All About Elaine Kiely Kearns

by Suzy Leopold 

Kids love dinosaurs. Kid lit writers love Elaine. 

Today the GROG Blog features Elaine Kiely Kearns and her debut picture book: 

NOAH NOASAURUS 

by Elaine Kiely Kearns

Illustrated by Colin Jack

No need for introductions. We'll skip over the formalities. 

Everyone knows Elaine as the founder of KIDLIT411. Together Elaine and Sylvia Liu form an outstanding team providing a one-stop place for writers and illustrators.

Join me for some online chit-chat as we learn more about Elaine as a writer and debut author.

Just look at that cute smile!
"I write. What's your superpower?"

Q1: Everyone wants to know about your debut book. Tell us about NOAH NOasurus? Did I spell the title correctly?

A1: It's just NOAH NOASAURUS or Noah Noasaurus because a noasaurus is a real dinosaur! (Weird, right??!!)

Well, I learned a new dinosaur name, Elaine! Click here for more facts and information about this interesting dinosaur and remains found in Argentina.

Q2: Tell us about the writing process and your journey for this picture book.

Q2: My writing process usually begins with an idea for a title. I like to think about an idea for awhile before I began writing. This is going to sound odd but I do some of my best thinking while I am vacuuming. I don't know if it's the drone of the vacuum cleaner or the task itself but it works. After thinking about the story and getting a rough arc in my brain, I will sit down and write a sloppy first draft.

Q3: Did you and illustrator Colin Jack communicate with each other about the illustrations?

A3: Nope! Not a single time. I am absolutely thrilled with how the book turned out and his art and his vision for NOAH NOASAURUS was perfect.

Q4: Tell us about your book launch.

A4: My book launch was held this past Saturday, April 13th and we held it at Scattered Books in Chappaqua, New York. The day was perfect and it was absolutely everything I imagined my launch to be. It was a bit reminiscent of the old, "This is Your Life!" show as the day went on. All of my best friends were there, friends from high school that I hadn't seen forever came to see me, childhood friends and neighbors that I hadn't seen in a long time, former students, teachers that I worked with, my family, their friends, and I even got to sign a picture book for Chelsea Clinton's children, Charlotte, Aidan, and her expectant new little one. It was a perfect day! I am still on Cloud 9!

Q5: What kind of swag are you preparing/sharing for NOAH NOASAURUS? 

A5: I bought the usual swag--bookmarks, stickers but by far the biggest hit was temporary tattoos that I had made of Noah. The kids love them!

Q6: Share your author history. Did you always want to be a writer or did that accomplishment come later while being an educator and a mom?

Q6: I had always thought about writing but life was busy working as an elementary school teacher. It wasn't until I had my girls and was home with them that I decided to seriously pursue the idea. I joined SCBWI right away and then joined Julie Hedlund's 12 X 12 (where I also met my critique group members). Once I got into the industry, I loved everything about it! Kid lit people are the best people!

Q7: How long did you write until you became published?

A7: This story happened pretty quickly. It took less than a year from the first draft to sold. However, it had a ton of drafts and rewrites in that short time. The ending and the opening line took me the longest. I rewrite them countless times but I do love my opening line.

"Noah Noasaurus woke up feeling very . . ." 

Probably because I can relate to it. 

That is too funny, Elaine! Everyone seems to have "NO" Days!

Q8: Tell us about your special place where you like to write. 

A8: I write at the kitchen table or on my couch.

This spot looks familiar.

Looks comfy and inviting.

I do have an office but it is being redecorated right now! If I am stuck on a draft I like to go to Starbucks.

Q9: Do you write every day? Most days?

A9: I'm always writing and right now I am on various stages of different manuscripts. (And  maybe something that I cannot discuss yet because--this is publishing!)

Q10: What's the best piece of advice you've received as a writer? What is your advice for writers "under construction"?

A10: From Aree Chung, "Make the dummy." Even though you may not be an illustrator make the dummy.

Q11: What are you currently reading?

A11: Write now I am reading lots and lots of picture book that have a series and lots of Early Readers.

Q12: Share some accomplishments that make you proud.

A12: My girls are my best achievement. I know every mom thinks their kids are the best but I have been blessed with the most perfect kids. I love them so much!

Q13: Do you have a favorite treat?

A13: I love pizza. Any kind of pizza except meatball. I know pizza isn't normally considered a treat but it can be if you try hard enough!

And finally,

Q14: Where can readers find out more about you?

A14:
Web site: KidLit411
Instagram: elainekielykearns411
Twitter: https://twitter.com/elaine_kearns11

Thank you, Elaine! I picked these flowers for you and Noah, too! 

Everyone loves Noah!

Spring Lilacs for Elaine & Noah!

Happy Easter, GROG Followers!

Pedro's Pan ~ a chat with illustrator Jacob Souva

by Sue Heavenrich

Pedro’s Pan
by Matthew Lasley; illus. by Jacob Souva
32 pages; ages 5 - 7
Alaska Northwest Books, 2019

A few years ago my dad and mom began panning for gold. They never found the motherlode, but they had a lot of fun exploring new places and meeting fellow enthusiasts. So I was excited to discover Matthew Lasley's new picture book about panning for gold.

From the point of view of the pan! Here’s how it begins:

He is Pedro. I am Pan.
Up here, on Pedro’s pack!
I’m not a Frying Pan.
I am a Gold Pan. You can call me Pan for short.

character sketch, used by permission of Jacob Souva

Yep! I fell in love with this small, round character at first read. Pan is a hard worker, swishing and swirling gravel from icy cold streams. But finding gold is tough, and Pedro is growing sad because he can’t find any. And Pan wonders if he is broken.

I like a lot of things about this book, beginning with the end pages (red plaid like a wool shirt). The language is fun. Having Pan tell the story is brilliant. And there is Back Matter: information about the real Pedro, tips on panning for gold, and some solid gold facts.

I really like the illustrations – and was so fortunate to run into illustrator Jacob Souva at our region's SCBWI Spring Conference last month!  He agreed to share his thoughts about Pedro’s Pan with us today.

Jacob: Thank you. It was lovely meeting you at SCWBI!

GROG:  How did you come to illustrate Pedro's Pan? Have you ever been to Alaska? Panned for gold?

Jacob: My agent let me know of a possible book with Graphic Arts (recently rebranded as West Margin Press; Alaska Northwest Books is an imprint ). She said it was about the Alaskan gold rush. I admit that I knew a little bit about it - but not enough! I set out gathering info and images to help me understand what that period in Alaskan history was like. I love history so it was not a tough sell.

GROG: Talk about the medium that you used for illustrating, and why you chose it for this book.

Jacob: I work digitally and modify my style a little based on what the story needs. It tends to look like collaged paper with a healthy amount of stray pencil marks and rough painting. I think in big shapes.

Pedro’s Pan was a book that seemed to contrast the excitement and beauty of Alaska and gold with the hard work and many disappointments of gold panning. I picked a color palette that would allow for this juxtaposition. For example, Pedro and Pan are both mostly earth tones (dirty) while the sky and mountains and streams are all bright and full of hope

GROG: In an instagram post you said, “I was truly sad to wrap up the final illustrations as I loved living in this world.”

Jacob: Yes, I think that books require a consistency where it’s a believable world to the reader. It’s not hard to get lost in that as the illustrator! The illustration process can be a kind of immersion in the story that is pretty deep. Not quite like the Alaskan wilderness, but maybe close?

GROG: Can you share some spreads and talk about your process?

sketch for spread 2, used with permission of Jacob Souva

Jacob: My process is not that unlike a lot of illustrators. I start with research, then sketches of the main characters. I took some time to study the colors I wanted to work with. I really felt like Pedro and Pan needed to look great together - a real team - so I spent a lot of time on their shapes.

Thumbnailing the book was my favorite step. It was a true challenge in that prospecting and gold panning requires a lot of time in and around streams, but I didn’t want to get repetitive. I think I solved it!

final artwork for spread 2, used with permission of Jacob Souva

GROG:  You mention that the night scene was the spread you were most nervous about.

Jacob: In every page before that final spread it wasis clearly daytime and was a much lighter palette. I was nervous about making it look like it fit, while also clearly showing a kind of “long day, well spent” vibe to the environment. Campfires tend to be just that! But it was tricky.

GROG: How often did you talk to Matt?

Jacob: I didn’t communicate with Matt until the artwork was handed in. I did a lot of googling about gold panning and the Alaska wilderness. I’m surprised I’m not seeing ads for trips to Alaska!

GROG: Got a project in the works that you can talk about?

Jacob: I have two more books with West Margin Press currently in process. They are a little lighter and funnier! I also am working on a beautiful book about a boy with a big heart and another about how beautifully gross butterflies can be. It’s all been a lot of fun and a dream come true.

Thank you for dropping by for a chat, Jacob. Good luck with your books!

Check out the trailer for Pedro's Pan here. You can find more of Jacob's work at his website. Here's a fun video filled with tips and techniques on how to pan for gold, and here's a list of places where you can still pan for gold - and maybe find some!

Happy Book Birthday to SWEET DREAMS, SARAH & Vivian Kirkfield! by Tina Cho

I'm delighted to welcome my awesome critique partner, Vivian Kirkfield, to the Grog blog. Vivian is well-known in kidlit social media for her positivity, kindness, and encouragement. I interrupt her travels in Switzerland for a brief interview for her upcoming book birthday!

In February, her debut picture book, Pippa's Passover Plate was published. And now within a day of each other her books #2 and #3 have book birthdays! Four Otters Toboggan debuts on April 1st and Sweet Dreams, Sarah from Creston Books comes out April 2nd! I wanted to chat with Vivian about Sweet Dreams, Sarah. I got to see this one from start to finish.

 1. How did you come across Sarah Goode?

I had been scrolling through lists of ‘the first woman to…’ and when I read the brief description of the first African American woman to own a U.S. patent, I tried to find out more…but there wasn’t any…and that’s when I decided Sarah E. Goode deserved to have a book.

 2. Was there anything different you had to do for researching Sarah?

Because there was so little information, I had to reach out to librarians…my local librarian reached out to several other librarians. One sent me an advertisement from an 1886 newspaper for Sarah’s furniture store.  Another shared an 1885 photo of the street where Sarah’s store was probably located. And I also contacted the cemetery where Sarah is buried…they were very helpful and sent me the list of people buried in the family plot with a description of the cause of death. I’ve found that if you keep digging, you may find something of value.

 3. How has her life influenced yours?

Sarah E. Goode was persistent…and patient…and totally goal oriented. I really felt a connection with her…because that is how I approach life and challenges. And I was even more inspired and determined to write this story after delving into the research and learning more about the obstacles she had to overcome.

4. How many revisions did you do for this story?

I originally wrote the story the month after I took a nonfiction picture book writing class in June 2014. I sent it to Rate Your Story in August…and got an 8 (1 is the best and 10 is the worst). I revised with the help of my critique buddies and submitted it to RYS again…this time I got a 3. Then I revised a bunch more and gave it to more critique buddies…and submitted it to the RYS contest and won 2^nd place for nonfiction picture book…and then I knew it was ready to go. And it is the story that landed me my agent! But I tweaked it again for her…and then when the editor bought it, she requested a few minor changes. And when the first color layouts needed to be changed, I had the opportunity to make a few more revisions…and I did.

 5. What are your marketing plans for Sarah? 

Because I knew I’d be away for the launch date of the book, I reached out to many bloggers and arranged for them to do blog posts…either reviews of Sweet Dreams, Sarah or interviews with me. I’m also hoping to hold a book launch just for SARAH in Chicago, which is where her store was located. And I’ll be signing Sweet Dreams, Sarah at the NESCBWI conference in May and reading it to kids at school and library events. I’m also hoping to do a joint book event with Nancy Churnin in Washington DC with her Martin and Anne and my Sweet Dreams, Sarah. Additionally, I shared the book at the conferences in Sydney and in Auckland and have been handing out bookmarks and doing giveaways.

   

6. What hurdles have you gone through for the creation of this book?

Every manuscript is unique…as are every editor and illustrator…and so, every publication process is unique. I think it is important to be politely proactive…and to be confident enough to speak up if you feel something isn’t working. The editor has a right to add her vision to the book…and the illustrator needs to add his…but the end product must stay true to the heart of the story as envisioned by the author. And every person on the team – author, editor, illustrator, art director, book designer – is responsible for research to make sure that their contribution to the process is accurate and authentic. This is why I am such a fan of collaboration – with each member of the team sharing information, ideas, and resources. And sometimes it is necessary to reach out to experts, especially when writing nonfiction. I sent the color layouts to sensitivity readers – and discovered the head-rag on Sarah could not be used in the illustrations that showed her after the Civil War. The head-rag was a symbol of slavery – female slaves were often required to wear it – and therefore, you would NEVER want to wrap it around a free black woman’s head unless, perhaps, it was a stylish one like Alysha Keyes wears. 😊

7. What hopes do you have for Sweet Dreams, Sarah? 

I hope that readers will be inspired to DREAM…and to believe that they can build their dream into reality…as Sarah did. The editor and I have created a curriculum guide for teachers which will be available for free download on my website. In addition, I plan to invite kids to share their dreams and the steps they are taking in a Build Your Dream Initiative on my website. And my #50PreciousWordsforKids International Writing Challenge that takes place April 29-May 6 is one of the ways I try to encourage young people to express their creativity…who knows, maybe participating in that challenge will result in some of them pursuing a career in writing! :))

Vivian, pursuing her dream of travel, here with Julie Abery in Switzerland

8. What are you working on now? What books are coming out soon?

I’ve sent a new manuscript to my agent who will be passing it along to an editor who asked for that particular topic. Fingers crossed that the editor loves it! And in the pipeline, I have two books…Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe. (Little Bee Books, Spring 2020) illustrated by Alleanna Harris; and From Here to There: Inventions that Changed the Way the World Moves (Houghton Mifflin Harcourt, Fall 2020) illustrated by Gilbert Ford.

For fun

Favorite color?

It used to be yellow…in fact, when my sister got married and I finally had a room of my own, I painted it yellow the very next day. But I also love teal blue.

Favorite food?

Indian! I love curries! The first time I had Indian food was on the first date I had with my hubby. We lived in NYC and a cousin of mine had recommended this particular restaurant. Stuart and I had never eaten Indian food before…but it was love at first taste! And the Karachi restaurant at 144 W. 46^th Street became our favorite eatery. Sadly, the restaurant is no longer there…but the memories will never go out of business.

Favorite kid’s book?

I have so many favorites…it is impossible to choose. Little Women ranks pretty high…I must have read it 100 times. Pollyanna was another favorite…in fact, my sister called me Pollyanna because I always saw the bright side of things…some things never change, I guess. 😊  

Favorite author?

Favorite children’s author would have to be Louisa May Alcott. Favorite adult author would have to be Diana Gabaldon…I am a total Outlander fan and have read all the books in the series.

Favorite hobby?

Reading 😊 Writing 😊 Revising 😊 Traveling 😊 Cooking 😊 Hiking 😊

Bonus: You can watch Vivian read Sweet Dreams, Sarah, at Diane Tulloch's blog, our critique partner in New Zealand who recorded her during Vivian's travels around the world.

To communicate with Vivian~

Writer for children—reader forever…that’s Vivian Kirkfield in five words. Her bucket list contains many more than five words – but she’s already checked off skydiving, parasailing and banana-boat riding. When she isn’t looking for ways to fall from the sky or sink under the water, she can be found writing picture books in the quaint village of Amherst, NH where the old stone library is her favorite hangout and her young grandson is her favorite board game partner. A retired kindergarten teacher with a masters in Early Childhood Education, Vivian inspires budding writers during classroom visits and shares insights with aspiring authors at conferences and on her blog, Picture Books Help Kids Soar. She is the author of Pippa’s Passover Plate (Holiday House); Four Otters Toboggan: An Animal Counting Book (Pomegranate); Sweet Dreams, Sarah (Creston Books); Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe (Little Bee Books); and From Here to There: Inventions That Changed the Way the World Moves (Houghton Mifflin Harcourt). You can connect with her on her website, Facebook, Twitter, Pinterest, Instagram, Linkedin, or just about any place people with picture books are found.

Picture Book Debut: Interview with Sarah Hoppe and Critique Give Away

By Janie Reinart

Grab your flip-flops and head for the beach. You never know what treasures you will find. Sarah Hoppe's debut picture book tells us about Lottie as she makes an unusual discovery while beach-combing one day. 

Lottie's found a pup, but it’s not your ordinary pup. Readers are kept guessing throughout this beautifully illustrated story. Children learn about nature’s different kinds of pups along the way.

Let me introduce you to our multi-talented guest, Sarah.

GoOutsidePhotography by Sarah Hoppe

Not only is Sarah an author, but a wonderful photographer who captures the beauty of nature from the smallest slugs to the sparkliest sunsets. 

One of Sarah's greatest desires is to put good words out into the world as picture books and share the joy, magic, and importance of stories.  

Coming June 2019!  

Who Will? Will You? by Sarah Hoppe

To celebrate, Sarah's new picture book, she is giving away a picture book critique. (800 words maximum.) Be sure to sign up using the Rafflecopter at the end of the article.

GoOutsidePhotography by Sarah Hoppe

And now for the interview.

Who is your agent? 

Sarah: I am currently seeking an agent.

How did you get the idea for your story? 

Sarah: My older son loves to read non-fiction.  He always has a huge stack of animal books from the library by his bed. One day we were talking about seal pups and an idea sprang into my head.  There are so many young animals referred to as pups, there was certainly a story there.

What is your favorite part of the story?  

Sarah: I loved writing the pup reveal, but I also adore the faces of the characters as they investigate Lottie’s wagon.  The illustrator, Milanka Reardon, did an amazing job.

How long did it take to write? Get to a publisher? 

Sarah: The story itself didn’t take a long time, maybe 2-3 months of working on it off and on.  The back matter took much longer.  I wanted the back matter to be fun, informational and, most importantly, correct.  I did a lot of research and spent serious time figuring out the best way to convey the information. 

It took about 6 months to find a publisher, but I feel I was lucky in that regard.  I am a member of Julie Hedlund’s 12x12 Picture Book Challenge.  If you are a picture book author, this is an amazing resource for you!  I had the opportunity to submit a manuscript to Blue Whale Press through 12x12.  Alayne Christian at Blue Whale has been amazing, it’s been a fantastic journey.

What is your writing routine?  

Sarah: After I get my kids to school, I have a couple of hours to work.  I divide this time between writing, photography, volunteering at the kids’ school, and household chores.  I write first, while I’m freshest, and while there’s still plenty of time.  I tend to be less focused later in the day.

What is your favorite writing craft book?  

Sarah: Big Magic by Elizabeth Gilbert.  I know it’s not strictly a writing craft book, but it is my favorite.  Big Magic is so chock full of optimism, assurance, and magic that I feel invincible after reading it.

Sarah's work area.

What inspires you to write? 

Sarah: I try to always be open to inspiration, although I know that’s not always the case.  I first wanted to write picture books when I read them with my kids.  That feeling you get, when the words and pictures create something so special it gives you shivers and moves you to tears – I thought it would be the coolest thing if I could help create that experience for someone else.  But, more practically, I get ideas from nature and kids. There’s always something going on there!

What are you working on now?  

Sarah: A couple of picture books about birds.

Words of advice for writers. 

Sarah: Just keep chugging along, you’ll get there.

Sarah Hoppe

Be sure to check bluewhalepress.com this summer to get your copy of Who Will? Will You?  

You can visit Sarah at sarahhoppe.com and follow her on Twitter @Sarahlhoppe

A Rafflecopter Giveaway

Crafty Story Times ~ by Christy Mihaly

Before my picture book came out last fall, I assumed that a writer's job description consisted more or less entirely of ... writing. 

This is me, not writing.

I was wrong.
In the months leading up to the release of Hey, Hey, Hay!, I embarked on a round of unfamiliar activities: designing bookmarks, arranging blog tours, setting up signings and school visits. Reading my book aloud to the mirror. 

"I'm reading in a frigid hay barn,
and now I need a CRAFT?"

I can do this, I told myself.
But then they said: you need crafts. 
What? 

Yes, friends. Crafts and other book-related activities are a popular element of book readings for kids--whether you're reading your own book or a favorite from the library shelves.  Librarians and educators know this. But many writers find the craft thing a little daunting. 

I have evolved from craft-skeptic to craft fan. I've created different crafts for bookstore readings, story times, classroom events, and a book festival, and learned a lot along the way. So I thought I'd share some tips and photos from my travels and from some picture-book-creator friends. 

Why crafts? 

This energetic class shows off
their drawings, or "readers' responses,"
to my reading

• Engagement: Kids get antsy when you ask them to sit and listen. You already know this. But if you haven't experienced a roomful of kids wiggling as you attempt to read to them, you may not fully appreciate it. I experimented with songs, participatory readings, etc. These are good. But, put a crayon in a kid's hand, and watch what happens.
• Fun: Kids like to create things. And you want them to have fun! One of my HAY audience favorites was a simple craft in which kids cut out tractor wheels and fastened them onto a paper tractor, then colored in the background.

  

  Displaying a completed
  craft after a reading

• Senses: Crafts use multiple senses, and the smells and feels help engage your audience. (One  feature of my HAY readings was a "sniff box" full of hay--kids loved smelling the hay.) 

  

  Jen Betton's Hedgehog Hat to go with
  Hedgehog Needs a Hug

• Skills: Crafting helps teach motor skills, problem-solving skills, and social skills. What's not to like?
• Souvenirs: A craft gives listeners a souvenir to take home and share. 

Tips for Crafts:

Sock Puppet Kipling for Love Mama

• Book Link: Link your craft to your story. Kids loved the tractors in my book, so I went with tractor crafts. Author-Illustrator Jeanette Bradley created an adorable sock puppet craft to go with Love, Mama, her picture book about a little penguin whose mama goes away on a trip. Directions and a description are here. 

  

  A Monster Drawing,
  for Maximillian Villainous

• Keep it Simple. Make it easy to explain. Margaret Greanias provided a blank frame on a coloring sheet for readings of Maximillian Villainous, her picture book about a young monster attempting to fit in. This was brilliant for the preschool set. Kids could invent and draw their own monsters--with googly eyes! Similarly, for Jen Betton's book, Hedgehog Needs a Hug, kids could cut out a hedgehog hat and color it in (photo above). See more hedgehog crafts and activities here.
  
• Allow room for creativity. Assure kids that there's no one right way to do it. Jessie Oliveros created a drawing project to go with her lovely picture book, The Remember Balloons. Children could draw their own memories.
• Make it fun, and maybe educational. Focus first on the fun. But if your craft or activity teaches something related to your book, that's a bonus. Author Hannah Holt's picture book for older readers, The Diamond and the Boy, describes how diamonds are created. She brought a crystal-growing activity to her school visits, and left it in the classroom so the students could watch the crystals grow.

Ingredients for Crystal Growing, an activity to go with
Hannah Holt's The Diamond and the Boy

Hannah Holt grew crystals on eggshells

💥Note that some books, especially those for older children, may be less conducive to crafts. In those cases, consider an art activity, allowing your audience free rein to draw or paint reactions to your reading. Or, try a readers' theater or skit or song or science experiment or other interactive activity. 

Are you a writer, educator, or librarian with craft ideas? Please share them in the comments! Thanks to all.

What's New at the Library?

By Leslie Colin Tribble

It's time once again, for the latest review of new books in the Children's Library of the Park County Library in Cody, Wyoming. I don't know what winter has been like in your neck of the woods, but out here in the sagebrush, it's been downright polar, despite what the calendar says. So grab a steamy cup of tea and gather around for a look at a few new picture books.

Quiet by Tomie dePaola

Quiet is a wonderful book about a grandfather and his grandchildren taking a moment to be still and quiet. Tomie carefully sets the tone of a busy world as the group watches birds, dragonflies, the family dog and a frog engage in their busy animal lives. It's grandfather who suggests the group sit down on a bench for a rest and to be quiet. The final page states, "To be quiet and still is a special thing." This is a wonderful book to address the need for a break from the frantic pace of modern life. Adults and children need moments to retreat from everything that makes our lives busy - technology, calendars, cars, and even work. We need to remember it's when we are quiet that we can see and truly think. That's a lasting gift we can give children.

Hungry Bunny by Claudia Rueda

I enjoyed this book, because yes, it has a cute bunny, but also because it the interactive nature of the text. I'm not a real fan of books that ask the reader to do something, but in this title it made a lot of sense and seemed fun. Bunny is hungry but can't quite reach the apples so he asks the reader to shake, blow, and tilt the book to help him get the apples and take them home. There's a bright red ribbon in the book that is also a prop to help the bunny reach the apples and cross a chasm. Ingenious! The illustrations are simple and in shades of gold, brown and black with some red for a splash of color. Young children will enjoy interacting with Hungry Bunny.

The Apple Pie that Papa Baked by Lauren Thompson; illustrated by Jonathan Bean

Following on the apple theme is this engaging book with its cumulative text. The book starts with an apple pie baked by Papa (I appreciate that Mama didn't have to bake this pie), and works backwards from the roots, rain, clouds, sky and sun that make the pie possible. This cumulative text quietly reinforces the inter-relatedness of the natural world. With another nod to Hungry Bunny, this book is also in shades of brown, black and gold with only the apples providing color. The illustrations are deceptively complex, so there's plenty to look for on each page. There are also three wordless spreads which work to move to story along. Hungry Bunny and The Apple Pie that Papa Baked would be fun books to read together.

Where is My Balloon? by Ariel Bernstein; illustrated by Scott Magoon

Owl and Monkey are very happy. Owl has a wonderful red balloon and Monkey has a sock with a perfectly shaped hole. What happens when Owl asks Monkey to hold his balloon is hysterical. I adored the expressions on the faces of these characters who are oh so human. Every child can relate to both Owl and Monkey when it comes to breaking someone else's toy. The text is very simple, but overflowing with great adjectives. The illustrations contain little background putting Owl and Monkey right in the center of the action. This keeps the reader focused on the interaction between our two characters. What a fun read, with a bonus that everyone can tell their own Owl and Monkey story afterward.

Because of an Acorn by Lola M. Schaefer; illustrated by Adam Schaefer

From a tiny acorn comes a wonderful forest. This is another cumulative text, starting with because of an acorn, a tree grows. The story pulls in other facets of the forest from flowers, to seeds, to chipmunks, to hawks, and back to acorns emphasizing the web of life within the forest. There is backmatter about ecosystems and a small section on what can you do to help forests. I think this book would make a great first look at conservation for very young children. Start them young!