Showing posts with label racism. Show all posts
Showing posts with label racism. Show all posts

Wednesday, August 20, 2025

Interview & Give-away! Carol Baldwin tells the Whole Truth

by Sue Heavenrich

Welcome Back from your Summer Explorations!

This week GROG has invited Carol Baldwin to share her experiences writing a historical novel. Plus we have a book give-away. So read on...

Carol has published articles for children and nonfiction books for adults. This spring her debut YA novel hit bookstore shelves. Half-Truths (Monarch Educational Services,  April 2025) is a historical novel that takes readers back to 1950. The main character is 15-year old Kate Dinsmore, who lives (and works) on her family’s tobacco farm in rural North Carolina. But Kate has dreams of a future far beyond the tobacco fields. She wants to become a journalist, and the editor for the local paper encourages her to follow her dream.

Kate decides that to get to college where she can study journalism, she’ll need the financial support of her wealthy grandparents. So, she crafts a plan to live with them in Charlotte, only to discover that there’s more to high society than going to school and getting good grades. She’s expected to attend lessons in the social graces so she can become a debutante. Meanwhile, and despite their racial differences, she forms a tentative friendship with Lillian, her grandmother’s teenage maid. When Kate discovers an old family photo while exploring her grandmother's attic, she unearths a secret that will not only threaten her friendship with Lillian and her status with her new society friends, but will cause her to question whether she has what it takes to be a true journalist.

This is a perfect book for kids who love stories but say they don’t love history. It’s a story that will get kids thinking (and perhaps talking) about racial discrimination, segregation, the Ku Klux Klan (KKK), racial violence, injustice, and societal norms. And, even though Carol started working on this story 18 years ago, it’s a great springboard for discussion about what’s happening in our country at this time. So, I was happy that Carol accepted my invitation to chat on the GROG about her writing…

Me: What inspired this story?

Carol: I give a lot of credit to Joyce Moyer Hostetter for encouraging me to discover a story in my own backyard. [Joyce writes middle grade historical fiction] I live in Charlotte, but I didn’t grow up in the South and I wondered what life was like back before the Civil Rights movement. I started digging for stories, asking questions like: Where were the old plantations and graveyards? Who were the debutante girls of 1950? I wanted to know about the history that is under our streets. Meanwhile, I had this idea in the back of my head that I wanted to write about a girl who moves from a farm to Charlotte and into a higher social class. 

Me: I imagine you did a lot of research to lay the groundwork for this story. 

Carol: One of the reasons it took me 18 years to write this book is that I enjoy meeting people and talking to them. When I started, there was so much I didn’t know so I took myself on a self-guided African American Heritage tour.* I interviewed as many folks as I could, including former debutantes, Korean War veterans, and people who picked tobacco as kids, and many more—about 100 altogether!
*go to http://landmarkscommission.org/local-history/driving-and-walking-tours/ 
then click on "African-American Heritage Tour."

I remember visiting a community center that had been a former Rosenwald school, and looking at photos on the wall. Seeing the people in the photos triggered an idea that the girls could have been related. In my conversation with Vermelle Diamond Ely, we talked about how she knew light-skinned Black girls who had passed. I considered including that as part of Lillian’s story, but ultimately decided against it. 

I was excited to discover that the Blue Willow china that is featured in my book, was a popular pattern at the time. There’s a story painted on the china, and I was able to incorporate that story into my own story. I happen to love stories within stories, and there are several in Half-Truths.

Me: How did you manage to keep focused on your story over all those years?

Carol: I definitely went off track a couple times. At one point I had Lillian’s brother dying from a racially motivated incident. Then I realized that had nothing to do with the heart of my story. I spent two years writing the book from both girls’ points of view per an editor’s suggestion. Although it definitely helped me see my story through Lillian’s eyes, I went back to the original idea of writing it from Kate’s POV. 

As for the research, I wanted to make my story authentic. But that tendency to over-research became part of the problem, and in the end, there were stories that didn’t make it into my book. One thing I did to keep me focused on the kernel of my story was to remind myself that Half-Truths is about the relationship between the two girls, Kate and Lillian. If I were to give writerly advice, it would be this: Research wide, but keep in mind the focus of your story so that readers can say, ‘this book is about ___.’ In my case, the book is about a White girl and a Black girl who discover they are second cousins while coming to grips with who they are as young women in the 1950s.

Me: What’s next for you?

Carol: I’m working on another historical novel set in the late 1800s. It’s the story of Kate’s paternal grandfather who is a glassblower’s apprentice. I’ve already done some research on glassblowing – including a hands-on experience in a workshop in Charlotte. As much as I relish diving into the research, I’ll try to be mindful to stay focused on the story!

You can catch a glimpse of Carol’s new project at her blogpost here (which is where I grabbed this photo!)

Thank you so much, Carol. And now, for everyone who’s managed to stick with us this far, go find a story in your backyard. It might be history … or it might be (like so many of mine) about something in your garden! 

You can find out more about Carol, her books, and workshops on her website, carolbalwinbooks.com

enter the GIVE-AWAY! 

Carol is giving away an autographed copy of Half-Truths to one lucky person. You need to live in the US to be eligible. Simply leave a comment before August 26th to be entered! Make sure you include your name somewhere in the comment if you want to be entered in the drawing. We’re doing the drawing old-school, in a manner that Kate and Lillian would be familiar with: putting names in a hat and drawing a winner. Winner will be announced in the first September post, with instructions on how to claim your book! 

Wednesday, March 24, 2021

How a Journey of 9000 Miles Led to a Picture Book Biography ~ by Lindsey McDivitt and Patricia Toht

I first chatted with Lindsey McDivitt in July, 2018. 
I was intrigued by her blog, "A Is for Aging" and her goal to tackle ageism in children's books. One way that Lindsey has challenged ageism is through picture book reviews and her own PB biographies.
Lindsey's picture book biographies 
about Gwen Frostic and Gerald Ford
Her latest biography, however, takes on an even larger issue: racism. 
PT: Lindsey, how did you come to write about Nelson Mandela?

Lindsey and her father
LM: Writing PB bios feels somewhat accidental to me - I'm not in love with research! A PLAN FOR THE PEOPLE: NELSON MANDELA'S HOPE FOR HIS NATION was actually my first biographical manuscript and it was borne of an intense curiosity after a trip to South Africa. My family immigrated to America after living there for many generations. I was born in South Africa and, when I was young, we returned often to stay with grandparents. But then 25 years went by. In 2013, I revisited Cape Town, just weeks after Nelson Mandela's death. Apartheid, the hateful policy of racial separation and inequality, was gone. South Africans of all colors mourned him. For the first time, I was immersed in the new democracy - Mandela's "Rainbow Nation."

Integrated beach in South Africa
Touring Robben Island where Mandela spent 18 of his 27 years in prison, I learned that he purposely changed himself in those years - from an angry activist to a leader, capable of leading a diverse and divided nation. How did he know that white people behaving in racist ways could change? Questions led me to read incessantly about Mandela, South Africa, and apartheid.

PT: This book began as a fictional story, but you later decided to write it as nonfiction. What led to this decision? How did the text change?

LM: Actually, writing about Nelson Mandela was never my intention. That 2013 trip created the desire to understand how he managed to transform a racist country. I didn't know how to explain the old, sad South Africa and apartheid to my own children. I'd been writing, but was still unpublished, when I began taking notes on the hundreds of pages I'd tagged. I was a white woman of South African heritage writing about Nelson Mandela. It was scary, but what I had learned seemed important to share in our current world. Especially as a white woman.

At first it was a fictional middle-grade book about a grandmother trying to help her fictional granddaughter understand racism in South Africa. That morphed briefly into a possible chapter book, then into a picture book. The picture book was nonfiction, based on Mandela's friendship with a young, white prison guard, Christo Brand. I was still writing about Mandela, but obliquely.

PT: You learned about the technique of journaling from author Candace Fleming. How did it help you with this book?

LM: I was intimidated writing about Mandela and was unsure of my focus. At a conference, I heard Candace Fleming share her "morning pages" routine of journaling. It helps her get to the heart of her writing.

I was initially resistant. I didn't like journaling. But Candace's books are amazing! Per her instructions - first thing in the morning, no laptop, no reading anything beforehand - I put pen to paper.  An hour each day, for one month, writing about writing. So messy. But eventually I gained clarity through it.
A sample of Lindsey's journaling
I focused on how Mandela and fellow freedom fighters of the African National Congress continued their fight while in prison. They planned for a new South Africa that included white South Africans, their oppressors. That spirit of forgiveness and generosity astounded me. It felt personal and I had to incorporate that in my story.

PT: What was the biggest challenge in writing this book?

LM: Definitely my author's note. Writing the entire book, I wrestled with strong emotions and memories of the old apartheid-era South Africa - knowing that generations of my family had been part of the white minority suppressing the Black majority. But in my note, I tried to share honestly. I want to make a difference with this book and to share a hopeful message about change and fighting racism. I fervently hope I was able to do that.
Illustrator Charly L. Palmer at work

The book also contains a terrific illustrator's note from Charly Palmer, the book's illustrator, a super-talented African-American artist from Atlanta. Charly knows South Africa well and he was the perfect partner for this project. Charly shares: "I wanted to convey the spirit I've experienced South Africa, a Mandela-like spirit of love and forgiveness." The art is warm, bright, and beautiful.

PT: This book includes several pages of back matter. How did you decide what to include?

LM: Yes, Eerdmans Books for Young Readers supported ten pages of back matter! Deciding what to include was difficult. A PLAN FOR THE PEOPLE is for ages 7 & up, but the back matter is designed to intrigue older readers and assist educators. We added lists of books and videos and websites to bolster understanding, and a selected bibliography.
Back matter sample from 
A PLAN FOR THE PEOPLE

The back matter includes both timelines and text on apartheid laws, South Africa's journey to democracy, and Mandela's life. I'm hoping they help others understand how fear and racist ideas can be exploited by government. And how discrimination against people by the color of their skin can become hateful laws. I still have lots to learn as I strive to be actively anti-racist, but we all need to pay attention. A government that's not a democracy for all is not truly a democracy. 



Kirkus recently awarded A PLAN FOR THE PEOPLE: NELSON MANDELA'S HOPE FOR HIS NATION a starred review, declaring the book "Beautiful. Informative. Essential." It will be released on March 30.

Find Lindsey McDivitt at www.lindseymcdivitt.com, where she reviews picture books with accurate images of aging and older adults on her blog, "A Is for Aging." Her next book is CHRISTMAS FAIRIES FOR OUMA, coming in 2022 from Familius Books.