Showing posts with label An Inconvenient Alphabet. Show all posts
Showing posts with label An Inconvenient Alphabet. Show all posts

Wednesday, October 21, 2020

Guest Post by Beth Anderson: Being There: In Search of Setting + a Give-away!

Beth Anderson is no stranger to the Grog Blog. She offers wonderful picture book biography wisdom. Her new book, "Smelly" Kelly and His Super Senses: How James Kelly's Nose Saved the New York City Subway debuts October 13th from Calkins Creek, & it is fabulous! Today Beth shares about setting in picture book biographies. 

Setting is one of the basic elements of story, and when a story is set in a different time or place than our own, it calls for research. Searching out clothing, technology, buildings, transportation, and more, we aim to avoid anachronisms and make our characters’ world come to life. But setting is more than a “costume” or façade to make a story look right. Setting creates conflict, brings meaning, and is a vital part of point of view. So how can you “be there” as a character when you can’t travel to a place or time?

When I researched Elizabeth Jennings for Lizzie Demands a Seat, I pored over maps to get the lay of the land and locate her home, streetcar route, church, and courthouse. Putting myself in 1854 New York City, I imagined her footsteps clicking…wait…was there pavement? Basic questions like this lead us to seek out and examine images. Details on daily life, clothing, and weather help enhance scenes. 

But as I got to the heart of Lizzie’s story, I needed information on social aspects of life like class, gender, race, traditions, “unspoken rules,” and attitudes. How did she fit in her time and place? How did setting clash with her character? We can understand segregation on transportation being unjust, but how did it impact black lives? And Lizzie as a teacher—an educated, African American female who likely loved children—isn’t unusual today. But when we embed that fact in setting, we see her as exceptional. And when we look deeper, Lizzie as educator indicates she’s part of the abolitionist movement to secure equal rights and end slavery. Looking at her world through her eyes intensifies the emotions and adds meaning. Learning about the social fabric came from reading widely beyond her immediate surroundings, and about what happened before and after her actions. 

     

“Smelly” Kelly and His Super Senses called for setting research with a different focus. James Kelly’s story was more dependent on understanding the physical setting. I studied photographs of New York City from the 1930s to 1950s. I pored over subway maps to find locations of various incidents. And to “be there” as a character with super senses, I had to perceive his world as he did—through his senses. What would he have smelled with his super sniffer? What sounds would’ve bombarded his ears? I found some amazing historical maps— stench, sound, and industry maps! The sound map linked to newsreel clips! Though I didn’t use much of what I discovered, I could immerse myself in his sensory world. 



I’ve always wondered what was beneath those sidewalk grates and manhole covers. I needed to know about subway tunnels and access to infrastructure beneath the street. You Tube is a treasure trove! From teens exploring abandoned tunnels to workers building the subway, I learned about the underground world. [And let me add a special shout out to You Tube. I’ve used how-to videos, re-enactments (musket shots!), tours, historical footage, videos of animals, street sounds, drives through the countryside, and so much more.]

 Kelly’s radio crackled…” Wait a minute—would he have had a radio? How did he get messages to go check out clogs or leaks? An expert answered my question. No radios. He would have used phones marked by blue lights in the tunnels. Note for illustrator. 


Skyscrapers went up…their foundations went down. The city grew. How did that impact Kelly? Broken lines and mains, more miles of track to inspect [museum records]. Drips and leaks threatened cave-ins and explosions. Kelly could be electrocuted by the third rail. Inherent dangers inspire fear, tension, action.

 Why did he investigate a leak in a hotel and a stink in a tavern? Ahhh, everyone blamed that new-fangled, mysterious underground subway. Articles revealed attitudes.

 Media and trends influence how people see their world and sometimes offer interesting possibilities for imagery and writing. Smelly Kelly’s time, the heyday of detective stories and the emergence of superheroes, inspired me to play with both, and I ended up with a superhero thread that tied into the special heart that framed my telling. 


Different stories and characters require you to dig into different aspects of setting. In An Inconvenient Alphabet, I needed to delve into education, reading, writing, and language of the Revolutionary War period. Primary sources revealed traditions, attitudes, implications, and plenty of odd spellings which provided conflict and helped me take readers into the mix.  


It’s important to get the details of setting right and present your character’s world accurately. Even if you’re writing fiction, setting details make your world real and enhance the telling. There are plenty of online tools to gain access to a character’s world: maps of all kinds, Google Earth, You Tube, photographs, images, personal narratives, first-hand accounts, town records, digitized archive materials, varied media of the time, and EXPERTS! But to get past merely “dressing” your story in setting, consider the impact of all you’ve learned about the time and place on your character and the deeper meanings that emerge. Setting isn’t a backdrop and props, it’s sort of a living entity that affects character decisions, actions, and emotions. Some of the most important parts of setting involve aspects you can’t see.

 Dig deep and wide. Wrap yourself in the social fabric. Visualize physical details. Take in the sensory world like Smelly Kelly. But don’t just “stand” in that time and place. Immerse your heart in it. Be there. So your reader can be there, too. 

Thank you, Beth! To win a copy of "Smelly" Kelly & His Super Senses, please leave a comment for Beth by October 31. (U.S. addresses only)

Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. Armed with linguistics and reading degrees, a fascination with language, and penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, wonders, thinks, and questions; and hopes to inspire kids to do the same. Author of AN INCONVENIENT ALPHABET (S&S 2018), LIZZIE DEMANDS A SEAT! (Calkins Creek, 2020), and “SMELLY” KELLY AND HIS SUPER SENSES (Calkins Creek, Oct. 2020), Beth has more historical gems on the way.

Book Trailer for Smelly Kelly: https://www.youtube.com/watch?v=EfUyhYJbJBk


Signed copies of my books available at Old Firehouse Books https://www.oldfirehousebooks.com  
and Boulder Book Store https://www.boulderbookstore.net


  





 
 

Wednesday, September 12, 2018

Back to School with An Inconvenient Alphabet Written by Beth Anderson, Interviewed by Tina Cho

As a kindergarten teacher, I love ABC books. When I heard about Beth Anderson's An Inconvenient Alphabet, I had to find out more! She & I are part of the Epic 18 Debut Picture Book group, where I've gotten to know her. She's also a former educator. Welcome, Beth!
Photo by Tina Wood

1. How did you come up with this idea?

First, thank you so much for sharing AN INCONVENIENT ALPHABET with your readers!
As a writer who loves narrative nonfiction, I’m always on the lookout for interesting tidbits from history or science or maybe a combo. When I saw an article on Ben Franklin’s alphabet, it caught my eye. And then, as I read Ben’s words, “Those people spell best who do not know how to spell,” it hit me in the heart – my teacher, parent, language-loving heart. But it still required lots of digging to find the premise and shape the story.

2. What was your research like? Did you travel anywhere special to find golden nuggets of info? How long did it take to research?

My research started with scouring the internet to get an overview as I considered the potential of the topic and gathered a list of sources. Then I turned to the library and began requesting books about Ben and Noah and language history. I am so grateful for all the historical texts that have been digitized and are shared on a number of databases – such incredible resources! I reached out to historical societies, the Library on Congress, museums, and other institutions.
The first round of gathering information took a few weeks. Then as I drafted and revised, I continued to get more books as one source led to more and more, a dribble of ongoing research for a few months. As I’ve found with every manuscript, I needed to do another dive into the research, rereading my notes and searching out more resources, to reframe or hone a special thread of the story after receiving critiques.  


3. What was your favorite bit of information that you uncovered?

ISH. Ben had me at “ish,” his letter for the SH sound. That along with the quote I mentioned above were my favorites. Oh, but then there was the fact that Noah and Ben were opposites, Noah being a tad pushy and wanting to legislate his ideas. And I have to admit to liking the point that Ben, Super Founding Father, didn’t hit it out of the park every time he had a new idea. He let his ideas “take their chance in the world,” which is great advice for me as a writer. So basically, I kept finding more to love. :)

4. How many drafts before this sold?

I did about 40 drafts of this manuscript.

5. What have you learned about marketing? Any tips to newbies?

I’m still a newbie at marketing, learning as I go. I’m trying to take advantage of any opportunities, learn from other authors’ experiences, keep records for the future, and have fun with it. 

6. I see you have two more picture book biographies coming in 2020 from Calkins Creek. Would you like to share anything about those?

Although these two picture books both deal with transportation in New York City, they are very different.
LIZZIE DEMANDS A SEAT: ELIZABETH JENNINGS FIGHTS FOR STREETCAR RIGHTS, illustrated by the phenomenal E.B. Lewis, is a civil rights story about a woman who won the first court case for desegregation of public transportation. She’s an amazing woman, much like Rosa Parks but a century earlier. To me, her story shows how we are links in time, standing on the shoulders of those who came before us and inspiring those who follow, as well as how we all need to find the courage to step up and play a role in establishing social justice.
“SMELLY” KELLY AND HIS SUPER SENSES: THE MOSTLY TRUE STORY OF AN ORDINARY MAN AND HIS EXTRAORDINARY NOSE, illustrated by Jenn Harney, is set in the fascinating underground world of the 1930’s New York City subway. There, James Kelly, a humble immigrant learns to use his natural talents for the benefit of all—and also finds out what it takes to be a true hero.
7. What are you working on now?

At the moment I’m working on editor revisions for a third Calkins Creek title that hasn’t been announced. I’m also revising a new manuscript on a bit of revolutionary history that I’d never heard of before that seems incredibly relevant in today’s world. And then there’s pile of research and a few ideas that keep swirling in my head…

Wow, Beth, Congratulations, on these additional forthcoming titles! You've been busy with research. I hope you all get to read An Inconvenient Alphabet! 


Bio
Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. Armed with linguistics and reading degrees, a fascination with language, and penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Colorado where she laughs, wonders, ponders, and questions; and hopes to inspire kids to do the same.
Beth blogs at https://bethandersonwriter.com/
An Educator’s Guide will be available on 9/25 HERE