STEAMWORKS wth Jen Malia and JUNE'S SOLAR OVEN & Craft Chat with Jen & Kathy Halsey

June’s Solar Oven Book Review

I was lucky to meet Jen Malia at the 2023 NCTE National Convention In Columbus, Ohio, and have been reading her chapter books and following her career ever since. 

JUNE’S SOLAR OVEN, a STEAM picture book, features June and her science club who are exploring solar, energy, and engineering through trial and error. However, the science club has moved locations to a local park and June feels uncomfortable in new places. Yet, neurodivergent June wants to show up for her friends, and science is her superpower. After some encouragement from her big sister and with her trusty headphones that help her deal with sensory issues, June is ready to join Eli and Sofia, her partners, with five other teams to find the best method to layer pepperoni and cheese and create the most delicious pizza cracker.

Science teachers, librarians, and homeschooled students will appreciate the backmatter replete with a short glossary of science terms, simple directions to experiment with solar cooking, and extension activities to think, explore, and play with this topic. Illustrators Rachel and Phillippa Corcutt designed a sunny palette with engaging cartoon characters  that will attract young readers’ attention. 

Charlebridge’s STEAMWORKS books feature children of all backgrounds and abilities using scientific and mathematical thinking to solve everyday problems and answer questions that matter to them. STEAMWORKS picture books are available in Spanish, too. My mouth is watering for solar pizza crackers now!

Craft Chat with Jen Maila

Kathy: I know you best from your chapter book series, The Infinity Rainbow Club. Yet, your debut was a picture book, Too Sticky! Sensory issues with Autism. Share with our readers the difference between writing picture books and  chapter books. What do you think is the most important distinction for the two audiences?

Jen: With a chapter book, the illustrations provide visuals for the reader but aren't necessary to understanding the story. With a picture book, the illustrations tell a story alongside the text. As a picture book author who doesn't illustrate, I often think about how to leave room for the illustrator. I include illustration notes only when they're integral to the story. For example, June wears headphones, which isn't mentioned in the text, but it's important to the story because of her sensory differences. I included an illustration note to have her wear headphones in spreads throughout the book. 

Kathy: How did you get involved with the STEAMWORKS book series with Charlesbridge? Did your agent submit this book or was there an author call that Charlesbridge sent to a certain group of authors? Is this series in house now only or can other authors apply?

Jen: I saw a call for manuscripts for the STEAMWORKS series on social media and told my agent, Naomi Davis at BookEnds Literary Agency, who submitted two STEAM picture book manuscripts for me that I had already written. Neither of these manuscripts had STEAM experiments that fit exactly what Charlesbridge was looking for, but they liked my character June and asked if I could write another manuscript with a different focus.

My agent sent them a list of STEAM experiments that I proposed, including making a solar oven, which turned out to be the winner. I wrote the manuscript for June's Solar Oven in about a week or so. Then I went through a few rounds of revision with Charlesbridge before they made an offer. I don't know if the publisher is accepting any more submissions for the series.

Kathy: I love the sunny, fun pallet that Rachel and Phillippa Corcutt created for this book. It fits the topic and the title dealing with a solar oven. Very clever! What's your favorite spread in the book and why?

Jen: I absolutely love the illustrations. I couldn't have asked for better co-creators than Rachel and Phillippa on this book project. My favorite spread is the one where June asks her friends if she can use a blanket because she doesn't want her skin to touch the scratchy wood on the picnic table. She's also wearing her headphones because she's sensitive to noise. Rachel and Phillippa capture her accommodations so well in this spread. 

Kathy: In the back matter, you asked readers questions regarding what inventions could they create using the sun energy. Have you had any responses from readers or at school visits? I'm sure you did some real life experiments creating your own solar oven. How did that go?

Jen:I haven't had a chance to do any school visits for June's Solar Oven yet. But my book launch was at The Lynnhaven Mall Barnes & Noble in Virginia Beach earlier this month. It was so much fun to make solar ovens with kids. I plan to include this STEAM activity in future school and library visits. 

Kathy: Since this book just came out on October 13, what plans do you have for your launch year? 

Jen: I will be at the National Council of Teachers of English (NCTE) Annual Convention in Philadelphia this November to present on two author panels and sign copies of June's Solar Oven in the Charlesbridge booth. I have a speaking agency, Authors Out Loud, that normally books my author visits.

More About Jen!

Jen Malia is the autistic author of the picture book June’s Solar Oven, the children’s chapter book series The Infinity Rainbow Club, and the picture book Too Sticky! Sensory Issues with Autism. After four years in the United Arab Emirates as an assistant professor of writing at the American University of Sharjah, she joined Norfolk State University, where she is now a full professor of English. She has a BA in English from Bowdoin College and an MS in TESOL and a PhD in English from the University of Southern California. As a freelance journalist, she covers autism and neurodiversity and has written for or appeared on the New York Times, the Washington Post, New York Magazine, NPR, Parents, Glamour, Woman’s Day, and others. Originally from Pittsburgh, she currently lives in Virginia Beach with her husband, three neurodivergent kids, and their Soft-coated Wheaten Terrier named Teddy. For more information, visit jenmalia.com.

Find Jen Here!

You can find me on my author website, JenMalia.com. I'm also on Instagram @jenmaliabooks

13 Ways to Eat a Fly by Sue Heavenrich and Many Ways to Create Great NF with Kathy Halsey

 (updated Feb 12)

Author Sue Heavenrich with "fly catcher" and her newest book!

Book Review

When I  look at this image of Sue Heavenrich and her picture book 13 WAYS TO EAT A FLY, I know I'll experience an engaging read mixed with scientific facts. Sue delivers with a great story replete with lyrical language, poetry, and layered text. Young readers will delight in the "ick" factor of how flies can be eaten ( a wood frog swallows and use its eyeballs to push flies down the throat), while educators will eat up the back matter and layered text that expands the grade levels for read alouds and study. David Clark's fun illustrations lend added engagement to this STEM picture book for children PreK to third grade. Science, rhyme, humor, and math are all packed into this delightful book published by Charlesbridge.

Craft Chat with Sue and Kathy

Sue and I have known each other since 2015 when we met at a nonfiction writing retreat along with other members of our GROG blog team. We've shared stories and supported each other for years. Our conversation reveals what it truly takes to get a book published - the time, the revisions, the persistence. 

Kathy: 13 Ways to Eat a Fly had a long gestation period. Tell us how this book came to be.

Sue: Back in either 2012 or 2013, I began with the idea of an informational book while at the Falling Leaves Retreat. It was so informational, it was boring. At the 2015 retreat, agent Kendra Marcus (Bookstop Literary) helped me see it really wasn't a book yet. It lacked a narrative thread, she said.  I couldn't figure out how to revise it... but since I had a "revise and resubmit" with Charlesbridge Senior Editor Alassya Pusey, I got back to work.

I read, researched, and channeled the classic One Fish, Two Fish, Red Fish, Blue Fish. I added humor and  streamlined the manuscript. Eventually my critique partner Lisa Amstutz suggested I send it to her agent, Vicki Selvaggio (now at Storm Literary). Although she did not take me on as a client, Vicki offered encouragement and helpful comments. The book came full circle with Charlesbridge set to publish it February 16, 2021. My advice? Aim for rejections with feedback. Revise, resend, and see what happens!

Kathy: Like you, I love the research stage of writing nonfiction along with finding the right structure. Explain your research process and how you added the counting element and other hooks to the manuscript. (I define a "hook," as added layers that make a story unique.)

Sue: I began with a list of animals that eat flies but wanted to know what type they ate. This led me to introducing different families of flies. I wanted to write about the diversity of flies. I also created a spreadsheet of plants that eat flies and fungus that eats insects that turns them into zombies. 

Kathy: Yes, such fun to hook kids with an idea like"zombifying" a fly! Take a look. 

Sue: For the structure, I played with the "how-to" concept adding another layer to my original idea of a counting book, but then did a reverse structure so each spread has fewer flies. The ending arrived when I thought of flies as someone's "fast food." Chris Mihaly and I investigated field guides to eating flies when we wrote Diet for a Changing Climate, our middle grade book.

Kathy: I also enjoyed all the creative ways you employed back matter created for 2 audiences, adults and children.

Sue:  I say, "It isn't a book if it doesn't have back matter!" I researched the USDA website to design a nutritional analysis label for flies: how many flies make up a gram, how many calories, vitamin content, etc. Illustrator David Clark and I also added a "jokey" poster of the edible parts of a fly, too.

Kathy: Thanks Sue for the chat about craft, critique, commitment needed for the publishing journey. We'll end with sharing "Entomology Barbie" who suggests that you order an autographed copy of 13 Ways to Eat a Fly through Riverow Bookshop's website link:  https://riverow.com/

Sue Heavenrich is an educator and trained biologist turned children's author. Her recent books include Diet of A Changing Climate, with GROGger Chrisy Mihlay, Sky Spies and Are Ants Like Plants? and 13 Ways to Eat a Fly. (Feb. 16, 2021)You can find her exploring cool stuff right outside her back door, blogging for the GROG, and on her personal blog, Archimedes Notebook.  Click here for Sue's author Facebook page. 

HOW LONG IS FOREVER Is a Sweet PB Treat - No Foolin' - by Kathy Halsey

Happy April, GROG readers. If you've been hunkered down, you may notice kids ask questions that are VERY hard to answer, like HOW LONG IS FOEVER? Don't despair because debut author Kelly Carey and illustrator Qing Zhuang have the answer to that question with their picture book from Charlesbridge launching April 7, 2020. 

Book Review

I received an advanced copy of this delicious book from Kelly Carey, a New England friend I met at NESCBWI and the Whispering Pines Writing Retreats. (Note that Kelly didn't bribe me with the scrumptious blueberry pie featured in this book.) 

I love a book that has multiple hooks and HOW LONG IS FOREVER has some great ones: seemingly unanswerable questions, whip-smart grandparents who know how to keep grandkids busy, and DESSERT.  

Like most kids, Mason doesn't like to wait, especially when it involves Nana's blueberry pie. But Grandpa's smart and asks Mason a philosophical question about time to occupy his mind. Mason's sure he has the answer as he and Grandpa wander through the family's farm. Picture book writers will appreciate the comparisons Carey sets up for Mason: is forever as long as it takes to plant corn, or as long as Grandpa's had his tractor, or as long as water's raced down the streams? Readers will be delighted by the heartwarming ending.

HOW LONG IS FOREVER is a book that will stand up to multiple readings and audiences. Amazon pinpoints an age range of 3-7, but educators and librarians can use this picture book for older ages to discuss and write about abstract topics. The story taps into the universal theme of waiting, the concept of time, and the love between grandparents and their grandchildren. The warm, timeless quality of Qing Zhuang's colored-pencil-and watercolor illustrations add to the special, everyday moments between generations. Grab this book for Grandparents Day, Mothers' Day, or any day you want to celebrate simple, family times together. 

Interview & Craft Chat with Kelly

K: How did you decide on this topic that is rather esoteric in nature? How do you think other abstract topics like this could be approached by PBWriters?

Kelly: I think kids are amazing philosophers and if given the chance will jump at exploring abstract topics. They have an unsoiled view of the world and their approach to heavy themes can be fantastic and refreshing. 

In How Long Is Forever?I flipped the script a little bit. Kids are usually the ones asking the questions, but here Grandpa is asking the question and Mason has to find the answer. I’ll chalk that up to my Jesuit education at Fairfield University. The Jesuit style of teaching looks for the teacher to ask just the right questions so that the student discovers the answer on their own and in the process has a more rewarding and significant learning experience.  How often have you been cautioned to let your main character solve their own problem? That’s the Jesuit method and picture books are a great vehicle to ask questions and help guide young readers as they find their own answer. 

There are some wonderful examples of picture books that ask big esoteric questions. Books like:  Where Does Thursday Go?by Janeen Brain,What Color Is A Kiss by Rocio Bonilla and What Do You Do With An Idea by Kobi Yamada. I hope that How Long Is Forever? will be a nice addition to this list and I hope it encourages kids to think about what is forever in their lives.

K: Did “intergenerationality” come into the story naturally – grandparents instead of parents? Why did you make that choice? 

Kelly: The story always featured my main character and a grandparent. That intergenerational span created the vehicle to explore the different perspectives an eight year old and an eighty year old bring to the question of forever. However, the original story was about a boy impatiently waiting with his grandparents for his parent to arrive home with a new sibling. That plot line changed for two reasons. First, the new baby theme really took over the story and I lost the deeper exploration of forever and the differing perspectives offered by both young Mason and his grandfather. Add in Patricia MacLachlan’s All The Place to Love that had explored the theme of expecting a new sibling so masterfully, and I decided it was time for a revision.

I thought hard about my audience and my main character. What makes an eight year old impatient? The answer was lots of things much simpler than a new sibling. I replaced the new sibling with dessert. Now Mason complains that waiting for Nana’s pie is taking forever. By removing the complicated arrival of a sibling, the story focuses on Mason exploring the meaning of forever.


I’m glad I revised. Once you get that first draft done, and you create your main character, it is helpful to do a deep dive into what matters to your main character. Then consider what books already exists in the market. Using this strategy, I found a way to tweak my story that not only made it more unique, but also allowed the central theme to really resonate.

K: How did you build a local writing community?

Kelly: A few years ago I took a workshop at the NESCBWI conference taught by Matthew Winner. Matthew was talking about using social media as part of your writing career. What really resonated with me was Matthew’s advice to be authentic in all of your interactions; whether old fashioned in person or on social media. I really took that to heart and worked on it LONG before I had a book contract. 

First, I attended workshops, meet & greets, and conferences with the mantra “be a sponge not a sprinkler”. I didn’t go to make sure everyone found out all about me, my projects, and what I knew – I went to learn what other folks were working on, what they had to share, what advice they wanted to offer. The result was that I found deeper connections and discovered meaningful ways that I could offer help and advice after the initial meeting. If I learned that someone was working on a mystery about ghosts and I read a really good ghost mystery, I’d send that new friend a quick email offering up the book as a possible mentor text or comp title. If I came across an agent’s wish list that mentioned themes that coincided with a project someone had mentioned, I’d ping them with the link. Almost universally, I’ve noticed that folks I’ve reached out to help have been quick to return the favor. Those are the relationships that I value and that are truly valuable. 

I also make it a priority to recognize authors and illustrators who are doing great work. If I read a picture book that I love, I send out a tweet tagging the author, illustrator and publisher. I post reviews on Goodreads if I finish a swoon worthy middle grade. Compliments are free. Why not hand them out like you’re flinging candy from a parade float? It’s fun and joyous, and unlike candy – calorie free! More often than not, I get a thank you from the creator and BAM we are connected. 

You need to get out into the community by taking workshops, going to conferences, finding critique groups but be sure you approach each new colleague looking to find out how you can help them as opposed to what you can get out of them. Be a helper and the karma universe will reward you by sending helpers into your path too!

K: How do pre-pubbed writers prepare for launching their first book? What’s the best thing you’ve done for your launch? 

Kelly: The best thing I’ve done to support my debut launch is joining The Soaring ‘20s Debut group. We are a group of authors and illustrators who all have debuts launching. There is a huge learning curve to all the marketing efforts that go into a book launch; pooling my energy and knowledge with those of 36 other folks has been key! 

I could never accomplish everything individually that the debut group is doing collectively. We’ve got folks working on our website, a team running a blog, a committee handling giveaways and the efforts go on and on! The amazing illustrators in the group have produced wonderful book birthday graphics that I would never have been able to manage. Some members are librarians while others are booksellers and their expertise is super helpful.

My advice is to seek out a group of folks with debuts launching and pool your efforts. Kirsten Larson, author of WOOD, WIRE, WINGS (Calkins Creek, 2020) has put together a fabulous guide for starting a debut marketing group. You can check it out here.

K: How do you launch a book in a time uncertainty like this? 

Kelly: Some of my launch activities are getting a derailed by the need for social distancing and quarantine orders but folks can still order a signed copy of How Long Is Forever?by visiting  https://silverunicornbooks.com/.  Ordering books from your local independent bookstores is a wonderful way to not only support authors but to help out bookstores that are struggling under the pressures of dealing with the pandemic. 

If you are looking for ways to make homebound days fun, you can find an activity guide to accompany the book and links to blueberry dessert recipes here. 
  

Kelly Carey’s debut How Long is Forever? releases from  Charlesbridge April 7, 2020.  Her award winning magazine fiction stories have been published for over a decade in Highlights for Children, Girls’ World, and Clubhouse Jr.

She is a graduate of The Institute of Children’s Literature and an active member of SCBWI. She belongs to The Writers’ Loft in Sherborn, MA and is the proud co-founder of the blog 24 Carrot Writing (www.24carrotwriting.com).  Kelly’s writing received the Higher Goals Award from the Evangelical Press Association in 2008, 2009 and 2015. Kelly lives in Upton, MA with her husband and three children. Learn more about Kelly at her website www.kcareywrites.com. 

All About Book SWAG + a Superlative SWAG Offer! by Eileen Meyer and Julie Phend

SWAG for The Superlative A. Lincoln Picture Book

Loot, promotional items, samples, trial products, cool items – SWAG is an acronym for “Stuff We All Get.” Authors and illustrators strive to offer attractive SWAG to boost the buzz for their latest book title.

In this blog post, we’ll:

• Demystify SWAG,
• Offer great examples of how fellow authors have used SWAG to creatively promote new books,
• Share breaking news of Eileen’s superlative SWAG offer,
• Illustrate why SWAG is an important tool to utilize for your book promotions
• Provide the names of vendors our authors use for promotional needs.

What kinds of SWAG do most authors use to promote their books? 

Are there some more creative approaches that you might consider for your next book promotion?

Most authors like to learn about what others do to promote their books. Clever ideas can spark new thoughts for your own promotional campaigns. Besides the traditional bookmarks and postcards, what other SWAG can authors and illustrators use to spark interest in a book? 

Let’s take a closer look at what these children’s book authors have done:

Patricia Toht's Dress Like a Girl SWAG

Fashion and interesting careers are key themes in Patricia Toht’s Dress Like a Girl picture book, so why not sport a fashionable button/pin to accessorize and promote the new title? Patty reports her customized pins were a huge hit at bookstore and school events!  She spent less than $100 for more than 500 pins (20 cents per pin). Think about the advertising power of a single pin that is worn on a jacket over and over again for all to see . . . 

Leanne Pankuch's parchment map

A parchment paper map made from an illustration in her novel, Dragon’s Truth, provided author Leanne Pankuch with a unique bit of SWAG for a literary festival. The parchment maps garnered a lot of attention and provided the perfect ice breaker for conversations about her new book. How did she make these? Leanne used some leftover paper and also purchased a packet of 120 8.5x11" sheets of parchment paper on-line ($17) and printed the maps using her  inkjet printer (one ink cartridge $25). She put one map in a frame for display purposes and bought sleeves to cover rolled up maps ($18) to make it easier for festival attendees to transport and protect the map. She gave out 63 maps at the festival and used the rest at library and book signing events. They were a big hit! Supply costs for 130 maps ($60) was 46 cents each!

Sarah Aronson's magic wands

Author Sarah Aronson’s The Wish List series involves fairy godmothers, magic, sparkles and more … so attaching her bookmarks to magic wands was the perfect promo! What did Sarah learn while promoting her books? That “everyone wants a magic wand!”  Yes - we all want our wishes to come true!

Linda Budzinski's bookmarks

Linda Budzinski makes creative bookmarks for her YA novels, complete with charms and fancy stitching. She says online retailer Ali Baba has lots of options for charms to dress up your SWAG. 
Sometimes inspiration is found within the covers of your book! Authors Maritza Mejia and Danna York have had great success using coloring pages of main characters and book scenes. For a very young audience, the best approach can be to keep it simple.




Jan Godown Annino uses professionally printed and  homemade

Jan Godown Annino's bookmarks

bookmarks (created when she was running low on her regular stock.)  She found that her homemade creations attracted more attention. Stamped with the words, "Protected by a trained alligator" (author/book info on the flip side) her homemade bookmarks made for a great conversation starter with readers stopping by her table. 

Elaine Kiely Kearns temporary tattoos

Want to sport some ink? 
Author Elaine Kiely Kearns ordered

temporary tattoos for her Noah Noasaurus picture book launch. The response was incredible – everyone wanted one! Since they were a bit pricey, Elaine saves them for special events. Writer  Anne Marie Pace has also used tattoos and reports that they’re a big draw with kids. FUN - what a unique form of promotion! 

Jen Swanson & SWAG

Children's author Patricia Murphy notes that "the best SWAG specifically ties into your story for greater meaning." Science writer Jen Swanson did just that! She launched her Brain Games book with brain-shaped hand squeezies sporting her website information and the tagline “Activate your Brain!”  Jen gave them out by the hundreds and they were in demand. Her college-aged son even kept some in a bowl at his fraternity house—and his “brothers” loved them! 

Patricia Hruby Powell's book business cards

Writer Patricia Hruby Powell likes using business cards featuring her book cover as a quick and easy handout for potential buyers and readers. They’re easy to carry around, fit in her pocket for quick access, and are a colorful ad for her latest title and contact information. Author Lori Degman likes to use customized pencils (along with bookmarks and postcards) to help promote her new titles. 

Tracey Metlzer Kyle's alpaca pens

Tracey Meltzer Kyle loves SWAG and has used many promotional items over the years. She gave away alpaca pens (pictured), cards from Vistaprint, and key chains to promote Alpaca Pati’s Fancy Fleece. Most young readers LOVE to print using a fancy writing instrument, so her alpaca pens were an effective magnet to draw young readers over to her booth to hear more about Tracey's books!

Robin Newman being interviewed at a festival

Eileen noticed author Robin Newman’s creative approaches with SWAG at a recent book festival. Robin’s mystery, The Case of the Missing Carrot Cake, inspired her to go with a detective theme for her book promotions. Robin offered fake mustaches as giveaways to draw families to her book festival booth. Once there, kids could add a cool-looking detective hat and have their picture taken with the author. What a fun way to create some book buzz!

Eileen wants to mention a superlative SWAG offer for her new picture book, The Superlative A. Lincoln:

Preorder your copy of The Superlative A. Lincoln today and you'll be eligible to receive this Most Exciting SWAG package (see details below); package includes:

Eileen Meyer's SWAG offer

-A “Be Superlative—Be Like Abe!” youth silicone wristband

-A one-of-a-kind Lincoln cork coaster for a cup or coffee mug

-A “Be Superlative” Lincoln pencil

-An author-signed bookplate to place inside your book

-Two bookmarks featuring Dave Szalay’s awesome art

-Activity sheets only available with this offer

-A lucky Lincoln penny

HOW to get your free SWAG bag?

1) Preorder a copy of The Superlative A. Lincoln through your favorite online provider.

2) Forward your preorder confirmation showing proof of purchase and your shipping address to Eileen@EileenMeyerBooks.com and you’ll receive a SWAG bag in the mail within a few weeks.

LIMITED to first 150 preorders w/ continental US addresses. Limit one per person while supplies last. (When supplies run out, it will be posted on www.EileenMeyerBooks.com)

    So, what are the BENEFITS of using SWAG? 

WHY should I consider investing in marketing items?


Clever promotional items achieve varied objectives: 

Visual ads - Items such as business cards sporting your book cover, or a brightly colored pencil with your name on it remind the reader about YOU and your book. And when your SWAG continues to be seen on items such as pins, tattoos, bookmarks, and stickers, it helps to get the word out to a larger community. When one of Patty Toht's readers sports her Dress Like a Girl book pins, she shares the good news about Patty's book with everyone who sees her that day.

Conversation Starters - Your SWAG serves as a great ice-breaker and a way to tell someone about your book. Handing a person a colorful bookmark, a silly fake mustache, or a magic wand helps YOU start an interesting conversation with a reader of any age.

Continued advertising and gifts for key supporters - Bookmarks and postcards are relatively inexpensive to order in large quantities and are great items to leave with bookstore staff, librarians, and school media directors. Why? You're asking them to be part of your team and also thanking them for getting the word out about your book.

Creates a buzz - As we've seen, SWAG timing can vary. You can effectively use giveaways both before and after launching your book! Eileen is offering a unique and limited time "thank you" gift to buyers who place their book orders now, ahead of her launch date.

Contributes to your author brand and presence in the marketplace - When you use creative promotions, people are more likely to remember you, which helps establish your "brand." Science author Jen Swanson's "Activate your Brain!" squeezie giveaway is the perfect promo for a STEM writer!

    

Where should I order my SWAG?

The children’s book authors in this blog post had success using the vendors listed here, BUT be sure to thoroughly scrutinize all vendors you select to work with and inquire about customer service policies before ordering goods. (We cannot guarantee your satisfaction.) Authors in this post used:

Gotprint (bookmarks and postcards), Vista Print, Sticker Mule and Avery (stickers), Pure Buttons (pins/buttons), Alibaba (charms), Moo (stickers and postcards), StandOut Stickers, USFastprint (brain squeezies), Overnight Prints, Tattoofun, and UPrinting.

Other tips:
Wait for sales - Robin Newman used Oriental Trading, Amazon, Etsy, and Zazzle (for very small orders like tote bags and mugs). She suggests buying off-season and waiting for sales and promo days. Ordering in bulk will also cut back on shipping expenses. Websites such as Oriental Trading often have free shipping days and be sure to use their promo codes. If you don’t see a promo code, try giving the vendor a call. Customer service will often have a code available for your order.

Create an account with the vendor you want to use - You’ll receive email updates about special promotions and sales, so you get the best possible deal when you order your SWAG.

Start small - If you have the time and you are using a new vendor, it can help to order a small quantity first – then check your satisfaction with the product’s quality before making your second order for a larger quantity. (And you might get a nice discount coupon via email to use on the second order, too!)

Carry SWAG with you wherever you go - Bookmarks, buttons or stickers easily fit in your purse, backpack, or book bag and come in handy when you strike up a conversation with a reader at the grocery store, a sports event, or any place you frequent, and you want to gift them with an item to remember YOU and YOUR BOOK.  

Most of all -- enjoy your book publishing journey and have FUN creating memorable SWAG. Good luck!