Showing posts with label Pam Vaughan. Show all posts
Showing posts with label Pam Vaughan. Show all posts

Wednesday, February 28, 2024

MISSY WANTS A MAMMOTH AND I WANT THIS BOOK! Debut Picture Book by Pam Vaughan (review by Kathy Halsey)

 

Launching Summer 2024!

Why do I love blogging? Part of it is the thrill of featuring friends and their books. Today, I’m featuring my long-time friend, hockey player, cheerleader for those of us still in the query trenches  PAM VAUGHAN and her debut MISSY WANTS A MAMMOTH! 


Missy and Mason’s first book in this new picture book series features the pair at the Natural History Museum, a perfect setting to wonder, wander, and… think about mammoths! (A bit of our history: we met 2013-14 on a now defunct online critique group when we were new to children’s writing. Over the years, Pam introduced me to the NE SCBWI conference, The Writers Loft, and Whispering Pines.

Without Pam,  I wouldn't have known about all these great writing events!

Missy Wants a Mammoth Book Review 

Idealistic, determined Missy has all sorts of plans for mammoth Malcolm, each idea sillier, and more farther-fetched from the one before. (Swinging from Malcolm's tusks? Yes, please!) However, Missy imagines him more as a friend than a pet. But practical, patient brother Mason can’t seem to reign in her imagination or her hope for a BFF, the extinct kind. Missy eventually gets her way and even manages to gift Mason with his own one-of-a-kind pet. 


Illustrator Ariel Landy’s illustrations are bright, engaging, and bring their own energy to Vaughan’s unique telling. Throughout the book, Mason plays hide-and -seek with readers!) Landy’s final illustration makes for the perfect ending with a “mammoth” twist!

Do you see Malcolm's tail? I do!

Pam Vaughan’s debut picture book re-envisions sibling stories and stories of outrageous pets with out-of-the-box ideas and her trademark wit. Add the whimsy and charm of mammoth Malcolm, and you have a read-aloud-again-please book that will have kids imagining their own over-the-top pet wishes. (LOL, parents be warned!) 


MISSY WANTS A MAMMOTH is also more than a pet story, it’s 

  • a sibling series where the siblings get along (in their own way)

  • a look at de-extinction and a lens into science discovery for fascinated kids and educators

  • A main character with spunk and imagination.


Readers will root for Missy to get her way. Children’s writers will want to study the voice and dialogue that reveal personality with such skill. Best, of all, new Missy and Mason books are coming! 


Author Chat with Pam Vaughan

Kathy: It seems ever since we met, I knew about Missy and Mason. Missy and Mason feel like people I know. Can you tell us the origin story of these stories?

Pam: Yes, I’ve known Missy and Mason for quite a while.

One night, I was in bed thinking about a character who wants something she can’t have, and how might she get it. Missy and her wild imagination came to me very clearly as did her realistic-thinking brother, Mason. I had to get up and write down their conversation.
The fun and funny thing about Missy and Mason is that they say stuff and my job is to write it down. 

Kathy: It’s amazing to have characters talk to us, right? You wrote what called to you, and these stories are now becoming real! You persevered doing what you enjoyed. Pam, your dry, subtle humor comes through in these stories. Did you think about marketability or series potential as you wrote about these siblings?

Pam: Thank you! I’m happy to hear that you find the story humorous.

At first I didn’t really know if there was anything to Missy and Mason’s stories. The first time I brought one to a critique group meeting everyone liked it. The funny thing was, at the next meeting, I brought a totally different project and people asked, “This story is good, but do you have any more Missy & Mason stories?” Then they started offering up titles of things that Missy & Mason could want! That gave me confidence that maybe they were worth writing more stories about them.

Since then, I’d always thought about Missy and Mason as a series.

Kathy: You bring up an important point for writers, if  we’re unclear about our, ideas, our critique partners will let us know! Another topic we’ve debated about Missy and Mason is the choice of dialogue. Did you experiment with first person or third person? Why did dialogue work best?

Pam: For some reason these characters come to me in dialogue. When I first started querying I remember a particular pass from an agent that said dialogue-only books don’t sell. That surprised me. So, I searched my library and took out as many dialogue-only picture books I could find. Turns out there were tons! I realized that the pass wasn’t personal and it was an opinion, not a fact. But even still, I did play around with writing in narrative, and tried changing POV. But Missy’s voice always comes to me in dialogue. It’s an interesting way to write because all of the context of the story must be conveyed through conversation and assisted by the illustrations.

Imagine all the fun they'll have! Mason, he's not so sure.

Kathy: Speaking of illustrations, did you have many illustrator notes? How did the characters match with your imagined ones?

Pam: I did have some illustrator notes but not a ton. I immensely respect the talent and expertise of illustrators and want them to have room to do their thing. I did give context that the story takes place in a Natural History Museum and a few other locations throughout. And the end needed some notes for clarity.

I tried not to imagine what the characters would look like so I was thrilled with what Ariel Landy created. My heart melted when I saw that she made Missy with strawberry-blond hair like me! We’ve never met or even spoken so I think she may have looked me up, or maybe it was a mere coincidence. Ariel totally knocked the illustrations out of the park! I love them SO much! The way she captured Missy and Mason’s energy, exuberance, and exasperation is remarkable! And how about the vibrant and vivacious palette she used? She totally made magic in MISSY WANTS A MAMMOTH!.

Kathy: Yes, Missy magically has a Pam Vaughan vibe! Ariel created a color palette that really jumps out and hooks readers' eyes. 

Tell us a bit about your writing journey. What was your path to publication like? I know #PBChat Mentorship in 2019 was a big step in your querying process.

Pam: I’ve been on this kidlit writing journey for a while. It doesn’t feel like a long time because it’s been so much fun. I love learning, so that played into the fact that there is a lot to learn especially writing for children.

I pretty much read all sorts of craft books, blogs, & mentor texts. I attended workshops, conferences, retreats. I stopped being afraid to ask questions or be the most clueless one in the room. I inundated myself with trying to learn everything I could about writing.

I went all in and attended conferences and joined online groups and in person communities like The Writers’ Loft. I signed up for a few mentorships. Finally, in 2019 I was picked as a mentee by Anika Denise in #PBChat hosted by Justin Colón. I was so grateful to work with Anika who helped me get Missy/ Mason where it needed to be. In November of 2019, I queried an agent that I was super excited about. He asked to have a call and I signed with him in January of 2020. We sold Missy/Mason in June of 2020.

Coincidentally, I originally met my editor a long time ago at an SCBWI conference and my agent at a Whispering Pines Writers’ Retreat. That’s a whole other story! 

Pam, Co-Director of Whispering Pines, MIT Endicott House, 2022 

Kathy: Readers, remember, keep putting yourself out there. Say “yes” like Pam did to all the opportunities you can take on.

Those of us who know Pam, know of her ability to create community in the children’s literature world. She is passionate about helping others and has done so through her leadership roles with SCBWI, The Writers Loft, and the Whispering Pines Writing Retreat. 

When I first started it was hard from a community perspective because I didn’t have one. I remember attending a few SCBWI conferences in New England and being super nervous. I ate lunch by myself because I didn’t know anyone. Even though it was hard to sit alone, I kept attending because I knew I had a lot to learn. (Now that’s grit at work!) 

My local kidlit writer friend Donna Woelki told me about SCBWI local meetups. I attended a couple hosted by Kris Asselin and got to meet a few people. At one of those meet ups, I met Heather Kelly, the founder of The Writers’ Loft which was a community of local writers. I attended meetings and workshops and joined a critique group at The Writers’ Loft and met more people. Then I joined the board and helped coordinate events. Eventually I became the NESCBWI conference photographer, and guess what? I met more people. 

I also had the privilege of attending the Whispering Pines Writers’ Retreat a couple of times run by Lynda Mullaly Hunt – and I met more children’s book authors and illustrators and learned so much. Then, I took over running the retreat.

But no matter what event I’m at, I remember what it felt like to sit alone, so I always make a point to talk with people (especially if they look lost or alone) and introduce people. (Great suggestion!)

Kathy: Pam,  I know we both feel it’s important to join and give back to our community? Why is that important? 

Pam:  It’s wonderful and helpful to be a part of a community of writers, and/or have writer/illustrator friends, who truly understand the ebb and flow of the whole process. Also, it’s a difficult and challenging industry with many ups and downs. My writing friends have been so helpful by sharing insights, experiences, and inspiration. I’m so lucky to have met so many phenomenal people on my journey.

One really big thing about community is that doing anything is so much better when you are having fun and doing it with others!

Coach Pam motivates on the field with athletes, off field with writers! 

Kathy: Yes, that idea of play and camaraderie comes through in our writing. 

Anyone who has met you knows that you are a source of encouragement and, like me, see you as “Coach Pam.” Does your background in coaching influence you and your writing career?  

Pam: I believe that everyone has unique skills, abilities, and incredible experiences. People forget how special and amazing they are and how important their stories are. Children out there need these stories. Maybe I’m just trying to remind people of that.  

Plus, it is such a privilege and honor to write for children and to create beautiful books that reach children physically and emotionally where they are. If we quit, the kids miss out.  

Kathy: And now, inquiring minds want to know WHY does Missy want a mammoth? 

Pam: Great question!
Who doesn’t want a pet mammoth like Malcolm? He is so cute and cuddly with his fuzzy head and furry belly and he is as sweet as a kitten. He can do tricks and loves picnics and dancing.

Preorder MISSY WANTS a MAMMOTH at Pam's local indie,the Silver Unicorn, here . Pam will sign them and they will ship them. You can use the Bookshop link here. Order wherever you choose.

Pam Vaughan: https://linktr.ee/pamvaughan

Website: https://www.pamvaughanauthor.com/

Bluesky: https://bsky.app/profile/pamvau.bsky.social

Facebook: https://www.facebook.com/pamvau.12914/
X: https://twitter.com/pamvau

Ariel Landy :
Instagram: https://www.instagram.com/ariellandyart/

Facebook: https://www.facebook.com/ariellandyart

Pam Vaughan lives with her family across from a pond on a cul-de-sac in central Massachusetts. She’s director of Whispering Pines Writers’ Retreat and co-ARA of New England’s SCBWI chapter. When she’s not writing books for kids, she loves walking in the woods and playing ice hockey. Missy Wants a Mammoth is her first book.



Wednesday, September 28, 2022

Whispering Pines Writing Retreat 2022 Recap with Chris Mihaly and Kathy Halsey

Whee! After two-plus years away from conferences, we (Kathy, from Ohio and Chris, from Vermont) met up at the wonderful Whispering Pines Writing Retreat in Dedham, Massachusetts this weekend, with forty-some other writers and illustrators and a crew of five magnificent mentors. Organized and run with panache by Pam Vaughan and Julia Boyce, this SCBWI-New England workshop is a gem. Here's a quick recap:

Words of Wisdom (from the mentors)

Each mentor shared an amazing presentation. From our copious notes we've distilled a single shining sentence from each ...

Jessica Anderson
(editor, Christy Ottaviano Books) offered practical pointers on optimizing symbolism and plot devices, and weaving them organically into your writing.
 
❤ "Your opening pages will be more powerful and resonant if they include a nod to your most significant symbol or plot device."

Alex Aceves (author, associate editor, Holiday House) explained how to create compelling characters that readers will feel a connection to. 
"Deploy character flaws strategically: readers don't connect with a perfect character, so write a protagonist whose flaws make us care about them and their success."

Sera Rivers
(agent, Martin Literary Management) revealed the secret of "why THIS book!" -- what makes a work stand out from the slush pile.
❤ "Bring a fresh perspective to a universal theme, and make your work accurate and authentic."

Abby Mumford & Brent Taylor (Photo, Mary Cronin)

Brent Taylor (agent, Triada US) broke down the business of children's books. Even the seasoned authors learned a thing or three. (Territories: World, World English, North American) 
❤ Books like Prince & Knight  "would have meant the world" to Brent as a kid. Brent believes territory is just as important to negotiate as royalties."

Chris Krones (editor, Clarion Books) energized us to knock the socks off writer's block.  They suggested going to the bookstore for inspiration and what gaps your book could fill.
❤ For Chris, "interest in the Merriam-Webster Word of the Year. 'they,' and creating a simple list, led to The Pronoun Book. Create lists, look for simple yet compelling concepts. 

Applying the Lessons

L to R: Brent, Alex, Sera, Jessica, Chris (photo, Mary Cronin)
We applied mentors' suggested writing exercises and pointers to make fresh improvements to our WIPs. A couple of examples:

Chris: I used Jessica's insights into symbols and structure to review a picture book manuscript word by word, working to instill visual and other sensory expressions of my major theme. I think it's better!

Kathy: Thanks to Sera's writing exercise, I changed a problematic setting in my picture book manuscript which enabled me ramp up the conflict.


Parting Thoughts: Top Tips for Writing Workshops

We're each sharing a single top tip for workshop and conference-going. (What? Are they contradictory??) We also include a couple of pointers from other attendees -- because WPWR is all about learning from one another! 

Chris: My top tip is: Say yes! Even if your first reaction is that you don't want to play the silly picking-up-dice-with-cups-on-your-hands game with these people you just met ... just say yes. You'll (probably) be glad you did.
Sally is game! photo by Charlotte Sheer
Kathy: My top tip is: Say no! Know when you've reached your limit socially or mentally. Take a break. Nap, walk in nature, write in private and come back refreshed. 

Laura Renauld: Step outside your comfort zone and be receptive to new ideas. That's what it's all about!

Connie Smith: Ask questions. If you don't understand what a presenter is saying, ask for an explanation ... and if you forget other people's names, just keep asking!

Books by WPWR attendees (photo, Nancy Tupper Ling)

Is it time to break your pandemic-era isolation and congregate again? Thinking of brushing off your Lucky Scarf and signing up for a workshop or conference soon? 
If you're looking for a little help getting back into the swing of things, check out these GROG posts from the archives: 

Leave a comment below about your favorite book gatherings. 
And good luck out there!

Wednesday, May 11, 2016

#NESCBWI Spring Conference: A Midwestern Gal Leaves for Parts UNKNOWN by Kathy Halsey

Should I stay or should I go? My happy conundrum this spring - go to The Wild Wild Midwest or head to New England for Parts UNKNOWN?" I chose the latter and that has made all the difference. I blame it all on MG/PB writer, friend, photog, Writer's Loft Board member, Pam Vaughan. And two others to blame... conference co-chairs, Josh Funk and Heather Gerry Kelly.
Pam likes to joke that I left my "tennis shoes" back in Ohio and slipped into Eastern "sneakers" to reinvent myself. Writers, challenge yourself to go outside your usual circle, your own SCBWI group, and grow. I learned so much, met so many new writers, talked w/industry experts, received a hug from Jane Yolen, and snapped a pic of nonfiction writer extraordinaire, Melissa Stewart, 2015 Crystal Kite winner. 

It will take me several months to unpack my new knowledge and several more blog posts, too. Don't worry, I will be sharing the expertise and juicy tidbits. GROGger Christy Mihaly will tag team with me, too. We met up several times and shared stories with 12x12 folks for pizza and camaraderie.

Short, Sweet Takeaways for Today
1. Have a goal in mind when choosing conferences. My goals included extending my network, meeting some author luminaries. getting a critique from editor Julie Bliven; following a nonfiction track throughout the conference.
2. Meet on social media before you go to a new conference. Many of us newbies connected via the #NESCBWI16 hashtag first and planned to meet at specific sessions/events.



3. Try something new. (Well, the theme WAS reinvent.) I challenged myself. I struck out and did not cling to my roommate the entire conference. I entered the Pitchapalooza contest and ate alone at the MVP lounge one night. Results...stronger pitch and new friends. 
4. Be brave, confident, and know you have something to share. Approach editors, agents, published writers and really talk. I now have a new vision and way to tackle a WIP for educators because I sat w/ Megan Dowd Lambert at the #AskAMentor session. With no one at her MFA table, we instead discussed her amazing professional book, READING PICTURE BOOKS WITH CHILDREN. Lucky me, I had 30 minutes uninterupted with her. 
5. Attend every event you can, even if it goes into the wee hours. The keynotes were amazing and the sessions were vetted beforehand, so this really was the best of the best. 
Yes, I am still drinking the NESCBWI conference Kool-Aid and will share more with you later! I still have to tell you about The Writer's Loft, and The Unlikely StoryBookstore & Cafe owned by Jeff Kinney, and...stay tuned. 

Monday, May 12, 2014

NE SCBWI -- Create Bravely! by Christy Mihaly & Pam Vaughan



The main ballroom
The theme for the New England regional SCBWI conference this weekend was: Create Bravely – Make Your Mark.  About 600 writers and illustrators attended, from all over New England and beyond.  Presenters taught 70 terrific workshops, on craft (from humor to character development), pitching, queries, and marketing, and the writer’s life. Keynote speakers were Jane Yolen, Peter H. Reynolds, and Laurel Snyder.  On industry expert panels, agents and editors shared inside information about publishing, marketing, and what they look for when they sift through the slush. 


Arielle Eckstut & David Henry Sterry

One highlight of the conference was “Pitchapalooza” with The Book Doctors: David Henry Sterry and Arielle Eckstut along with a panel of judges including; Alexandra Cooper, Sara Crowe and Kendra Levin.  

Writers were invited to give their pitches – in one minute or less – to an expert panel, in front o f a ballroom full of colleagues.   Volunteers received gold stars for courage. The comments and critiques from the Pitchapalooza team provided concrete examples of the "do’s and don’ts" of pitching.  Examples:  avoid clichés [“painful secret,” “family tragedy”]; use active and dynamic verbs; show the high stakes the main character faces, and – most important – make us love the hero and make us want them to prevail.  Thank you to the Book Doctors who tactfully gave constructive criticism demonstrating that feedback and encouragement do not have to be mutually exclusive.

The Book Doctors, judges and the pitch winners
We are now better prepared when those elevator doors close!  










Attending the conference was like being a main character in a story.  We had to make choices and we had to come out of our comfort zones. We went through internal changes from what we gathered from the workshops, the messages that resonated with us from the key notes, and from hearing the myriad stories of the attendees. Like an MC, we have grown and changed for the better!


Being brave is personal. And as Laurel Snyder says, “Being brave is being the best you.”

Groggers: Pam Vaughan & Chris Mihaly
                                                     Here are some “BRAVE” things we did:

Chris -- a first-time SCBWI attendee:
  • Volunteered to help with panels, and helped organize the genre meet-up
  • Signed up for one-on-one critique
  •  Tried out the “Ask-A-Mentor” event – speed dating with  agents/editors/authors
  • Introduced myself to lots of people, gave out my (new!) business cards, and sought out people that live near me, making plans to get together for critiques or meet-ups

Pam -- a veteran SCBWI attendee:
  • Volunteered as the 1st NESCBWI photographer and took over 1000 pictures
  • Raised hand and shared spontaneous piece in workshop
  • Initiated conversation with people who were either sitting alone at a table or standing around with no one to talk to
  • Spoke with agents and editors as people in genuine conversation

Some take away quotes from key note speakers:

Jane Yolen
Jane Yolen:     “I received FIVE rejections in one day.  But the 6th was an acceptance -- and that wiped out the disappointment of all those rejections.”
“BIC – Butt in chair.”



        

Peter H. Reynolds


Peter H. Reynolds:   “Have an idea, then figure the rest out later.”
 “Sometimes a mistake can spark inspiration.”
  “…he still had a long journey ahead. But it was his own journey, his
                                         very own wonderful journey.” (The North Star)






Laurel Snyder

Laurel Snyder:
         “Being brave is about writing books that matter, NOT 
         about being published.”
       “Your bravest work comes from defining moments in your life.”
       “Write for yourself because writing for everyone is writing for no one.”


(Pictures by Pam Vaughan)