Showing posts with label editor Carol Hinz. Show all posts
Showing posts with label editor Carol Hinz. Show all posts

Wednesday, October 18, 2023

Be a "Rule Breaker" with Jessica Fries-Gaither and Nature’s Rule Breakers: Animals that Don’t Fit In by Kathy Halsey


What fun to be interviewing an Ohio author and SCBWI friend, Jessica Fries-Gaither this week for the GROG! We both love NF picture books and are educators. I’ve always admired the gorgeous books that come from Millbrook Press and editor Carol Hinz! Let’s take a look at Nature’s Rule Breakers: Animals that Don’t Fit In

Book Review

There’s still such a market for engaging science nonfiction, and Nature’s Rule Breakers: Animals that Don’t Fit In fits perfectly onto a school library shelf, a teacher’s bookshelf, or in the hands of curious kids who love unusual creatures. As Kirkus says this is “not your ordinary display of interesting and appealing animals, this offering has an important message for young readers and the adults who care for them."

Author-science teacher Fries-Gaither has crafted a lyrical, engaging book with questions that hook the reader and an SEL theme that can also be a point of discussion in a classroom/library setting. That theme applies to the animal kingdom as well as with humans– no one fits the parameters of rules perfectly. That quality makes us unique. As Jessica states in her newest picture book, “Some rules are meant to be broken, even those in the animal kingdom”! 

As a proud rule breaker, an “inbetweener” who has felt that I don't belong, this is an affirming book for more than the target audience of 5 - 9 years, K - 3.  Go find out more about garden snails, tardigrades, and Sacoglossan sea slugs and other inbetweeners. This is an engaging, informative read with useful backmatter that will delight educators! 


Craft Chat wit Jessica Fries-Gaither 

Kathy: I’m always curious about the “process” of how text changes over time to become a publishable piece. In your first drafts of Rule Breakers did you write straight exposition and add all the lyrical elements later? Was it ever written in rhyme? 

Lines like “This feathered flier is crepuscular, swooping silently through sky at dusk or dawn” are so poetic, full of consonance and assonance. How did you arrive at this lyrical version and prose like it throughout the book? 

Jessica: My initial drafts were almost entirely straight exposition. I’m a science teacher by day, and so my “voice,” both in the classroom and on the page tends to be clear and matter of fact when I’m trying to explain a concept. Thankfully critique partners and editor Carol Hinz pushed me to jazz up the language to make it more engaging! 

Lyrical nonfiction is my absolute favorite, and it’s something I’m continually working on in my own writing practice.

As for rhyme…no. I’ve previously published two rhyming picture books with NSTA Kids, and it will take a special topic for me to want to go through that again. 

Kathy: The use of questions on spreads is another active aspect of your diction in Rule Breakers. How do questions help a reader connect with nonfiction?

Jessica: Again, I think this flows naturally from my life as a teacher. I spend my days asking kids questions to help them figure out and understand science concepts. I find that kids can rush through things, whether it be thinking through an idea or reading a book. Posing questions encourages them to pause, reflect, and engage more deeply with the content. 

Kathy: Ah, I love that “pause, reflect, engage deeply”. That is what scientists do! On another note, I’m curious if there has been any pushback with your inclusion of living things moving between female and male behaviors, such as the garden snail or even terminology such as “hermaphrodite.” The facts are true, but some adults are hypersensitive to word connotations in our “politicalized” world. As a writer, did these issues come up as you wrote?

Jessica: Including sex as a category was a very conscious choice on my part, and I chose to place those examples later in the book to allow readers to get comfortable with the rule-breaking concept before tackling it. The only note I’ve received on this to date was from a colleague who read an early draft and mentioned that the use of “hermaphrodite” with regard to intersex humans is stigmatizing and offensive. We talked about the differences between the use of the word to describe an animal like a snail versus a human and I ultimately felt okay about leaving it in (and apparently, so did my editor). Sadly, though, given today’s climate, I can’t say I will be surprised if some pushback arises. Disappointed and perhaps angry? Absolutely. But not surprised. 

Kathy: I am glad you took a stand and left the spread with “hermaphrodites” in. BRAVO. I’ve never thought about species that don’t fit in. Where’d you get this original idea? How did you decide which animals to include? Were there others that you didn’t include? Was there a process of elimination by you, your agent, or editor?  The photos are quite compelling, too. Did the “coolness” or “strangeness” of the creature make it a contender for the book?

Jessica: Believe it or not, my inspiration came from a tweet that simply read “Biology isn’t binary.” (Had I known where that tweet would lead me, I would have taken a screenshot of it back in 2021!) I kept thinking about it long after I liked and retweeted it, especially in the context of the way we teach kids about living things. It seemed like there was an opportunity for me to show them a new way to think.

I started brainstorming examples with a friend and science colleague and we came up with so many examples. Not just animals, but plants and human biology as well. It’s interesting to go back and look at my early drafts because there wasn’t a clear focus yet. Rounds of feedback from critique partners helped me start to narrow my focus. I worked on this manuscript with author Sara C. Levine in a virtual revision workshop through SCBWI Ohio North, and her expertise and feedback helped me continue to narrow. Some examples were more compelling than others, and the nuances of some categories proved to be too difficult to explain in the concise picture book format. 

I don’t know if I consciously considered “coolness” or “strangeness” of an animal besides my own interest in it. My editor and I had some discussion about whether or not to include the sea slug, but I pushed to keep it in because I’m fascinated and a little obsessed with them. Google “leaf sheep sea slug” to see why! I do know, though, that while I love mammals and birds as much as the next person, I challenge my students to learn about other types of animals as well. I’m sure that perspective influenced some of my selection process, whether conscious or not. 

Kathy: Have you begun author visits yet? I bet kids will love the “coolness” and "strangeness” of these rule breakers. So, how do the kids react to the creatures? What are their favorites? Any tips to pass on to GROG readers via school visits?

Jessica: I’m doing a “visit” with my own students this week—gotta take advantage of a built-in audience—and have a virtual visit scheduled with a school in California next month. So I don’t have visits to draw on yet, but I think they’ll be fascinated. And ironically, even though I’ve been in the audience for many an author visit, I’m feeling very much a newbie when it comes to being on the other side of the microphone! 

Kathy: What are you working on now? Please share any virtual presentations or in-person events that are on your fall-winter calendar.

Jessica: My writing always slows down in the late summer and fall with the return to teaching and coaching middle school volleyball. I’ve been working on a proposal for a middle grade science nonfiction book that I’m excited about getting back to. I’ve learned that November-March is a typically productive time for me as a writer, and I am excited to see what comes from it this year.

I will be at the NCTE conference (here in Columbus) November 16-18. I’m part of a panel discussion, All Hands-On Deck: Creating an Active, Climate-Literate School Community with authors Keila Dawson, Jeanette Bradley, Laura Gehl, Lindsay Metcalf, and fellow educator Alex Edelmann, although my involvement is around the books I’ve published with NSTA on science notebooks. I will have a book signing foNature’s Rule Breakers at the Lerner Booth (Booth 307) from 1:30-2:00 p.m. on Saturday, November 18. 

I have other presentations and conferences focused on my writing for science teachers, but not much for Nature’s Rule Breakers, yet . . .

Check out Jessica's professional books for educators, too!

Jessica is an experienced science educator and an award-winning author of books for students and teachers. Her titles include Nature's Rule Breakers: Creatures That Don't Fit In, Notable Notebooks: Scientists and Their Writings, Exemplary Evidence: Scientists and Their Drawings, and Science Notebooks in Student-Centered Classrooms.


Find Jessica here!

website: https://www.jessicafriesgaither.com

Facebook: https://www.facebook.com/jfriesgaither

Instagram: @JessicaFGWrites

X (for now): @JessicaFGWrites

Blue Sky: @jessicafgwrites.bsky.social


Wednesday, June 20, 2018

CAN I TOUCH YOUR HAIR? A UNIQUE POETRY COLLABORATION




     I was blessed to have met Irene Latham and Charles Waters






at a recent SCBWI event in Birmingham. When they read from their new book, Can I Touch Your Hair?




I was hooked. Such a powerful book that will be talked about for some time. It is getting good reviews and was recently featured in a 12 x 12 webinar as one of  librarian Betsy Bird's Top Twelve Books of 2018. They were gracious to answer some questions about their collaboration for readers of The GROG. (You can view an earlier post here interviewing Charles:
https://groggorg.blogspot.com/2018/03/debut-author-charles-waters.html )

     Post a comment and you will be entered in a drawing to win a free copy of their book. 

     Sherri: I think I head you say you "met" through your poetry publications, but can you tell us how you two came together for this project?

     Irene:  We knew each other and each other's poetry through Poetry Friday, which is a weekly online meetup of poetry folks sharing poetry posts and resources. We'd also been featured together in a couple of anthologies. Charles has always been kind and enthusiastic in our interactions, so when Carol Hinz suggested the book would work best as a conversation between a white poet and a black poet, and who would I like to work with,  I instantly thought of Charles.

     Sherri:  Did you pitch the idea, or did someone pitch it to you? 

     Irene:  It was actually our editor Carol Hinz's idea, and she recruited me and then I brought Charles on board.

     Sherri:  Did you meet before you started work on the book?

     Irene: We didn't meet until after the book was finished. We relied on Google Docs, Microsoft Word, emails, texts, and the occasional phone call.

     Sherri:  How did you decide on the premise of the teacher giving an assignment?

     Irene and Charles:  We thought that made the most sense of getting a shy kid and an overactive kid together to get to know each other in the hopes of them becoming friends. Also, there should be poetry projects in all of humanity once a month!

     Sherri: Tell us about the poem titles.

     Irene: We each decided those on our own, as much as I can remember. (It's possible our editor helped us tweak a few...the thing I do remember is that at one point it was suggested that maybe the poems didn't need titles at all, and Charles and I were both attached to our titles! In fact, it's hard for me to imagine calling it a poem if it doesn't have a title. (Fortunately, the publisher supported our choice.)

     Sherri:  How long did it take from start to publication?

     Charles: If I remember correctly, it was two years. However, we did get Carol a working manuscript to send to the acquisitions meeting in about three weeks.

     Sherri:  Charles, I heard you used the real name of a teacher. Can you tell us about her?

     Charles:  Becky Vandenberg was my high school teacher in English and math in 10th, 11th, and 12th grades. My first day of school at Penn Wood High in September of 1988 was her second day of school. I felt a bond with her from the beginning because we were both newbies to Penn Wood. She's taught and mentored scores of students coming up on 30 years. I used her name in our manuscript and after a series of drafts, Irene asked me where did I get the name Mrs. Vandenberg. Once I told her about Becky, she said, "Well, we're definitely keeping the name now!"

     Sherri:  What would you like to see happen with this book? I could almost see a teacher using it in the classroom with different readers.

     Irene and Charles:  We hope it sparks conversations. We don't have all the answers, except to be kind to one another. As far as teachers using the book in their classrooms, we would be honored. Teaching artist/Musician/Playwright Lacresha Berry created a Teacher's Guide that is full of ways to implement the book into one's classroom.

Teacher's Guide:
https://docs.wixstatic.com/ugd/b9444ae3a57c6491174b13bc2c4bfdbdd005cd.pdf

     Sherri:  Can each of you share something you learned while working on this project?

     Irene:  We were both acolytes in the Episcopal church when we were kids.
    Charles:  We both grew up one of five kids within our respective families.

     Sherri:  Are the illustrations of each of you based on fifth grade photos?

     Irene:  We did send our 5th grade pics to Sean and Selina so they'd have a starting point. We love what they did!

     Sherri: Do either of you have a favorite poem? Is there one you labored over?

     Charles: My favorite poem in the book is Irene's poem "News."


which is written with such detail and sensitivity. When I do solo author visits, I try my best to read this poem to the audience. #lathampower.


     Irene:  And I love Charles' "Officer Brassard" poem.


 It really shows how confusing and complicated humans can be. As for a poem I labored over, I don't think any went through more drafts than "Summer Reading," It was tough to hit the right note for the narrative thread, and there are still things I'd like to change about it.

     Sherri: I especially liked the art. Every page turn had something new in color, format, or design. How did you react to the illustrations?

     Charles: There may have been dancing involved for me. Thank goodness no one saw it. One of the skills I do not possess is the dancing skills of the late Fayard and Harold Nicholas or the musicianship of the late Cab Calloway.

     Sherri:  Is there another collaboration in the works?

     Irene and Charles: You never know. :-)

 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

     Irene Latham is the author of more than a dozen current and forthcoming books including two novels for children--Leaving Gee's Bend and Don't Feed the Boy. Winner of the 2016 Lee Bennett Hopkins Promising Poet Award, her poetry books for children include Dear Wandering Wildebeest, When the Sun Shines on Antarctica, and Fresh Delicious and Can I Touch Your Hair? (with Charles Waters). She lives in Alabama with her family where she does her best to "live her poem" every single day. Visit her online atwww.irenelatham.com.

     Charles Waters is a children's poet, actor, and author. His poems have appeared in various anthologies including Amazing Places, One Minute till Bedtime and The National Geographic Book of Animal Poetry. Charles performs his one person show, as well as conducts poetry performance and writing workshops for elementary and middle school audiences. Can I Touch Your Hair? Poems of Race, Mistakes, and Friendships is his first book. He lives in New York.

     


     




















Thursday, March 16, 2017

Interview with Laura Purdie Salas and her new book If You Were the Moon

I've been following Laura Purdie Salas, a stellar writer and work-for-hire guru. This month If You Were the Moon was released from Milbrook Press. Welcome, Laura!

1. How did you get the idea for this book?

The structure came first—which is fairly common for my nonfiction ideas. I love writing Things To Do poems with kids on school visits—poems that are a creative to-do list for an object. It’s an adaptable, non-rhyming poetic form that lets you merge information with imaginative writing. Kids love them, and I thought, “Hey, wouldn’t it be cool to have a book in this format?” One day, I was brainstorming ideas for my next nonfiction book. Here’s one of my list of possibilities.

4/1/14: Things To Do If You’re a… as a nf pb series. Poetic, with prose sidebars. Electricity. Ecosystems. A season. Love this. Pitch to Carol. Addendum: They bought MOON! When can I pitch other books in the series?

2. How long did it take to research and write this book?

Since I knew the exact structure I wanted to use, everything just fell into place. I had the idea at the beginning of April 2014, and by the end of May, I had sent my Millbrook editor the manuscript. She acquired it that fall.

Of course, there was a revision process with Carol. In August or September of 2015, I got editorial notes from her. Over the next six months, it went back and forth between us for about six rounds, hammering out tiny details. First it was just the main text. Then the sidebars. Then the order of things.

One thing Carol recommended that I was skeptical about and struggled with was adding an introductory spread with a child in it. Initially, it launched right into “Hover near your mother,” or whatever the first line in the poem was at that point. I eventually came to see that she was totally right (as usual). That was the biggest change, I think, in the manuscript. But that first version was fast. It was just waiting to spill out, I think. (If only ALL manuscripts behaved that way!)

Laura and her editor Carol Hinz from Lerner at NCTE
3. Did you sell this without an agent? How did that work?

I did have an agent at the time, but I pitched it to Carol myself (with my agent’s approval). She got involved at the contract stage, but since I had an existing relationship with Carol and Millbrook (they had already published A Leaf Can Be…, Water Can Be…, and A Rock Can Be…), it made more sense for me to do it personally.

4. What are you and your publisher doing to market this book?

Let’s see. I bet I will leave something out!
Lerner:
  • ·  held a signing for me at NCTE in fall (where they gave away 100+ copies of the book to educators)
  • held another signing for me at ABA in January (where they gave away 100+ copies of the book to booksellers)
  • ·printed up beautiful bookmarks and gave me a bunch of them to use, too
Lerner is awesome and has supported the book wonderfully.

And I:
  • shared the book in two different sessions at NCTE
  • created a new READ bookmark featuring art from the book and adding the book cover to my other covers
  • ·am finally having an in-real-life book launch party (hosted by FFTC/Bookhounds--http://laurasalas.com/moon-launch-party/)
Laura Salas in her moon dress and Miranda Paul NCTE Conference

That’s the main stuff. There are other little things, like making a new profile pic of myself holding the book, that are so minor—but they do take time! Or sharing reviews on social media. That’s the ongoing stuff.

5. You write beautiful poetry. Were you a poet first and then a story writer?

Aw, thanks, Tina. Nope :>) I was writing what I thought were picture book manuscripts (looking back, they were short stories) for several years before I thought about writing poetry. I love writing in all sorts of forms, genres, and voices, but poetry is now my first love. Almost any topic or idea that comes to mind, my first thought is, “Hmmm…could that be a poem?” Then, when it can’t, I think about other options. I hope I didn’t hurt my prose manuscripts’ feelings by saying that!


Book Review by Tina Cho

Laura Purdie Salas has written a charming lyrical picture book, If You Were the Moon, about a young girl who discovers fascinating things about the moon. The story begins with the girl looking out the window at the full moon wishing she could do “exactly nothing, just like you.” The moon responds and tells her all the many things it can do. My favorite line: “If you were the moon, you would spin like a twilight ballerina.” A sidebar gives scientific facts about spinning on its axis. Laura has done a fantastic job using sparse text and easy-to-understand kid-like descriptions of the moon’s activities. For example, it plays dodge ball, peek-a-boo, and tug-of-war. Can you guess how? I love how she also incorporated baby turtles, hamsters, and the Asian harvest moon into this story! Sidebars, a glossary, and books for further reading will aid kids who want to know more. And Jaime Kim’s lovely illustrations accentuate the text to light up a young child’s mind.

another picture book by Laura 

Laura Purdie Salas
Laura Purdie Salas has written more than 125 books for kids, including the award-winning Can Be… series and BookSpeak!  She offers books and courses for writers through Mentors for Rent (MentorsForRent.com) and speaks at writing conferences around the country. laurasalas.com