with the option to introduce paid subscriptions if desired


Why Writers Are Choosing Substack Over Traditional Blogs

Many writers who have used platforms like Blogger and WordPress are moving to Substack. Here are a few of the reasons why:

Writers Own Their Audience

Social media platforms control visibility through algorithms, and traditional blogs can be difficult to promote without external traffic sources. On Substack, writers fully own their subscriber lists. Every time a writer publishes, their work goes directly to their readers' inboxes. There is no need to rely on social media algorithms, and if a writer ever decides to leave Substack, they can export their entire subscriber list.

Less Time Managing a Website, More Time Writing

Maintaining a traditional blog can take significant effort, from managing hosting and updates to formatting posts and troubleshooting technical issues. Substack removes those barriers by handling the infrastructure so writers can focus on their content.


With Substack:


  • There are no hosting fees

  • There are no charges for email distribution to subscribers

  • There are no plugins or technical maintenance required


For many writers, Substack simplifies their publishing process. Instead of managing a website, they can devote more energy to writing and engaging with their readers.

Substack Helps Writers Get Discovered

Publishing on a personal blog can sometimes feel like sending work into the void. Without an existing audience, it can be difficult to attract new readers. Substack has a built-in discovery system that helps writers expand their reach.


  • Writers can recommend other publications, creating opportunities for cross-promotion

  • Readers who subscribe to similar newsletters receive personalized recommendations

  • Featured sections on Substack highlight engaging content, allowing new writers to gain visibility


Instead of relying solely on social media or search engine traffic, Substack creates pathways for writers to be discovered organically.


A Single Platform for Blogging and Newsletters

Most writers today use multiple platforms to connect with their audience:


  • A blog for long-form content

  • An email newsletter to reach subscribers directly

  • Social media to engage with readers


Substack simplifies this process by combining all of these elements in one place. Every post is automatically sent as an email to subscribers while also living on the writer’s Substack website. This means there is no need to maintain separate platforms for blogging and newsletters.


Writers benefit from:


  • Less duplication of effort

  • More direct engagement with readers

  • A streamlined workflow that reduces administrative tasks

Why the GROG is Exploring Substack

The GROG is committed to supporting writers, and we believe Substack provides exciting opportunities to connect with our readers. As we explore this new platform, we are looking forward to:


  • Reaching readers more directly through email distribution

  • Reducing the need for technical maintenance

  • Taking advantage of Substack’s built-in recommendation features

  • Streamlining our publishing process so we can focus on quality content


We will continue posting on Blogger as we transition, and we look forward to sharing more details about our Substack plans in the future.

Join Us for Our Webinar on Substack

To introduce our community to Substack, we will be hosting a webinar on March 26. This session will provide an overview of Substack’s features, explain how writers can use the platform effectively, and answer questions from attendees.


This Webinar is FREE, but limited to the first 100 attendees.


HERE is a short form to sign up.


GROG Webinar on Substack

Wednesday, March 26 · 7:00 – 8:00pm

Time zone: America/Chicago



The webinar will cover:


  • The basics of setting up a Substack publication

  • Best practices for growing an audience

  • How writers can use Substack to build community

  • A preview of the GROG’s plans for Substack


If you are curious about Substack and how it might benefit your writing, we invite you to join the conversation.


We look forward to exploring this platform together and continuing to support writers in finding new ways to connect with their audience.