Thursday, November 17, 2016

An Interview with publisher Lucinda Clark




            A Lady of Many Hats:  An Interview with Lucinda Clark

By Anne Iverson


Lucinda Clark, the founder and publisher of P.R.A Publishing, wears many hats in and about the literary and publishing worlds.  In a lively interview, she discussed several of these hats.

 A:  Lucinda, can you first give us a little of your background?
L:  I had my start as an art dealer for 10 years and am the principal of Phoenix Rising Art Consultants..  I currently live in Martinez, Georgia with my husband, Robert,  and we have two grown children.



A:  One of your hats is that of Publisher.  What were your reasons for starting P.R.A.? What is your background?

L:  I started my company back in 2001/02 with the publication of a book of poems written by  Jeanne McGhee, a visual artist I was representing.   Back then, our local Barnes and Noble, Borders, and Books-A-Million,  were eager to help local authors and would give them shelf space.  Unfortunately, that’s not necessarily the case today. 
            I truly enjoy working with emerging authors (international and in the U.S.), getting to know them, and developing personal relationships.   We really care about our authors and I’m proud of the fact that 4 of our 6 titles coming out in 2016-17 are by international authors. (Of those books, one is YA Fiction and five are poetry.) Yong Ho Nam's My Love for You Before I had You, Derek Berry’s Heathens and Liars of Lick Skillet County and From Above and Below, Volume 5 of Middle of the Road series. Sighs and Murmurs, Poetry Diversified 2017, Growing Flames.

           
A:  What about your Author Hat?               
 
L.  My first love is poetry.  I want poetry to sing!  I want to feel something when I read it or hear it.  I enjoyed reading all of Dr. Seuss books, especially Green Eggs and Ham.  He had such cool characters and I loved the rhymes!   
            I have a series of five poetry anthologies, View from the Middle of the Road.  Volume one, Where the Greenest Grass Grown (2000), which I wrote with my children.  Volume Two, U. S. .and Us (2006), features the work from four African American Poets.  Volume three, Search for Knowledge, was published in 2008.  Volume four, A Pathway to Dreams (2010), features contributions from all male poets. The Fifth Volume, From Above and Below, will be published in 2017.   In 2013, I published Poetry Diversified:  An Anthology of Human Experience, which features the collected experiences of the 2012 Poetry Matters Contest Winners.

A:  What about your Poetry Matters Hat?
 
L:  My husband and I started Poetry Matters in 2000 as a local writing contest in the Columbia County, Georgia, school system, which was designed to highlight middle school poets.  The contest grew to include more categories—young poets (middle school and high school), adults (poets ages 20-60), and seniors (poets 61 and above)—and has broadened its scope to the “Poetry Matters Project, Ltd.” .  We feature emerging poets— locally and globally, and offer opportunities (workshops and poetry readings) for the gifted poets in our area.   Our contest is open to everyone and there is no entry fee.
            I'm also working with Poetry Out Loud, a national program created by the National Endowment of the Arts Foundation.  (According to its website, "Poetry Out Loud encourages students to learn about great poetry through memorization and recitation. This program helps students master public speaking skills, build self-confidence, and learn about literary history and contemporary life.”)  I am pursuing channels to get our area high schools involved.
            For those of you who live in or near the Augusta, GA area, Lucinda will be presenting Emily Cobb, Poetry Out Loud Outreach Program Coordinator (from Atlanta) on Tuesday, Dec. 6th at Open Mic Night at the Hire Grounds CafĂ© (3179 Washington Rd., Augusta, GA  30907) from 5:00-8:00 PM).  For more information, email www.poetrymattersproject@gmail.com.

A:  How about your Explorer Hat?                                              
L.  Yes, I am interested in exploring different genres and possibly expanding the scope of P.R.A. As you're aware, the publishing world is a far different one than just five or ten years ago.  Some of the literature genres I'm considering include science fiction, thrillers, post apocalyptic, fiction, and YA.  I am NOT interested in romance or erotica.  Whatever the genre, the focus for me (and the rest of the publishing world) is diversity     
.
            www.poetrymattersproject.org
            https://poetrymattersproject.submittable.com/submit 
            www.poetryoutloud.org.

           

 
            

Monday, November 14, 2016

TED Talks for Children's Writers and Illustrators ~ by Patricia Toht

As a writer, I have a list of TED talks that inspire me. 


If you're not familiar with TED, it's a non-profit, non-partisan group whose goal is to spread ideas through short talks. The first TED conference was held in 1984, and the focus was on the convergence of Technology, Entertainment, and Design. Unfortunately, that conference was not monetarily successful, and a second conference didn't convene again until 1990. That time, the stars aligned and TED took off.

The talks now cover the gamut of topics and are easily available on YouTube or on the ted.com website. Browse their library to find talks that might appeal to you. This is how I found the 20+ on my own list. 

Here are my five favorites TED talks:

1) Elizabeth Gilbert: Your Elusive Creative Genius, recorded in 2009, runs 19:09 minutes. This talk inspires me when I'm defeated by rejection or feeling like creativity has left me for good. The story she tells about poet Ruth Stone at the 10:12 mark gives me goosebumps.



2) J.K. Rowling: The Fringe Benefits of Failure, recorded at the 2008 Harvard Commencement, runs 20:58 minutes. The amazing author of the Harry Potter series explains how failure helped her find her way as a writer, and how imagination is of crucial importance.



3) Adam Grant: The Surprising Habits of Original Thinkers, recorded in 2016, runs 15:25 minutes. The original thinkers that Adam Grant refers to in his talk are from the business arena, but I think the three habits he identifies can be true for writers as well. He gives me hope as a moderate procrastinator. (Yes, I'm writing this post on Sunday evening for a Monday posting!)



4) Matthew Dicks: Homework for Life, recorded in 2015, runs 17:46 minutes. This talk introduces a strategy for collecting story-worthy ideas by taking five minutes each night to reflect and identify story-like moments that happened that day. 



5) Mac Barnett: Why a Good Book Is a Secret Door, recorded in 2014, runs 16:59 minutes. I have a serious mind-crush on Mac Barnett, and this talk captures his humor, intelligence, and passion about being a children's author.



Readers, do you have a TED talks that is your favorite? Please share the name of it in the comments below - I'd love to expand my list!

Thursday, November 10, 2016

Tips for Beginning Writers ~Suzy Leopold

Please note
While the title indicates beginning writers, I consider these Tips for All Writers. Even if you feel you are a writer who has moved beyond the beginning stages, I encourage you to continue to read. 

Perhaps you are a published author. Please proceed. Hopefully, you will feel affirmed in what you know as a writer and/or be reminded of what works for you, while reading this blog post. 


For the beginning writer, I do hope you will discover some new ideas to further your interest in writing.


1. Say it out loud: "I am a writer."


When can you start calling yourself a writer?

     Now.
          Right now.
Don't be shy. 
     Doing so makes it real.

A writer can be unpublished, prepublished or published.

Look in the mirror and say, "I am a writer."
Say it again until you believe it.


"When can you start calling 
yourself a writer?
Now."
~Chuck Sambuchino

2. Read, read, read.

  • Read in the genre that you write.
  • Read across genres, including books for children and adults.
  • Read newspapers and magazines.
  • Read poetry.
  • Read recently published books at the library and bookstore.
  • Linda Sue Park, a Newbery Medal winning author, encourages aspiring children's authors to read at least five hundred books in the genre and age group that you desire to write.
Reading numerous books helps define what a good story is to you and from there you will write the stories you like to read.

Each year a committee of the Association for Library Service to Children (ALSC), creates a list of worthy and notable books. 

Click on the link ALSC Notable Children's Books for more information.


Every time you read a book that you like, study it further. Analyze it. Study the techniques the writer used. Ask questions:
  • What do you like about this story or article?
  • How did the author hook you as a reader?
  • Figure out what works with the beginning and the ending of the story.
  • Analyze the word count.
  • How did the author use the right word in the right place?
  • Think about character development---How are the characters authentic with their action and dialogue?

3. Write, write, write.

  • Practice, Write, Revise and Repeat.
  • Most writers feel that writing every day is best. However, you need to cultivate a process that works for you. Create a writing and revision process that helps you do your best work.
  • Set a timer. Begin writing for 10 to 30 minutes. Over time, you will build your writing stamina to write for longer periods of time.
  • Perseverance + Discipline + Time = A Story
  • Do write in your voice with your individual strengths and uniqueness. 
  • Get everything out of your head and onto paper or in a word document.

4. Keep a writing journal.



  • Write down favorite quotes and words of wisdom.
  • Doodle and draw characters, settings, and book cover ideas. You don't have to be artistic---stick figures work to give you a better layout that includes page turns.
  • Jot down both positive and negative thoughts, along with your ups and downs during your writing journey.
  • Brainstorm lists of words.
  • Keep your ideas and inspiration inside your journal.
  • Create a checklist of goals.
  • Write an outline for a book idea.
  • Record highlights of information you learned to a conference, workshop, and/or webinar.
Create a journal filled with information you can refer as a resource to refer to. In time, look back at your journal entries. I'm certain you will note how you have grown as a writer.

5. Reach out to writers.

  • If you aren't already a member, become a member of SCBWI.
  • Participate in writing challenges, Facebook groups and discussions, critique groups---in-person and online.
  • Discuss the process of writing with trusted friends. Together through encouragement, critique partners should give you courage to be daring, to make mistakes and learn and grow.
I picked these flowers for YOU from my garden.
Every one has a story to tell. Know why you want to share this story. Why does it matter? Why is it important for it to be told? 

Be brave. Believe.

Monday, November 7, 2016

Q and A WITH DIANA MURRAY ~ by Sherri Jones Rivers

      I've been following the career of author Diana Murray since we started corresponding in July of 2011. I was applying for the Barbara Karlin Grant and saw that she had won it in 2010. Her manuscript was rhyming, and so was the one I was submitting, so we "chatted" back and forth about the writing process. She has made great strides since that SCBWI win, and is going full steam ahead with her writing career. She took a few minutes out of her busy schedule to answer a few questions for the GROG.






     Can you tell us a little bit about your writing journey from that 2010 Barbara Karlin Grant to your current books? What manuscript won that award, and where is it now?

     The manuscript that won was an early version of GRIMELDA: THE VERY MESSY WITCH. At that time, it was under consideration at another publisher and I was working with an editor on revising it. I had met the editor at a SCBWI conference and she heard GRIMELDA read out loud at a first page session. She then gave me her card. Unfortunately, I did not end up getting an offer from that publisher in the end. But that's OK! Because a couple years later, the same manuscript got me my agent and subsequently sold in a two-book deal to Katherin Tegan Books/HarperCollins. So, it all worked out, but boy, does this business take a lot of patience.

     Where did the idea for City Shapes come from?

                                                   
                                    


     I used to live in midtown Manhattan for many years. I loved taking long walks around the city, exploring the different neighborhoods. I made an extra effort to be observant and notice details. I often took photos or drew sketches. There is more about my inspiration in this essay I wrote for the Little, Brown newsletter:

https://www.facebook.com/notes/little-brown-school/sidewalk-trails-by-diana-murray/10153568239181669/


     Do you have an agent, or a working relationship with an editor? Will you have different books from different houses?

     Yes, both. I have an agent at Writers House and also multiple books with some editors. I currently have books with seven different publishers.


     Are there any techniques you use to make your rhyme sparkle and be fresh?





     That comes with practice. It's important not to let the rhymes control the story. I usually write a rough outline, spread by spread.


     Do you use other rhyming authors as mentor texts?

     I wouldn't say I methodically "use" them, but I've certainly read and enjoyed work by lots of other authors who sometimes write in rhyme. I like Julia Donaldson, Karma Wilson, Lisa Wheeler, Sarah Weeks, Alice Shertle, J. Patrick Lewis, Shel Silverstein, Jack Prelutsky, Adam Rex, and many more.

     
     Do you stick to a writing schedule or write in spurts?  About how many drafts did you do for CITY SHAPES? Did it change a lot from your first draft?

     No, I just write whenever I can. CITY SHAPES didn't change that dramatically from the first draft. However, the publisher did ask me to include two more shapes (which ended up being diamonds and stars) and I also put in more of a day to night transition to give it a stronger arc.



     I just have to ask about NED, THE KNITTING PIRATE. How did that come into being, and did that just flow, or did you do a lot of revisions?

                                        



     I got the idea for NED when I was watching an episode of "Anthony Bourdain: No Reservations". He was in Sweden and met two tough, extreme snowboarders who were really into knitting. And to top it off, they were descended from Vikings! I just thought it was an interesting contrast and wanted to explore the general idea more. I ended up going with pirates which gave me the chance to write sea shanties--so fun! And no, it went through a lot of revisions. When I first wrote it, I gave up on it, thinking it might be too weird. But then I found it in my files about two years later and suddenly, all the issues became clear to me and I knew just how to fix them. Fresh eyes work wonders! Before it was accepted, the editor also wanted a pretty major revision. I wasn't sure if I could pull it off. But in the end, I did like the revised versions better. It's kind of cool how you get to work as a team with input from different people.


     What can we look for in the future from you?

     I'm not happy unless I'm writing, so hopefully, you will see a lot more books from me. I would love to work on some more early readers because I kind of have a soft spot for those. My first one (PIZZA! PIZZA) is coming out with Random House (Step-Into-Reading) in the next year or so.


     Diana Murray writes poetry and books for children. Her award-winning poems have appeared in magazines including Spider, Ladybug, Highlights, and High Five. Diana grew up in New York City and still lives nearby with her husband, two very messy children, and a goldfish named Pickle. She is represented by Brianne Johnson at Writers House literary agency.
   

     

Thursday, November 3, 2016

Author Skypes with Picture Book Expert Laura Murray by Tina Cho

I have a special guest for you today--picture book author, Laura Murray, who writes the award-winning Gingerbread Man series, starting with The Gingerbread Man Loose in the School. Recently, Laura did an author Skype with my students in South Korea. I was impressed with her organizational skills and thought I'd let her share her experiences with our Grog blog fans.
Author Laura Murray
1. How did your Gingerbread Man become a series? Was that your idea? Your editor's? Do you get to come up with each book or do they?

The Gingerbread Man Loose at School was written as a stand-alone picture book, but after it came out, I happily offered to write more Gingerbread Man adventures if my editor was interested.

I was a teacher before becoming a writer and I had fun drawing on that experience for story ideas. My hope was to mirror some of my student’s favorite activities during the school year, with the GB Man’s adventures.  I proposed a GB Man/community helpers idea next, and the publisher suggested a more specific Fire Station setting. So the GB Man & his class went on their first field trip in The Gingerbread Man Loose on the Fire Truck!

Later my editor asked if I’d be interested in two more in the series, one with a holiday theme, and the other being my choice.  So the topic of The Gingerbread Man Loose at Christmas’ was their suggestion and The Gingerbread Man Loose at the Zoo was mine.

There is also a fifth adventure coming in 2018 that includes a feisty new character for the GB Man to match wits with. More on that later in the post J

2. My school really enjoyed your author Skype. You  were very organized from sending out emails ahead of time with expectations and things the school should do. What advice would you give new authors regarding Skype presentations?

Thank you! I thoroughly enjoyed reading to and talking with your smart cookies in their cute GB Man hats!

Being able to connect with classes all over the world is such a thrill – I love to spread enthusiasm for reading and writing, but I also love hearing the student’s ideas and connections!  I would encourage new authors to start with 15 minute free Skypes for classrooms and do some research online as to how other authors have organized their Skype Visits.  To get started, take a look at Kate Messner’s Skype guidelines 
Tara Lazar and Bruce Hale also have Skype information/blog posts on their sites.

 Here are a few possible questions to send out to teachers/librarians to help organize the details of the virtual visit ahead of time.

·         Name:
·         Email:
·         School:
·         City, State:
·         Time zone:
·         Skype Username:
·         Cell Phone or classroom phone (used to reach you in case of tech difficulties):
·         Grades at the visit:
·         Approximate number of students:
·         Three dates when your class can Skype:
·         Three times or blocks of time when your class can Skype:

Next steps:

o   Let the T/L know your Skype and contact information, as well as general format information.
o   You can also ask if the students are interested in ordering books (you can send signed bookplates.)
o   Double check any time zone differences.
o   While Skyping remember to look at your computer camera, talk slowly so the audio is clear, use props if you have them, and be enthusiastic!
o   It’s a good idea to test the Skype connection beforehand if possible.
o   Follow up with a thank you. And shout-outs on social media are always fun.

3.  About how many school visits or author Skypes do you do each month?  Do you "market" yourself to schools or wait for schools to contact you?

I thoroughly enjoy doing school visits, and my in-person and Skype school visits vary monthly. With the Gingerbread theme, I often do back-to-back in-person school visits in November/December.  Other months vary depending on my writing schedule, conferences, family events, etc. I generally stick to 20-30 in-person visits per school year, and about the same amount of Skypes.  I typically reserve January - March to focus solely on my writing, so I usually don’t do in-person visits then, but I do schedule a few Skype visits during those months.

This year I’ve planned three seasonal Skype days via my website Activities Newsletter, where I schedule a full day of free 15 minute Skype Visits. If a teacher/librarian is interested, he/she can join the newsletter and receive those dates, along with seasonal printables & classroom activities. A new Skype winter date will go out in the Nov./Dec. Activities Newsletter soon.

As for outreach, I’ve found that many librarians hear about my presentations through positive word-of-mouth from other schools I’ve visited, and through my website. I also try to seek out new opportunities to support reading. Last year I participated in author Kate Messner’s initiative to support World Read Aloud Day through volunteer author skype visits. It was such a great way to connect with students about reading/writing that I plan on participating again this year. Thanks, Kate! 

4. Could you give new authors a timeline of what they should be doing up to the day of the author event?

Well, it depends on the event. In-person school visits, book launches, book store or library visits, conference presentations, and Skype Visit all have common elements, but can vary greatly in terms of preparation and audience. Since we are talking about Skyping, I’ll stick with the topic of Skype event planning. :) 

It’s generally good to plan a Skype event at least a month in advance. Start organizing by sending organizational questions to the teacher/librarian, and giving them time to return the answers. If you’re planning a whole day of Skype visits, organize a schedule (with time zones in mind,) and then send out Skypes times and reminders about tech & connection to all the schools. Add the school Skype name as a contact in your Skype account. I often send a few book-related printables and activities to the school via email a week before the visit. The day before the event, it is good to do a quick check of the connection between you & the school.  On the day of the event, you want to make sure your computer, Skype account, props, etc. are all ready, but you can still wear your bunny slippers ;). 
Laura's Skype with my school

5.  How do you make your presentations interactive?

Student involvement is super important, so that you are not just a “talking head” during a Skype Visit. I try to involve the students in helping me read the book through a call and response of certain parts.  I ask questions, and either request a whole group answer or ask the teacher to call on students to answer. I love to use props. The question and answer session at the end is one of my favorite parts because I get to hear the students’ creative ideas too!

6. How many years have you been writing?
I’ve been writing for about 11 years now :)

7. You said you're working on a MG novel. Do you think writing a novel is harder than a picture book? As a pb writer who has to use a sparse amount of words, do you find it difficult to write a novel with lots of description and details that a picture book doesn't need?

I’ve been working on a Middle Grade novel, but had to put it away for a bit to focus on the Gingerbread Man stories and a couple of family moves.  I’m pulling it back out this year and moving forward with the writing, along with a few picture book ideas as well.

And yes, jumping to a new genre definitely has “its positives and its challenges.” I’m sure I’ll have more than a few hurdles to clear on the MG because it is my first one, but there is also something thrilling about trying something new, and freeing about having more words to play with.  I’m hoping that as I write the MG, my PB experience will continue to come into play when choosing the right words and whittling them down to exactly what needs to be on the page, with no “filler.” :)

8. You have worked hard to create followers. Could you let our readers know some of the tactics you use? (newsletter, blog, teacher resources...)

I genuinely enjoy connecting with people who love books, reading, writing, children, and teaching. I have a great deal of respect for children and an admiration for their sense of wonder and creativity.  Being a former teacher, I know how hard educators work for their students, and it’s that teacher in me that loves to provide fun lessons/activities for student engagement and connection.

·         Website – Includes MANY book-related GB Man printables, mentor text lessons, teacher’s guides, book trailers, reader’s theater, activities, school visit information, etc.
·         Activities Newsletter – Sent 3-4 times a year. Highlights new activities & printables, Skype Visit dates, events, and fun teacher-submitted ideas
·         Blog – I’ve just started to post little blog tidbits on my website. They often highlight curriculum connections, writing themes, pictures of class GB Man hunt ideas, etc.
·         Connections – I try to make genuine connections with educators and “kidlit people” on Twitter, Facebook, and Pinterest, as well as making personal connections through school visits, book events, and book/writing conferences.

Gingerbread Man Hats I found on Laura's website and had my students make

9. What's in store for the G'man for the future? 

The Gingerbread Man & the Leprechaun Loose at School will be fresh out of the oven in 2018, and is based on our own mess-making classroom leprechaun.  A mischievous little leprechaun is wreaking havoc throughout the school, and the GB Man and his class are determined to protect their classroom from this cheeky chap with a very clever homemade trap. 

10. For fun:
favorite color:  Sunny & bright colors: Yellow, Robin’s Egg Blue, Red
favorite food:  Warm cookies with a bit of icing ;)
favorite children's author:  I have SO many favorites, but if I had to pick just one -  JK Rowling
favorite book:  Harry Potter Series, but again - SO hard, as I could list pages in each genre!
If you could travel anywhere in the world, where would you go and why?  Italy and France – We love to travel and would like our kids to start to experience the wonder of different cultures, different languages, and different ways of life. 

About Laura...
Laura Murray was a teacher before becoming an author and had to deal with many an escaped Gingerbread Man in her time. She is the author of the award-winning rhyming picture book series – The Gingerbread Man Loose in the School, The Gingerbread Man Loose on the Fire Truck, The Gingerbread Man Loose at Christmas, and The Gingerbread Man Loose at the Zoo.  Laura lives with her family in northern Virginia and loves speaking at schools about reading, writing, and creating. Visit her online at http://www.LauraMurrayBooks.com for fun educator resources, and on Twitter @LauraMurrayBook.