Showing posts with label NCTE. Show all posts
Showing posts with label NCTE. Show all posts

Wednesday, January 10, 2024

Who, Me? Present at a Conference? ~Christy Mihaly

A conversation with Kathy Halsey

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Kathy Halsey

Kathy Halsey has blogged with GROG for almost ten years now (have we mentioned? GROG is celebrating our 10th anniversary this year!). Kathy is an author who also has volumes of wisdom from her decades as an educator, librarian, and presenter. She recently moderated a panel of children's authors at the NCTE (National Council of Teachers of English) convention – which is a Big Deal. 


When I learned that Kathy offers consulting services to assist authors and others in creating winning conference proposals, I had to know more. If you're a teacher, librarian, or author, you probably have questions about this. Kathy has answers! Here's what I learned when Kathy and I sat down to talk about how authors can break into the conference scene. Kathy got my brain spinning with ideas – see if the same thing happens to you! 



✔ Start Small


Kathy's advice for newbie presenters is to seek opportunities to present at local or state level events and smaller venues to gain experience, confidence, and a resume of presentations. For example:


Smaller groups that might be looking for speakers include: 

  • your local SCBWI chapter 

  • your local parent-teacher organization

  •  your local library 


Medium-size or state level opportunities include: 

  • nErDcamps, which are more informal gatherings of teachers and writers and sometimes have organized panels as well as less structured conversations. 

  • State or county library associations

  • State or local literacy organizations

  • State level teachers conventions

Kathy presenting locally

The Big Deals include: 

  • NCTE (English teachers)

  • NCSS (National Council for the Social Studies)

  • NSTA (National Science Teachers Association)

  • ALA (American Library Association)

  • Other major STEAM conferences


✔ Attend conferences


If there's a conference you might be interested in presenting at, consider attending it first. It costs money, but you'll have the chance to watch, learn, network, and observe the presenters. Pay attention to how the event is organized, and what makes a presentation stand out. 


Plus, connections! I recently attended the Vermont Association for the Social Studies because I wanted to meet teachers who share my passion for  teaching civics. I made some great connections (the "cool teachers") and learned about what's happening in civics education in my area.


✔ Plan ahead


For national conventions, themes are announced and proposals are due well in advance of the event. The 2024 NCTE theme has been announced and proposals are due this month – for the conference in November. If you're an author with a book in the pipeline, start thinking about an appropriate conference where you might like to make a presentation related to your forthcoming book. Kathy recommends starting to plan two years before publication.


Ellen Leventhal,Kathy, Nancy Churnin, Vivian Kirkfield, Pam Courtney, NCTE

✔ Identify what the organizers need 


In preparing a proposal, you want to give your host or the event organizers what they need. Kathy has the inside scoop on what conference organizers are seeking because she has organized conferences herself. As the vice president of OELMA, the Ohio Educational Library Media Association, Kathy created the schedule and handled the logistics for a 3-day statewide conference. 


So – research your hosts. What is the theme for the event? Do you have a topic that dovetails with that? Who is the audience? What are their expectations? If it's a major event, you can probably find prior years' presentations online.


In particular, Kathy points out that in most cases organizers want to see a clear take-away from your proposal. That is, after your presentation, attendees will have a new skill, or they'll be able to present a new classroom program, etc.


The money question


I've been paid for an SCBWI presentation and received a stipend for a keynote speech at a state Department of Libraries event, as well as payments for smaller library events. But many speaking and conference opportunities are unpaid. Kathy points out that the sponsoring organizations are nonprofits that rely on revenues from their annual conference to balance their books. 


In fact, if you're presenting at NCTE, for example, you must actually pay as an attendee at the conference, along with hotels and other expenses. Sometimes there is a reduced rate for presenters. Sometimes, your publisher might agree to pay your expenses. But generally, it's unpaid work. Which leads to the next question . . . 

. . . Why do it?


Presenting your work and your ideas publicly offers many advantages. You're getting your name out there, of course. Speaking at events establishes you as a serious professional with an area of expertise (perhaps it's the subject of your book, or poetry writing, or motivating reluctant readers, for instance). Doing presentations helps you meet people who share your interests, and expand your network. And often you'll have a chance to sell books. Some may disagree, but to me, these aspects of presenting feel like important parts of being an author -- sharing books and ideas.


Kathy Provides a Peek at Two Accepted Presentation Proposals


Kathy, here. I’m blushing at all the kind comments Christy shared, thank you, Christy! (BTW, her interviews are so thorough. Must be that lawyer background.) 


[We’re not done chatting yet. Look for us to chat about school visits here on GROG on March 28.] 


If you're interested in proposing a presentation, then reading accepted presentations, whether small or “big deals,” is like learning from mentor texts. Read, observe active verbs and what the takeaway for attendees is. 

I’ll share two examples here.


Example 1:

Ohio Educational Library Association Presentation (State presentation, 2019) 


The STEAM of Picture Books: Inquiry into Picture Book Creation

by Kathy Halsey


Picture books go beyond typical literacy constructs. They are the heart of many STEAM elements: design process, art as object, visuals, and economics. An inquiry-based model of examining picture books will be demonstrated by a professional children's writer to empower learners as effective users and creators of picture books in many formats and genres.

Methods to engage students with mentor texts that showcase STEAM across disciplines, and a model for examining picture books as professional writers do will be presented. Attendees will leave with resources to collaborate with kid lit writers in partnerships to extend the power of the medium.

Example 2: 

NCTE 2023 Presentation by Pam Courtney, Nancy Churnin, Kathy Halsey, Vivian Kirkfield, and Ellen Leventhal

Growing a Mighty Forest of Writers: Nurturing Young Writers in Collaborative Networks of Teachers, Children, and Authors


Teachers and authors share a root system, like Pando, the massive grove of quaking aspens. Networking together, we can nourish, protect, and provide a strong foundation to help students find their unique voices within a collaborative writing community. Panel members provide writing processes based on NCTE research that employs authentic purpose, topics, and revision in a safe environment.

Audience Level: Elementary           Session Type: Panel Presentation

Strand: Early Childhood Education Presenters: Tradebook Author/Illustrator

I’m including last year’s NCTE link here so our readers can compare the conference theme to how we crafted and worded our submission.

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We hope this has been helpful, whether you're contemplating attending a conference or thinking there might be a conference presentation in your future!


Please add your tips on conferences or your questions in the comments so we can help each other. Thanks for visiting GROG.


Kathy Halsey serves on the State Library of Ohio's "Choose to Read Ohio" program and as Ohio SCBWI Central/South region’s co-ARA. Her move-the-shapes board book, BE A RAINBOW, releases fall 2024 with KiwiCo Press. Kathy enjoys gardening and writing haiku. Her haiku has been featured on the Poetry Pea podcast and in poetry journals. In November 2023, she moderated and presented an NCTE panel encouraging teachers to Grow a Mighty Forest of Writers. She is a former K-12 school librarian and seventh grade English teacher who lives in Columbus, OH with her husband and silly Corgi Scrappy Doo.

Thursday, October 19, 2017

Shhh... Writing + Authors + Students + Authentic Learning = Top Secret YA Storybox Project by Kathy Halsey

I can't keep quiet about author/storyteller/educator Kevin Cordi's brainchild, the Top Secret YA Storybox Project. This past Sunday while folks were watching the NFL or enjoying a gorgeous fall day, 170+ people crammed into the Thurber Center for the project launch. 
Since its inception, the project has evolved to include an international audience and generated stories from thousands. It's also been featured on the NCTE's blog here. So, what is the secret and how do you get involved?


Storybox Revealed
Established authors and some pre-published authors volunteer their talent to begin a story which will be finished by high school and middle grade student authors who are assisted by teachers and designated story ambassadors. Kevin has launched a story box every other year because he believes in the power of story. 
Kevin Cordi, StoryBox Creator
In the summer, applications are sent in by schools to be considered for the project. Once selected, teachers share the story starters authors created specifically for the StoryBox. Students complete a story, learning much more than the typical "five paragraph essay" so prevalent in schools today. Creative boxes are designed by students that include their bios, stories, and photos for schools that receive the boxes in the second round. 

Launch parties are held for the published authors to meet student authors, for audiences to listen to completed stories, and to vote on their favorite box. This year Kevin hopes to have the completed works published.

Q & A with Kevin Cordi
Explain the logistics of how the boxes proceed through the process. 

Kevin: StoryBoxes have been ongoing since 1995. I have shepherded many, but there are others from our country and other countries that carry on the idea of the StoryBox. How a StoryBox travels depends on the person who launches it. In my case people apply to be a Story Ambassador and become a caretake for the StoryBox - its contents, and the events that bring people to it. They pay to get it and pass it forward.  

I read the applications and decide where will it make the biggest difference and then create a calendar of the places that can expect the StoryBox. At one school 950 students will have the opportunity to share stories and read the YA stories. At another school over 30 special needs students will have the opportunity to enjoy the reading, writing and community communications that originate from the TOP SECRET YA StoryBox.  

Why do the boxes all have secrets supplied by the authors and students? For fun, motivation?

Kevin: At first the idea of the secret was simply an idea, but as we promoted and talked about it, we centered on the belief that suspense leads to good reading and writing. We want to sneak our way into schools. We want our teachers and Story Ambassadors to be unpredictable and this is also what we want from our stories. This StoryBox has secret as at the lead.  

Tell us about the  next project.What theme and grade levels will you target?

Kevin: I've already been approached about a community StoryBox; we have a Vocation StoryBox being launched at my university in November, and a StoryBox for silenced voices.   However, 2019 has big plans. I've chatted with professional storytellers and illustrators, but what it will be is a secret. The launch will be stellar due to the team that is already developing around it. I also have numerous applications to keep the YA Top Secret StoryBox moving past this year.

What do authors gain from this experience?

Kevin: A number of authors have been approached via email, website, and more from students who want to know more about their stories and them. Yesterday an author personalized a note about how he was affected by student Abby’s story. Shelley Pearsall said that she enjoyed hearing and having a direction connection to the StoryBox; Sarah Hans is communicating regularly with a person who is finishing her story.  

I've read this is an international project. What other countries and states are involved?  
Kevin: The better question is where has it NOT been.  The project's been to Ireland, Israel, Scotland, Sweden, and a one room school house in Australia, at the United Nations Geneva Conventions on Children’s Rights, Brazil…

 A Win-Win for All Involved


Everyone I interviewed at the launch praised the YA StoryBox for a myriad of reasons. 
  • Parent, writer, and SCBWI member Leanna Watkins and her daughter heartily endorsed the opportunity. They cited student choice, the opportunity to email/connect with authors, and reading/writing outside one's favorite genres as reasons the Storybox made a difference to young writers. 



  • Teachers and Ambassadors were just as enthusiastic as student writers. Jane Burton, eighth grade Language Arts teacher from Pleasant View Middle School, and Literacy Coach Jen Zarlino, Story Ambassador from Southwestern City Schools said that authentic learning and real audience participation spur students toward their best work. 
  • Authors were amazed to see their beginnings morph into stories they could not have predicted. They had new audiences for published work and the chance to interact with zealous fans. 
    YA Author Joy Casella and student author who just may be the next Stephen King.

  • Kevin Cordi shared this memory on why such projects are needed. The YA TOP SECRET StoryBox reminds students that they can aspire to be a writer by reading, creating and writing.  I was told when I was young that I could not aspire to be a writer like those I was reading. This is not true. I have witnessed the boundless energy of youth from teaching high school for14+ years. I've learned from their stories and have witnessed how one story can change a person and their thinking.  

Final words from Kevin: The TOP SECRET YA Storybox Project or any StoryBox's purpose is to move conversation about the joy of sharing stories, energizing everyone involving the rich joy and wonder in reading and writing and talking about it. It should not be a secret that reading and writing change lives.  


For more  information on The Top Secret YA Storybox and Kevin Cordi, follow these links: