Showing posts with label Highlights Magazine. Show all posts
Showing posts with label Highlights Magazine. Show all posts

Monday, November 28, 2016

Meet Joanne Fritz, from bookselling to book making



    
Meet Joanne R. Fritz

For a decade, Joanne Fritz cuddled at home
with the best children's books in the form of
advance reader copies (ARCs), before the
real deal ever popped into reader hands.

And she met the best children's authors in the
bookstore where she hand-sold their books.

She also read the best children's magazines,
such as those from the Highlights family of
publications.

Now, she is refining her writing for children, with
help from the best author-teachers we love to
read & study.



What were the best things about being a children’s bookseller?
Besides meeting all those amazing authors, I loved finding the right book for a child.                                                                                      

If the parent told me a few things about their kid and what they liked to read (or didn’t like to read!), 
I could always make several suggestions for books they would love. Parents and grandparents, 
as well as librarians, learned to look for my Staff Pick shelves or seek me out to ask for further recommendations.
By the time I left I had quite a few loyal customers who only wanted to deal with me, especially at the holidays.
Another favorite part of my job was recommending books for Indiebound. They used my blurb for 
Padma Venkatraman’s first novel (back when Indiebound was still called Booksense), hence it was 
fantastic to finally meet her at the Highlights Foundation workshop on Novels in Verse in 2016.
I also wrote children’s book reviews for a local newspaper that was distributed to all the area schools.
Now I review books on my blog, My Brain on Books.   
What were 5-8 titles, off the top of your head, that were guaranteed sellers in 
picture books, middle grade & YA?

It’s been a few years, so this may already seem outdated, but in PBs, Olivia was always popular, 
and any funny books about animals, really. The Pigeon books, Richard Scarry books, etc. 
Anything about trucks sold well, like Goodnight, Goodnight, Construction Site.  
We also sold a lot of classics like Goodnight Moon and Where the Wild Things Are, and
 Caldecott winners too because they made nice gifts.

In MG, after Harry Potter died down, we sold anything by Rick Riordan and really anything in a series, 
but we also had plenty of customers buying stand-alone Newbery books and whatever our current 
Staff Picks were. And in YA, Hunger Games, Twilight, and similar books sold well back then, but so 
did YA contemporary, like anything by Sarah Dessen or Ellen Hopkins. Now, I think contemporary rules, 
but there will always be fans of fantasy and paranormal.

What are your favorite kinds of children's books? What did you read as a kid?

As a kid, I absolutely loved The Secret Garden, James and the Giant Peach, and Charlotte’s Web.
But I would read anything then, even comic books.
Reading was by far my favorite thing to do, besides climbing trees.
My favorite books remain MG, though now I lean more toward historical fiction and contemporary 
than fantasy, but I do try to read adult fiction occasionally (my favorite read in 2015 was 
All The Light We Cannot See). 
In general, I’m not big on nonfiction (I know I should read more).
Just give me a good story and I’m happy.

Did you write as a kid?

Yes, I did, starting at about the age of eight.
But for a long time I thought of it as a secret I needed to keep.
I didn’t tell my family or friends.
For many years after, I wrote secret stories and poems but never tried to write
a picture book until the birth of my first son.
I also didn’t write on a regular basis back then, only when I felt inspired.
I didn’t start writing novels until 2007, so I’m relatively new at that.



How did the shop prepare for author appearances?

It was a team effort.
The manager took care of ordering books for the signing, basing it on how many 
people we expected to attend. We advertised in the local paper, and more recently, online. 
The day of the signing, we’d set up chairs, a podium, and test the microphone a few hours in advance.

For the children’s authors, I frequently introduced the author myself.
The first time I had to do that I was extremely nervous, but everyone told me I did a great job.
From then on it was fairly easy. I still got nervous and weak-kneed, getting up in front of 50 or 
100 people and talking into the microphone, but I managed.
I also moderated Q&A sessions after the author’s speech, and helped keep the signing 
line moving along smoothly. After a signing, we usually asked the authors to sign stock for our shelves, 
so I got extra chances to talk to them.
Over the years, I was privileged enough to meet many distinguished children’s book authors, 
including but not limited to, Laurie Halse Anderson, Patricia MacLachlan, Richard Peck, 
T.A. Barron, Dan Gutman, Jerry Spinelli, Ellen Hopkins, Beth Kephart, A.S. King, and 
K.M. Walton (whose launch party for CRACKED was by far the biggest of any we had for a YA debut author.)

You undoubtedly have a deserved advantage in becoming a children's writer & author, due
to your bookshop background. Perhaps it's from seeing so many titles. 
Perhaps from meeting children's authors in the shop? And from hearing what young
readers in the shop, said? 

There were many advantages to working in a large children’s book department.
Probably the biggest advantage was having access to so many ARCs.
Since I was able to read (for free) as many current books as I could, I learned a lot about 
writing from that
(and I think any aspiring author should read as much as possible in their genre – if you don’t 
have access to ARCs, go to your local library!)
Restocking shelves helped me learn what books were flying off the shelves and what weren’t, 
so I learned what books were successful, at least in our area. I’m sure every bookstore is different.

As a bookseller, I devised a pitch for each book.
So when my customers asked for a recommendation I could pull out a few books and 
describe each one in an enticing way.
It’s a bit like hooking an agent or editor with the first few lines of your query.

Meeting authors is always wonderful, and some of them I’m proud to call friends now, 
but it really didn’t give me any advantages as a writer. Talking to my young customers h
elped me realize what they look for in a book (as opposed to what their parents look for). 
My customers were diverse and their tastes varied widely.
What one young reader liked, another wouldn’t.  
But they all knew a good cover can make a potential reader pick up a book, but if the first page 
doesn’t deliver, they’ll put it down again.

More about Joanne R. Fritz

Before you leave a note/comment for Joanne here, read some more about her:

A lifelong avid reader, Joanne majored in English at Dickinson College, intending to work in publishing. 
She spent a couple of years as an editorial assistant in New York City, before moving back to Pennsylvania 
and working first in a greeting card company and then in a school library. 
After a stint as a stay-at-home mom, Joanne re-entered the work force as a children’s bookseller in 2002 at Chester County Book & Music Company, in West Chester, PA. At one time, it was one of the largest independent bookstores in the country. It opened in 1982. The bookstore no longer exists, unfortunately, but there are still several indie bookstores within a reasonable driving distance of Joanne's home.  When the bookstore closed, she began writing full time. 

You can meet up with her at MY BRAIN ON BOOKS, her book review blog. 

  "Storm Magic," (above) a rebus by Joanne R. Fritz, was published in the October 2016 issue of Highlights.


Thursday, June 9, 2016

Highlights from a Highlights Foundation Workshop

Highlights from a Highlights Foundation Workshop
by Jan Annino

I hope you are curious about the famed workshops
for children's writers held by the people who bring the
world HIGHLIGHTS - Fun with a Purpose, the
magazine.
I was curious. But I'm not. anymore.
That's because I recently returned from a May
workshop with these creative & wonderful folks.


The first part of the article is about The Tour
of the Highlights Office.
The second part is about The Workshop.

High Fives from The Office,  THE TOUR

1

Highlights logo emblazoned on scattered carpets

2
A giant skull in the editor-in-chief’s office (which will be explained
when you take the tour.)

3
Magazine editors work in an old, downtown former mayor’s home, an impressive
building accented with high ceilings, big, built-in bookcases, and tall windows.

4
Editor name plates are old Scrabble tile holders, to display the letter tiles
that spell their first names. (Hello Joelle, Channing & everyone!)

5
All on staff answer mail from children; every piece of child mail is answered.


My heart also melted when I saw that books created by friends
(Lee Bennett Hopkins, Lisa Desimini, Irene Latham) were so handy for reference.

Okay, so I can’t count, that’s six.
The Highlights folks like to over deliver and
I feel all on tour caught that attitude.

If you get in touch with the magazine folks, be sure to say Happy Birthday! 
They are celebrating their sweet 70th. Here's to at least 70 more.

I'm happy to share a fun freebie.
Highlights would love to have young readers take their
2016 STATE of THE KID SURVEY.
(You may want to tell them you heard about it, here!)

So now it's onto the workshop.

THE HIGHLIGHTS FOUNDATION WORKSHOP

Work!
A lot of it.
In the ardent
doodle, doodle, idea, idea, scribble, scribble
sense.

Breakthrough moments bubbled up,
which meant chucking swaths of lines
and retooling. Terrific progress.
Insights that peeled away the dreck.

Workshoppers!
Twelve of us.
In the nourishing
meet and greet, exchange resources, helpful critique
sense.

Mornings I awakened to birdsong. 
First light filtered in from a wood, across
a red clover field where a red tractor sat.
A breeze tickled delicate white curtains
against honey blond, paneled cabin walls.

(This image is lent me by Joanne R. Fritz.
copyright Joanne R. Fritz, all rights reserved.)



Each of the perfect-weather mornings, I grabbed my
journal-type notebook with the embossed mantra,
 “A moment of gratitude makes a difference in attitude.”  
It arrived home juicy with first pages impressions,
characters, thoughts, titles, snatches of dialogue & questions.

I broke away from the cabin’s spell & went outside early.
Plump robins were at work building a nest in a beam
of my front porch. Writers also saw Baltimore orioles.
I stopped in my path as a blue-purple banner flashed joy -
an indigo bunting!
Bluebirds visited me uncountable times. Plus, such a delight –
chipmunks wove in an out of the slate walls near the 5,200 square
foot airy conference center, known as The Barn. 

More Work
Each morning top-drawer children's authors who became everyone's
dear friends - Kathryn Erskine and Alma Fullerton - 
guided us with pithy & lively lectures & writing prompts. This moved
us forward in our novels-in-verse projects (& one biography-in-
verse project that we know will be a winner.)

The authors were so physical in their presentations, at times it
felt as if we were watching theater.
They surprised us by reading to the group, lines from our
works that they felt were flowing in the right direction.
We also listened to a potent talk & enjoyed many encouraging
conversations, with visiting author Padma Venkatraman,
(A Time to Dance, Island’s End, Climbing the Stairs.) Her works
were knew to me before Kathryn & Alma introduced us to her;
now I have an invitation to have coffee with her in Rhode
Island, when I'm next visiting our family there.

Afternoons offered well-subscribed time for
one-on-one meetings with the mentors.
And for individual writing marathons, inside.
Or out. With assistance from previously noted chipmunks and avians.
Writers who went to the creek at the bottom of the hill
drank in a view of flowing clearness, reflecting the clarity of our
thoughts & work.

(This creek at Highlights image is lent to me by Kathryn Erskine. 
It is Calkins Creek.  Yes, same as the famed Highlights imprint...
copyright Kathryn Erskine, all rights reserved.)


By 4 we collected in the living room of The Barn at
a daily group critique for the brave.
Everyone felt brave, drawn out by the nurturing faculty.
We appreciated the Floyd Cooper art on the walls & the
big sofas holding red pillows emblazoned with the
distinctive H for Highlights logo. Around the corner
a bright Eric Carle poster and a library of great picture
books to browse,  added to the creative atmosphere. 

The evenings were usually free for reading,
writing, or discussion with mentors & new pals who
were now, new mentors.  
I am fortunate that an insightful librarian, also working on
historical fiction like me, asked me to share evening work
time in The Barn, our lecture, lounging, dreaming &
eating space, beyond our cabins.
Another night we were gifted with visits from City
Folk, an accomplished agent & an esteemed editor.
Such insights, we gleaned. Such access, we appreciated.

Here at home, I've since written an entirely new opening to my
story. Which  my weekly critique partner, talented MG/YA
novelist Adrian Fogelin, read just last night.
I've changed a character's name, for the better.
(The workshop helped me understand why I was
stumbling over her name...)  I've written new story lines,
begun more research & feel fortunate to be back on track to
putting more words on the pages.
Thank you Highlights Foundation Workshop.

Favorite Words of Wisdom
Katherine Erskine, whose books include, Mockingbird 
(National Book Award winner), Quaking, The Badger Knight,
plus the forthcoming, Mama Africa:

All of your stories will make wonderful books.

Imagine an elaborate line-up of dominoes that you will be setting off, in touching
the first one. Each domino must connect. Each scene must connect with the next.

Keep in mind who is the antagonist. Who is the battle against.

Alma Fullerton, whose books include, In The Garage, Libertad, Burn &
the forthcoming, 50 Lashes:

Don’t sacrifice story for poetic form.

My first draft is basically barfing on the paper.

The evil person can be even nastier if we don’t see
him/him from his point of view, but when we view that antagonist from the outside.


Bonus Staff
The talented, kind & funny chef staff  (hello there, Marcia,
Amanda, Megan, Derrick & a spot-on walk-on, Kent!) matched
the quality of the story-crafting faculty. And their treats are
missed (hello there, toasted kale appetizer, mushroom loaf,
stuffed peppers, cream of squash soup, rhubarb crunch,
grilled asparagus, local cheeses, et. al!)


Bonus Friends
It was a thrill to discover that Group Blogger Marcie was in the
cabin next door! We often sat side by side at the group critiques
or for dining. I was delighted to learn so much about her
Thailand-set novel. which is sure to be a winner.
I am eager to read her impressions about
this transformative Highlights experience & know they
will be along when this funny & super-bizee pal can
catch her breath. We are so fortunate to have her here
at Group Blog! I know I will have her book in my hands one day,
for her autograph. I can say I knew her... way back when.
I don't have my picture of us together, as my 125 images &
camera didn't make it home with me. But, that's another Story.

More. I read every page of the journal that dwells in my cabin
& discovered that a mentor of mine, esteemed children's editor Paula Morrow,
was previously the cabin's dweller. I left many appreciations
in the journal along with a doodle of the cabin.

Bonus Work
Although I only anticipated that my novel-in-verse would move
other book projects are boosted from my time at Highlights.
I gleaned insights for two completed but not contracted books.
One is a p.b. bio,  which I have added to my To Do
list for revision.
For my chapter book series that has two written books
& the outline for several others, where animal
characters provide the antics, discussion helped me realize
that my stakes aren't high enough. So these two are
returned to the Must Do To Do List.

Tip
If you travel from afar, a feature is that you can ask
the accommodating staff to arrange to arrive a bit early or
stay later, for ease of your traveling. This of course depends
upon availability.
So a few of us were there the evening after the midday end of the
workshop, for extra fellowship. And then in the morning,
I was floored at how considerate Founder Kent Brown, Jr. was
with my balky station wagon. He even corralled a pal
to come & add coolant. Upon arrival back in Florida,
I scooted a small thank you box from our family,
a gift package of choice, fresh pecans (our house is just
about 30 minutes from the best sw Georgia
pecan groves) - sent priority mail to The Barn,
for use in the gleaming & airy kitchen.

Another tip is that since many Group Bloggers are focused
on picture books, Kathryn Erskine will be co-leading a picture
book workshop this year, in October.
Tell her I sent you to her!

If you ever see Kathryn or Alma or Padma listed for a workshop & can
arrange to attend their event, I feel you will be
so appreciative of their mentoring.
https;//www.highlightsfoundation.org/


To Be Continued
And finally, it was sweet to learn that one of my new friends
from the workshop, mentioned above as our
spiffy techie librarian who set up our workshop fb group,
is pals with a poem maker & writer friend of mine,
here in Florida.

I have email & fb messages from a buncha new writer-mentors pals.
We are pledged to encourage each other on our research & writing &
publishing paths, in the way everyone is so good to all here,
at sweet Group Blog.

Appreciations to everyone who made the stay so transformative.
Appreciations to Group Blog for providing this platform to share goodness.