Wednesday, January 15, 2025

Creative Unblockings by Kathy Halsey

Are you overwhelmed with all the ways you can improve your writing life in 2025?  Relax, today's post is about how to engage in other creative pursuits alongside writing or illustrating. It will help your writing life in a new way. 


A shoutout to Brittany Thurman who got me thinking about using my hands and heart when I was just not able to write.  Brittany recently began embroidery as a way to release the stress of deadlines. My mom and grandma taught me to embroider when I was a kid. Now I'm ready to get a kit to try it again.


Creative side pursuits are a great way to relax, find the joy in creativity, and play without that inner critic getting in the way. I asked some kidlit friends to share their creative past times and how it helps them in their writing life. Here’s hoping you'll be encouraged to try one of the activities suggested here.

Can you believe this is Brittany's first project?
Brittany Thurmann 
I think it’s helping me to not be so anxious. I’m working on a revision and it feels great to focus on embroidery when I get stuck!

https://www.brittanythurman.com/


What a unique way to work through stuff and be creative at the same time!


Susan Johnston Taylor

I like to cross-stitch funny or empowering sayings to clear my head. The repetitive motion of making X's in a specific pattern feels meditative to me and it also keeps my hands busy when I'm watching TV, a movie or a webinar. I've created some of my own cross-stitch patterns before, and that's allowed me to be creative in a different way than writing. 

www.staylorwrites.com

Susan's reindog ornament 

Love these sayings and designs, Susan! 

A great quote for an author to cross-stitch!

Kaz Widness

I don't run out of creativity often, but when I do, it's usually because I'm on book deadlines and my pathological demand avoidance (PDA) kicks in. To overcome this, I like to create mini projects just for fun. Lately, this has been small collage and Kwik Stix pieces that can later be used as gift tags or ornaments. Using clunky tools and mediums that feel less "precious" help me escape my perfectionist tendencies. 

windnessbooks.com

Kaz's cats!
Meow! Cat ornaments!

Kaz, I love that you call this “creative unblocking”! 


Janet Johnson

One creative pursuit I often use when feeling stuck is playing the piano. Not only does it help me relax, and take me out of the stress of feeling stuck, but it reminds me of all the work and practice it takes to master a craft. When I play a song for the first time, I make a lot of mistakes. I move through the piece slowly, and I sometimes wonder if I should give up on it. But when I break it down, note by note, measure by measure, I can always get there. And it's the same for writing. Word by word, sentence by sentence, I can get there.

janetsumnerjohnson.com

Janet at the piano

Janet, this is an apt comparison of playing piano and writing.


Joyce Uglow

A good ToDo list helps me stay on track. But a creative pursuit that helps me get unstuck is going outdoors for a walk and finding a sit spot to ponder. I like to pause on my walks to look at how the branches are moving or to listen to the quiet of the woods.

https://joyceuglowauthor.com

Joyce's inspo from nature!

Joyce, this is one of my favorite ways to relax and look for haiku subjects, thanks.











Sue Heavenrich

When I get to a place where I can’t get words on the page, then I head out with my camera and go look for beauty in nature. Not only doesn’t get me outside, which is good for my health, sometimes I even get inspiration.

 www.sueheavenrich.com


Sue, seeing things through a lens and framing life in a composition is very empowering. Cool!


Katie Mazika 

When I'm stuck or blocked as a writer, I do something physical that keeps my hands busy and takes me out of my studio. This could be anything from deep cleaning the refrigerator, organizing a closet,  or working in the garden. But even just walking my dogs can help get my mind going again and spark my creativity.

If I hit a wall artistically, sometimes getting out of the studio helps. But more often, putting aside what I'm working on and playing with new art supplies or drawing something unrelated to my current project gets the creativity flowing again.

www.katiemazeika.com

Katie from Maybe Just Ask Me (April 2025)

Thanks, Katie, for this image from your newest PB, Maybe Just Ask Me! Love that smile on your face!


Deborah Williams

When I’m stuck, I find that getting outdoors and making enormous bubbles calms me and clears my mind so I can stop stressing and begin to think creatively again.

https://www.facebook.com/search/top?q=bubblecrafters

Deb, you make bubble magic and summon up those days of backyard bubbles!

So readers, how do you like to find joy and unblock creativity? Share your ideas in the comments! Happy 2025!













Wednesday, January 8, 2025

Lydia Lukidis Finds Poetry in Space. ~Christy Mihaly

Welcome back to all, and best wishes for a creative and fulfilling 2025. 

Today GROG is thrilled to welcome author Lydia Lukidis to tell us about her new book, UP, UP HIGH: The Secret Poetry of Earth's Atmosphere, illustrated by Katie Rewse and published by Capstone Editions, a Capstone imprint.

Lydia has written more than 50 trade and educational books for children, including DEEP, DEEP, DOWN: The Secret Underwater Poetry of the Mariana Trench (Capstone. 2023), which you can read more about in this GROG post.

Lydia's new book explores Earth's atmosphere -- how about that for a picture book topic! Curious about where this idea came from? I asked!

GROG: What inspired you to write this book? Did you think about it when writing your earlier book about Mae Jemison? 

Lydia: It started in 2019 when I began writing DEEP, DEEP DOWN: The Secret Underwater Poetry of the Mariana Trench. Unbeknownst to me at the time, that book would turn out to be very special. It taught me that I can write about STEM topics using lyrical language. This was a turning point for me as a writer.


DEEP, DEEP DOWN won numerous awards (my first time!!) like the SCBWI Crystal Kite Award winner for the Canada and North America Division and the Silver Birch Express Honor (Forest of Reading). My agent Miranda Paul suggested I write a book UP, UP HIGH that journeys up high into our universe. I knew it was a winner.

P.S.: I had written DANCING THROUGH SPACE, my book about Mae Jemison, ten years prior so they weren’t connected. But now I clearly see I love writing about the deep sea and space!


GROG: What is your favorite line from Up, Up High?


Lydia: It's here:


The text is:

Up,
up
high
you go.

Soon the entire window
begins to glow
as an aurora
dances across the horizon.


Waves of blue,
yellow,
and green
merge together like magic,
shimmering
and shifting
in a sea of color.


GROG: Nice! And which illustration do you love the most?


Lydia: Also this one--Katie did such a terrific job illustrating the aurora lights!


GROG: It really is lovely. Okay, how about your research process? Your note thanks an expert, Dr. Zhang – did you conduct many interviews?


Lydia: This is what I’m learning with nonfiction; that primary resources and interviews with experts are sometimes essential and lend more credibility and accuracy to the work. My research starts with a few trips to the library where I consult books, periodicals, and magazines. Then I scour the web for reputable sites. From there, I’m usually able to write the first drafts. BUT- there are often holes or inaccuracies in the text. For UP, UP HIGH, I consulted three different experts:


  1. Dr. Zhang who works for the NOAA. He’s a whiz who was able to answer all my weather/atmosphere questions. 

  2. NASA astronaut Linda Godwin, who spent time aboard the International Space Station. How amazing is that? 

  3. Alan Eustace, a computer analyst who, gasp, SPACE JUMPED! Yes, you heard that right. I'm sure you've heard of skydivers. They jump from planes at about 10,000 feet up. But Eustace took a jump in space, from 26 miles up (137,280 feet). He free fell for more than 14 minutes and traveled faster than the speed of sound. Can you imagine??


GROG: All three of these people sound like amazing sources of information and insight.
Now, tell me about the “poetry” in your title. Do you consider the whole book a single poem or did you write discrete poems about different topics or themes within the book?

Lydia: The reason I chose poetry and lyrical language for DEEP, DEEP DOWN is because the Mariana Trench itself is a poem (I watched hours of footage). The same applies to our atmosphere, it’s mysterious and poetic all at once. It’s something we take for granted yet gives us life. This book honors that. I see each spread as having its own little poem that attempts to encapsulate the magic of the element it describes.

GROG: Why do you like to combine nonfiction with poetry?

Lydia: First off, it should be said that poetry is my first love, I’ve been crafting poems since I was six years old. So, if that language works, I’ll use it! But that’s not always the case, it varies from project to project. Sometimes, the content calls for a funny tone, or a more serious one. I play around with structure and tone until it feels right.

Poems penned by young Lydia


GROG: What are your thoughts about how to write nonfiction to engage young readers?


Lydia: Children are naturally curious. If you structure a nonfiction book in an engaging way and pick a topic with kid appeal, many children will likely gravitate to it. As an author, you need to think like a child. What would a child find interesting? That way, you can find your way ‘in’ to the book. Sometimes, it doesn’t happen. I have many WIPs that end up in the garbage.


GROG: I love the way the graphics in Up, Up High note the altitude above Earth for various features. How did you formulate the format for the book, with the fact boxes and altitude notations?


Lydia: Thanks! That format was perfected in DEEP, DEEP DOWN. I wanted to be as accurate as possible and really give context to all these atmospheric elements. The information on the internet is not the most accurate so consulting with the NOAA was essential.


GROG: Would you call Up, Up High trade or educational? Or both?


Lydia: It’s definitely trade as it’s published by Capstone Editions. I had been struggling for years to make the leap from work-for-hire to trade and it wasn’t easy. The good thing is, Capstone is also very much an educational publishing company and many of their clients are schools and libraries. So it flows into both worlds.


GROG: Generally, what do you take inspiration from? Where do you look for ideas?


Lydia: I don’t need to actively look for ideas, they literally come to me every day. My issue is that I need to practice the art of discernment, this is critical. Most of the ideas are just that, ideas, and they don’t necessarily translate into a strong book with a narrative arc. When an idea has potential, I’ll start my research and develop it to make sure it has what it takes.


GROG: I'm wondering how Up, Up High is related to Deep, Deep, Down? Did you have a contract for a series? And can you share what you are planning to write next? 

Lydia Lukidis

Lydia: UP, UP HIGH is definitely a companion book to DEEP, DEEP DOWN. They follow the same structure and tone, but explore our beautiful world in opposite directions. The second book wasn’t “in the bag” with Capstone right off the bat, but my agent Miranda Paul submitted it to their editor first, as an exclusive. They said yes! It was meant to be. Will there be more books in this series? Maybe! One never knows. 


I love writing nonfiction STEM. But I also like writing funny! I have a new early graphic novel series coming out in July, "Groucho the Grouchy Groundhog," which is a nod to Garfield, slapstick humor, and Seinfeld. All things I love!

I also wrote two novels in verse on very tough topics. I’m hoping they will get picked up! One is on sub and the other is with my agent.

Lastly, I’m working on three different STEM books. One of them is flowing well and the other two, not so much! Sometimes it takes time.


GROG: That's a lot! Good luck with all of the above. Is there anything else you'd like to share with our readers?


Lydia: I wanted to tell all aspiring writers: DON’T GIVE UP! Keep writing, it takes time. It took me many years to find my footing, and I had to go through three different agents until I found my dream agent. And still, it’s hard. I get rejections all the time. But I don’t give up, and neither should you.


More about Lydia Lukidis 

Lydia Lukidis is an award-winning author of 50+ trade and educational books for children. Her titles include DANCING THROUGH SPACE: Dr. Mae Jemison Soars to New Heights (Albert Whitman, 2024) and DEEP, DEEP, DOWN: The Secret Underwater Poetry of the Mariana Trench (Capstone, 2023) which was a Crystal Kite winner, Forest of Reading Silver Birch Express Honor, and Cybils Award nominee. A science enthusiast from a young age, Lydia now incorporates her studies in science and her everlasting curiosity into her books. Another passion of hers is fostering a love for children’s literacy through the writing workshops she regularly offers in elementary schools across Quebec with the Culture in the Schools program. Lydia is represented by literary agent Miranda Paul from the Erin Murphy Literary Agency. 


Social Media Links: 

Website & preorder UP, UP HIGH: http://www.lydialukidis.com/

Blog: https://lydialukidis.wordpress.com/

Twitter: https://twitter.com/LydiaLukidis

FB: https://www.facebook.com/LydiaLukidis/

Bluesky: https://bsky.app/profile/lydialukidis.bsky.social







Wednesday, December 4, 2024

Happy Holidays from GROG

 

Thanksgiving in Vermont 2024

Very best wishes from all of us at GROG 

for a holiday season filled with joy and rejuvenation.


We'll be back on January 8, 2025

with an exciting post from Lydia Lukidis.


Meanwhile, if you missed our Nov. 27 

interview with Alex Thayer 

amid the Thanksgiving hustle and bustle ... 

it's not to late to read it (here).


See you next year!


 

Wednesday, November 27, 2024

Alex Thayer's debut, "Happy & Sad & Everything True" ~Christy Mihaly


Alex Thayer
Last month at the inaugural New England SCBWI Acadia Retreat, I had the great pleasure of meeting Alex Thayer. She is delightful and talented, and, if you haven't heard Alex's name yet, I predict you soon will. That's because her new novel is sure to make a splash. 

Happy & Sad & Everything True (Aladdin/Simon & Schuster, Nov. 12, 2024) involves middle grade issues of family, new friends and old ones, true friends and fake ones. The protagonist, Dee, is devastated when she and her best friend Juniper are assigned to separate classes for sixth grade, and she is lonely and increasingly confused about Juniper's odd new behavior. She's also embarrassed about her eccentric single mother and has questions about why her dad left. 

Dee starts hiding in the girls' restroom each day to avoid the dreaded "Snack & Stretch." She discovers that a grate in the wall communicates with the boy's restroom, and before long she is dispensing advice and support through the grate to students with all kinds of worries. Word of Dee's good counsel spreads and more students approach her for advice. Dee enjoys listening and helping people, but meanwhile, her attempts to make a new friend seem to result only in more embarrassment. 

Hurtful discoveries, academic failures, mysterious secret notes, and unexpected treachery all come to a head in a satisfying series of resolutions. Dee realizes her own strengths and gains pride in being herself. I devoured this book (in ARC form) straight through in a day and a half, and Dee and the other characters have taken up residence in my brain. Nicely done, Alex! This is a beautifully engaging novel. I highly recommend it. 

Below, Alex answers some questions I had about her book and her writing (and other) life. So read on!  

GROG: When you began writing, did you know you wanted to write for the middle school crew?

Alex: I love the middle school crew. It’s a time when so many things might be changing. Schools, teachers, friendships, families, bodies, ideas, beliefs… The list of possibly changing things is endless. Which makes it an interesting age to write about.

Alex and friends at the Acadia Retreat last month

GROG: Exactly! An age group that presents rich dramatic possibilities, right? And speaking of drama, your first career was acting, for TV and movies. I happen to know you have some juicy stories from those days. Does that dramatic background affect your writing?

 

Alex: Great question! Absolutely! There’s something in acting called “Method Acting” when an actor stays in character on set. Even when the camera is not rolling, the actor doesn’t break character. I think I might do this as a writer. “Method Writing,” if you will! Sometimes I’ll dress up like my character to get myself going. Sometimes I’ll bake something that my character would love to eat. Sometimes I’ll write in my journal as if my character were writing in her journal. Sometimes I’ll pretend I’m on stage and I’ll speak as if my character’s giving a monologue to the audience. I think the element of play is very important in writing. Play takes the pressure off! Acting is a great way to play around as a writer.

GROG: I love that! Method writing! It seems to have worked for you. Dee comes across as genuine and real.

I'm wondering about the delightfully original premise of Happy & Sad & Everything True. Where did you get the initial idea?

 

Alex: Thank you! I’m glad you like the premise. I wish I could say it was my great idea, but really, the premise came from my main character, Dee. I thought about Dee for a long time before I started writing this book. I knew what she looked like, her personality, what people in her life would say about her. I also knew the things she would never tell anyone. I knew Dee very well, but I felt overwhelmed about writing a whole book. So, I started small. I put Dee in a place, a bathroom, and I listened. I realized other kids come into the bathroom and speak to Dee. I knew Dee would want to help them. Voila! My premise was born.


GROG: Beautiful -- I guess this is how your "method writing" works.

I also love how in the book you gradually reveal the depth of the relationship between Dee and her mother, with Dee's impatience/annoyance/embarrassment gradually giving way to understanding and appreciation of their mutual love. Was that always a main focus of the book?

 

Alex: The mom character really surprised me. When I first started writing this book, I thought the mom was humorous and quirky. But, as the novel moved along, I realized the mom cared deeply about her daughter. I think Dee realized this, too. The arc that Dee and her mom were able to make together was very satisfying to write.


GROG: Which character in Happy & Sad is most like you?

 

Alex reading at her launch,
shortly after publication
Alex: I think all the characters have little pieces of me in them. That said, Dee is probably the most like me. Like Dee, I make lists in my head. Like Dee, I like to help people. Like Dee, I feel insecure sometimes. Like Dee, I love my cat.

GROG: Wonderful! One last question for today:

What did you do on your book’s birthday?

 

Alex: I woke up early and I wrote in my journal. (I do this every morning.) I took my kids to school. I came home and made myself a big bowl of Hot Brown Rice Cereal and topped it with milk and berries. Delightful!


Congratulations and thanks again, Alex, and very best wishes with your beautiful new book.


~Christy




Alex Thayer is a former film and television actress and elementary school teacher. She lives in New England with her two sons. Happy & Sad & Everything True is her debut novel.