Celebration and Inspiration ~ by Patricia Toht

On Friday, I invited you to come to the Kid Lit TV party for the announcement of the Best in Rhyme picture book winner. Did you tune in? I hope you did. But for those of you who couldn't make it, here are the winners!

Runner up:

by Deborah Underwood

Runner-up: 

by Corey Rosen Schwartz

And the Grand Prize went to: 

by Penny Parker Klostermann

Of course, we celebrated with cake!

And a few silly photos:

Dragon breath!

Angie Karcher isn't too happy about
being swallowed by a dragon...

Kid Lit TV provided a gracious venue for the ceremony and party. In addition, they opened their doors the next day for the RPB REVOLUTION conference. Here are some tidbits and quotes about rhyming picture books. I hope they give you some inspiration!

Penny Parker Klostermann surprised the group with the fact that her book had 29 different versions before it was picked up by Random House. She told everyone to look at every line and every word to make sure it is the best. She also encouraged everyone to give themselves time to imagine.

Agent Kendra Marcus says that a rhyming picture book needs to not only rhyme, but also to have a good story that begins right up front. If it takes to long for a reader to discover where the story is headed, they may lose interest.

Author Lori Degman took the group through exercises on whittling down a rhyming manuscript and making sure the meter and rhyme are perfect. She urges writers to pinpoint the core of what they are trying to say, and then figure out the most condensed way to say it.
"Every time there's a break in the continuity of your rhyme, you may lose your reader," she warns.

Next up were the "Rebeccas Squared" team of author Rebecca Kai Doltish and editor Rebecca Davis from Wordsong and Boyds Mills. "Often people focus so much on the end rhymes that they lose sight of what is between those end rhymes," Rebecca Dotlich said. They stressed the importance of all poetic elements - treat them with equal importance. In other words, make sure a rhyming text takes advantage of luscious word choice, alliteration, metaphor and simile, vivid imagery, personification. "Read and study picture books until the essence of them is in your bones," they said.

The team of author Karma Wilson and Justin Chanda, Publisher at Simon and Schuster, rounded out the day. "Rhyme is wonderful, but it's not EVER the heart of your story. Your story has to stand without the crutch of rhyme," they told us. "Figure out the 'spine' - the theme that lies at the heart of your story - and let all else hang off of it." Karma warned us all to never talk down to a child, their concerns are very real and very large to them.

Celebration. 

Inspiration. 

A terrific weekend!

Unable to attend? It's not too late to purchase a recorded version of this wonderful conference. More information HERE.

Sunny Reflections of SCBWI LA 2014 ~ by Kathy Halsey and Patricia Toht

Our first convention! From our initial meeting and talking with roomies late into the night, to the closing keynote speech of Judy Blume, what a wonderful time it was.

To sum it up:
•  over 1200 writers and illustrators from 19 countries + US
•  93 editors, agents and other industry professionals
•  12 inspiring keynote speeches
•  86 instructional breakout sessions
•   4 informational panels, and
•   1 rocking party to celebrate Tomie dePaola's 80th birthday

Happy times at the Night in Old Italy gala

Below is a sampling of our favorite memories and bits of advice.

Patricia: In the Editors' Panel, over half of the editors said the most important element in a manuscript was VOICE. Mary Lee Donovan said, "Voice is something you bring to a manuscript automatically. If you're writing authentically, you're writing in your voice."
Another interesting point from Allyn Johnston (Beach Lane Books) was the importance of matching the right book with the right editor. She told of having passed on SOPHIE'S SQUASH, Pat Zeitlow Miller's charming and award-winning picture book. To paraphrase, she said that it didn't connect strongly with her; had she taken it on, it might not have become the terrific book that it is.

Kathy: And speaking of SOPHIE'S SQUASH, Pat Zeitlow Miller WAS SITTING NEXT TO ME (sorry, quite excited by that) during Linda Sue Park's keynote, reviewing her award speech over and over. I wouldn't have recognized her, but as my eyes traveled the page she perused, I spied her name. I wrote her a quick note and told her to relax, that my grandson Tobin loved "the squash" and after all, we were her writing peeps. She smiled and put the speech down. What did I learn? Even famous folks have feelings of anxiety, even Golden Kite winners! 

Patricia: How much do I love Megan McDonald? A lot. I went to her two breakouts plus her keynote! She offered some wonderful tips about CHARACTER. Here are a trio --
Take time to come up with a great name.
Make sure that, if you write a character of the opposite gender, you get feedback from the opposite gender. 
Give your character a secret or a fault, for that is where the reader finds empathy with your character.

Kathy: A revising trick Linda Sue Park gave us was to WRITE A SECTION OF YOUR MS IN CAPS. IT IS SO AGGRAVATING TO READ, YOU WILL SURELY SLASH YOUR WORD COUNT. Also, I ran into her at the pool...one of many chance encounters with famous folk this past weekend.

Yes, Tim Federle and Kathy Halsey in a selfie that Tim took of us.

One of the most genuine, truly nice authors I met was Tim Federle, MG author of BETTER NATE THAN EVER and FIVE, SIX, SEVEN, NATE fame. He was on the phone w/his mom when I gasped out, "Tim Federle." He cut the chat w/mom short; proceeded to chat with lil' ol' me. When he found we had a mutual friend, Brandi Stewart of Changing Hands, he snapped this selfie of us & posted to Facebook. Tim's session, 10 Things Nobody Tells You About Being a Debut Novelist, was equal parts comedy routine and good advice. He gave permission to post this widely.
One terrific tip, which I already practice, is sending handwritten thank you notes to people in the business. BTW, his character Nate discusses the concept in FIVE, SIX, SEVEN NATE, pp. 66-67: "But Libby says I should be sending handwritten notes to anyone who's nice to me! As an example: The guardian will not get a handwritten note. Bernie the First will..."  

Patty: Good news for picture book authors! Several speakers referred to our current period of time as a "second Golden Age of Picture Books." But they also cautioned that the competition is fierce, so we must work to make our writing and/or art stand out. In her market report, Deborah Halverson reported that today's PBs are dominated by those aimed at a younger market, short in length, and very often character-based.

Kathy: I have reams of copious notes from the conference, but a few direct quotes from some of the standout keynoters/speakers bear repeating --

Meg Rosoff: "Kids are desperate to understand the inside of their own heads."

Justin Chanda's Picture Book Philosophy: "It is theatre."

Stephen Chbosky: "There is no such thing as 'writers' block.' You are editing too early." 

Paraphrasing Linda Sue Park: Words have become one of our cheapest currencies, so it is even more important that the words we write for kids are special.

Patricia: And a few of my favorite quotes, too --

Andrea Welch: "Don't let your submissions feel like you're throwing spaghetti at a wall. Target your agents and publishers!"

Cynthia Kadohata: "The more your research is absorbed, the more powerful your writing will become."

Judy Blume: "Determination is as important as talent."

And these last words of the conference from Lin Oliver: "It's a difficult road we've chosen. Better to go down that road, hand-in-hand and arm-in-arm, than alone."

Kathy and Patricia celebrate being children's writers
from the balcony in somewhat sunny LA.