by Sue Heavenrich
Wednesday, August 20, 2025
Interview & Give-away! Carol Baldwin tells the Whole Truth
Wednesday, August 31, 2022
Wolves, and Cats, and Elephants--Oh My! An Interview with Sarah Kurpiel--Giveaway
Welcome the creative and charming author/illustrator, Sarah Kurpiel to the GROG.
Hello, Sarah.
Congratulations on your new book baby! Our readers will love finding out how Elephant over comes stage fright and gains confidence. Sarah is generously raffling a copy of her new book, ELEPHANT’S BIG SOLO to one lucky reader! (U.S. only)
1. Who is your agent?
My co-agents are Allie Levick and Rebecca Sherman at Writers House. They’re both so knowledgeable and enthusiastic. I feel lucky to have two such amazing people in my corner.
2. How did you get the idea for your story?
It all started with a single line: “Elephant had a way of standing out, even when she’d rather not.” I can’t explain why, but I got really emotional about that line. I read it aloud to myself over and over. Then, the story poured out of me–a very rough draft, at least! ELEPHANT’S BIG SOLO is about an anxious, music-loving elephant pressured to perform a solo on stage. Over time, with editorial guidance from my agents and the book’s editor, the story changed quite a bit. But that first line has always remained the same. What I hope kids take from the story is that there’s more than one way to shine.
3. What is your favorite part of the story?
My favorite page of ELEPHANT’S BIG SOLO is a close-up of Elephant playing her French horn with her eyes closed. It’s just her and her music, alone. It’s a little bit sad but really peaceful too. That’s the thing about some forms of anxiety: it can feel so peaceful to not be seen, but it also means you’re alone. It’s a curious mix of feelings. It can be tough to be nervous, especially when you’re a kid trying lots of things for the first time. I think that’s why that page has always resonated with me. I hope it will resonate with kids too.
4. How long did it take to write? Get to a publisher?
I wrote a very rough first draft of ELEPHANT’S BIG SOLO one evening in July 2020 and thumbnailed the story shortly after. I revised for about a month with the help of my agents, who then sent the manuscript and thumbnails over to Martha Mihalick, the wonderful editor of my first two books (LONE WOLF and ORIGINAL CAT, COPY CAT). Fortunately, Martha accepted the story, so I got straight to work sketching out the full dummy. Although the story came together quickly, the ideas and main character had been fermenting in the back of my mind for more than a year. I knew for a long time, for example, that I wanted to make a story about an elephant one day. I love drawing elephants. They’re my favorite animal and always have been. I once drew a picture of an elephant playing a French horn (I liked the way the French horn curled like an elephant’s trunk) and wrote an unfinished story about an indecisive elephant trying to pick one instrument to learn. Those later served as inspiration for ELEPHANT’S BIG SOLO. Looking back, the story had been dancing around in my mind long before I wrote the first draft.
5. What is your writing routine?
I don’t write regularly, but I do draw regularly, which I consider an important part of my routine. When I’m itching to start a new story, I usually begin by mining my past doodles for ideas. I love to draw without a plan and without any expectations. It feels like meditation to me. Then, especially in January during Tara Lazar’s awesome Storystorm, I’ll look back at my doodles and ask myself questions like, What do I naturally draw again and again? Could I draw this character a hundred times and never get tired of it? Does this picture have a story? Once I have a loose concept or a very rough draft, I jump straight into thumbnailing because I don’t like to get bogged down by exact words at this stage. Other than designing characters, thumbnailing is my favorite part of the process. It’s so fun to explore layouts and page turns. It also helps me decide if I’m really ready to commit to a story or not. Without fail, new ideas emerge while thumbnailing, which is another reason why I usually leave the exact words until later. Then, I write the manuscript, which is a slow process for me. If I can write outside on a warm summer day, that’s my ideal writing environment. But we can’t control the weather (unfortunately).
6. What is your favorite writing craft book?
That’s a great question! It’s not exactly a “writing craft” book per se, but I recently read Scott McCloud’s Understanding Comics. I’m a big fan of graphic narratives, and this book helps me think deeper about how words and pictures can work together to make a story sing.
7. What inspires you to write?
Doodling, nature, animals, my funny pets, outer space, the ocean, kids being regular kids, summer, the arctic, StoryStorm, big wide-open spaces, creative books by talented authors and illustrators, webinars (12x12 webinars always put me in a creative mood), and so much more.
8. What are you working on now?
I’m working on a lyrical picture book that’s different from anything I’ve made before. It’s based around a special event that took place in my hometown when I was growing up. I’m excited to share this story with kids one day. I’m also playing around with a funny picture book about a grumpy bird. I’m not yet sure if this story will pan out in the end; not every story does. But it sure is fun exploring this silly character’s antics!
9. Words of advice for writers.
Read lots of picture books. Read your favorites again and again. Then, write the story only you can write. (I keep that quote on my desk.) And join a critique group if you can. Sharing my WIPs with a small group of trusted authors/illustrators each month has given me the extra push I need to keep drafting and revising.
Sarah, thank you for the delightful interview and sharing your thoughts and creative process with us. Readers don't forget to sign up for the chance to win a copy of ELEPHANT'S BIG SOLO.
Links to order:
a Rafflecopter giveawayWednesday, January 31, 2018
Meet Natalie Rompella, Author of Cookie Cutters & Sled Runners ~ by Eileen Meyer
Natalie talks sled-dog racing, fresh-baked cookies, middle school and more!
Thursday, September 7, 2017
Cooking Up Stories With the Help of Poetry (plus a Giveaway!) ~ Penny Parker Klostermann
Penny's delectable new book, A COOKED-UP FAIRY TALE, is the story of young William whose love of cooking makes him a bit of an oddball in the land of fairy tales. One day, when he finds a box containing apples, a pumpkin, and a few beans that is destined for Fairy-Tale Headquarters, William uses his culinary talents to whip up some delicious dishes. But, what will happen to the fairy tale characters who are missing key ingredients to their stories?
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Doesn't this look like a delicious book? Read on for your chance to WIN A COPY! |
Penny's debut picture book, THERE WAS AN OLD DRAGON WHO SWALLOWED A KNIGHT, won the "Best in Rhyme" Award at the first ever Rhyme Revolution Conference.
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Penny with the founder of Rhyme Revolution, Angie Karcher |
Penny: As writers, we often hear that we should read, and even write, poetry to help with our picture book writing skills. There's a valuable connection.
Even though writers often hear about the value of poetry, many dismiss the advice because they feel like they don't have the time or they don't see the value. They wonder:
So, why?
You might be thinking, "Whoa! Wait! Hold on! Aren't those the elements of a successful picture book? Isn't this redundant?"
I can promise you that it's not. The reading of poetry will give you an appreciation of language. It will heighten your awareness of techniques that will make your work a pleasure to read aloud. And if you will go a step further and write poems, you will strengthen your skills even more. If you're not a rhymer, don't worry. Writing free verse will benefit you, too. Slowly you will feel poetry influencing your choice of words and language in your picture book manuscripts.
It's pretty obvious how poetry helped me with THERE WAS AN OLD DRAGON WHO SWALLOWED A KNIGHT. It's a rhyming picture book, so immersing myself in rhyme and meter made sense. But my second book, A COOKED-UP FAIRY TALE is in prose. Yet the reading and writing of poetry had a huge influence on its text. When I compare early drafts to the final text, the revisions I made enhanced the story due to better word choice and the use of poetic techniques. The language and read-aloud-ability are much stronger and helped bring my story to a polished point.
I encourage you to start making poetry a habit. Even spending 10-15 minutes several days a week reading poetry will have an influence on your writing. Where do you start? There are many resources on the Internet and I have collected many of my favorites on my website in the Poetry Resources page.
Happy poetry-ing!
Thank you, Penny, for sharing your strategies with our readers!
And now, for the icing on Penny's post --
a copy of A COOKED-UP FAIRY TALE! Just comment below to enter the drawing (U.S. residents only, please).
As one final treat, gather around and listen to Penny read THERE WAS AN OLD DRAGON WHO SWALLOWED A KNIGHT:
Delicious!
Monday, March 20, 2017
Interview with Janet Smart ~By Suzy Leopold
Time to say goodbye to my snow boots. |
Buds appear on the Illinois Prairie |
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Janet Smart |
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DUCK & COVER |
Signs of spring |
You will also find her thoughts and musings that she shares on:
Creative Writing in the Blueberry Patch
Writing in the Blackberry Patch
Janet F. Smart, Children's Author
Connect with Janet on:
Janet is giving away DUCK & COVER to one lucky commenter on this post. To be considered for a copy of DUCK & COVER, comment on the GROG Blog, include your email address.
For extra entries, share this post on Facebook, Twitter and/or Janet's blog, no later than March 30th. Be sure and indicate which social media you shared this blog post and your account name. Good luck!
The winner will be announced on March 30th. Janet will mail DUCK & COVER to a lucky winner within the continental U.S.
Okay, I know . . . I'm a day late!
March 31st Update: Thank you to all who read, made a comment, and shared this interview on social media.
A name was pulled from a black hat. |
Thursday, February 23, 2017
Meet Jennifer Ward ~By Suzy Leopold
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Jennifer Ward and Oree |
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CARL'S BUSY DAY by Alexandra Day Inscription from Jenny's Parents |
It was then that I decided I would try and publish my own stories for children.
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By Jenny, age 10 |
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THE GREY HORSE Written & Illustrated by Jenny Sultan Ward |
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WHAT WILL GROW? |
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FEATHERS & HAIR |
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Jen & Sue |
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Jen's Writing Spot with Pez |
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Buckeye Public Library in Arizona |
I can also tell you the saddest picture book I’ve ever read: “Bluebird”, by Bob Staake. I shared it during a dinner party at my house and had every adult at the table in tears.
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Tufted Titmouse photo by J. Ward |
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Sleepy Eastern Screech Owl photo by J. Ward |
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Give-a-way WHAT WILL GROW? |
March 3rd Update: Thank you to all who read, made a comment, and shared this interview, ALL ABOUT JENNIFER WARD on social media.