Showing posts with label editors. Show all posts
Showing posts with label editors. Show all posts

Wednesday, June 14, 2023

How to Land a 2-Book Deal by Tina Cho

I recently landed a 2-book deal, so I wanted to share my process in the hopes that maybe one of you will also land a deal with a publisher. Below is the cover of my forthcoming picture book from Waterbrook, Penguin Random House's Christian imprint.


 

   1.Get to know who the editors are.

Since I belong to the writing organization, SCBWI (Society of Children’s Writers & Book Illustrators), I read their bulletins and newsletters that feature editors. I also follow editors on Twitter. One editor I paid close attention to was Bunmi Ishola of Penguin Random House’s Christian imprint, Waterbrook Multnomah. She was looking to build up their children’s books. I read an interview of her in the SCBWI Insight which gave her wish list around March 2021.

 

   2.Tailor a manuscript or query that fits the editor’s wish list.

Bunmi said she wanted a baby series for theology, along the lines of the Nerdy Baby series. Back in 2002 when my daughter was born, Baby Einstein was huge. We listened to Baby Mozart over and over with the hopes it would help her brain. Since then, Ruth Spiro developed her Baby Loves Science series and many others created similar series. I always wanted to write a board book, so I ran with this idea. Author Nancy I. Sanders taught me years ago, how to come up with a query of ideas, so I give her full credit.

 

   3.If you have an agent, check with her/him, to see if they agree with your idea, rather than wasting time on all the research and writing. Since I’d love to see a faith-based science baby series, I came up with Baby Astronomy. I ran the idea past my agent, Adria Goetz. She loved the idea and had even met Bunmi in person! Adria suggested to write this one manuscript first with descriptions for two others for a series.

 

   4.Write the story tailored to the editor’s wishes in your own unique style.
May 12, 2021 my agent sent the story to Bunmi. June 17th, Bunmi wrote back that she loved it! Wanted a proposal. She also would like to make this a picture book series instead of board books because of the rising cost of paper.

 

   5.Revise the story according to the editor’s guidance.
I revised the story to be a picture book, rather than a board book, which meant I had to add more pages, which meant more research.

 

   6.Graciously receive contract.
October 27, seven months after seeing Bunmi’s interview in the SCBWI Insight, I signed the contract for two books.

 

Bonus!

It’s been great working with Bunmi and the team at Waterbrook. They ask for my insight. I helped choose the illustrator, cover, jacket copy, and more. The wonderful Marta Álvarez Miguéns, who is well-known for her illustrations in Shark Lady, has done a superb job with the illustrations. I just finished the copyedits for book #2, God’s Little Oceanographer which swims to stores in 2025. But first, God’s Little Astronomer blasts into bookstores February 20, 2024.

So there you have it! Go stalk, I mean, follow editors! Find out what they publish, like, and want. May you be blessed with contracts!

Description of God's Little Astronomer:

Blast off to space and discover how every part of the universe--the planets, the stars, asteroids, meteoroids, and more--display God's glory, creativity, and, most important, his love for you and me!

In 
God's Little Astronomer, author and educator Tina Cho invites young readers to blast off to see God’s creation in the heavens. From the sun, moon, stars, constellations, and comets, this out-of-this-world introduction to space will teach budding astronomers new words, facts, and concepts, while also encouraging them to see God throughout the universe, and reinforcing the message that the same God loves them too.

Each page includes fact-filled sidebars plus an accompanying Bible verse, making 
God's Little Astronomer the perfect combination of faith and science for budding scientists.

Available for preorder!


Bio: Tina Cho is the author of Rice from Heaven: The Secret Mission to Feed North Koreans (Little Bee Books 2018), Korean Celebrations (Tuttle 2019), My Breakfast with Jesus: Worshipping God around the World (Harvest House 2020), The Ocean Calls: A Haenyeo Mermaid Story (Kokila/Penguin Random House 2020), and God’s Little Astronomer (Waterbrook 2024) & God’s Little Oceanographer 2025. Her lyrical middle grade graphic novel, The Other Side of Tomorrow, debuts from Harper Alley in 2024. After living in South Korea for ten years, Tina, her husband, and two kids reside in Iowa where Tina also teaches kindergarten. 

www.tinamcho.com

@TinaMCho

Wednesday, September 28, 2022

Whispering Pines Writing Retreat 2022 Recap with Chris Mihaly and Kathy Halsey

Whee! After two-plus years away from conferences, we (Kathy, from Ohio and Chris, from Vermont) met up at the wonderful Whispering Pines Writing Retreat in Dedham, Massachusetts this weekend, with forty-some other writers and illustrators and a crew of five magnificent mentors. Organized and run with panache by Pam Vaughan and Julia Boyce, this SCBWI-New England workshop is a gem. Here's a quick recap:

Words of Wisdom (from the mentors)

Each mentor shared an amazing presentation. From our copious notes we've distilled a single shining sentence from each ...

Jessica Anderson
(editor, Christy Ottaviano Books) offered practical pointers on optimizing symbolism and plot devices, and weaving them organically into your writing.
 
❤ "Your opening pages will be more powerful and resonant if they include a nod to your most significant symbol or plot device."

Alex Aceves (author, associate editor, Holiday House) explained how to create compelling characters that readers will feel a connection to. 
"Deploy character flaws strategically: readers don't connect with a perfect character, so write a protagonist whose flaws make us care about them and their success."

Sera Rivers
(agent, Martin Literary Management) revealed the secret of "why THIS book!" -- what makes a work stand out from the slush pile.
❤ "Bring a fresh perspective to a universal theme, and make your work accurate and authentic."

Abby Mumford & Brent Taylor (Photo, Mary Cronin)

Brent Taylor (agent, Triada US) broke down the business of children's books. Even the seasoned authors learned a thing or three. (Territories: World, World English, North American) 
❤ Books like Prince & Knight  "would have meant the world" to Brent as a kid. Brent believes territory is just as important to negotiate as royalties."

Chris Krones (editor, Clarion Books) energized us to knock the socks off writer's block.  They suggested going to the bookstore for inspiration and what gaps your book could fill.
❤ For Chris, "interest in the Merriam-Webster Word of the Year. 'they,' and creating a simple list, led to The Pronoun Book. Create lists, look for simple yet compelling concepts. 

Applying the Lessons

L to R: Brent, Alex, Sera, Jessica, Chris (photo, Mary Cronin)
We applied mentors' suggested writing exercises and pointers to make fresh improvements to our WIPs. A couple of examples:

Chris: I used Jessica's insights into symbols and structure to review a picture book manuscript word by word, working to instill visual and other sensory expressions of my major theme. I think it's better!

Kathy: Thanks to Sera's writing exercise, I changed a problematic setting in my picture book manuscript which enabled me ramp up the conflict.


Parting Thoughts: Top Tips for Writing Workshops

We're each sharing a single top tip for workshop and conference-going. (What? Are they contradictory??) We also include a couple of pointers from other attendees -- because WPWR is all about learning from one another! 

Chris: My top tip is: Say yes! Even if your first reaction is that you don't want to play the silly picking-up-dice-with-cups-on-your-hands game with these people you just met ... just say yes. You'll (probably) be glad you did.
Sally is game! photo by Charlotte Sheer
Kathy: My top tip is: Say no! Know when you've reached your limit socially or mentally. Take a break. Nap, walk in nature, write in private and come back refreshed. 

Laura Renauld: Step outside your comfort zone and be receptive to new ideas. That's what it's all about!

Connie Smith: Ask questions. If you don't understand what a presenter is saying, ask for an explanation ... and if you forget other people's names, just keep asking!

Books by WPWR attendees (photo, Nancy Tupper Ling)

Is it time to break your pandemic-era isolation and congregate again? Thinking of brushing off your Lucky Scarf and signing up for a workshop or conference soon? 
If you're looking for a little help getting back into the swing of things, check out these GROG posts from the archives: 

Leave a comment below about your favorite book gatherings. 
And good luck out there!

Wednesday, September 23, 2020

My Top 10 Ways to Research Kidlit Editors and Agents ~ by Patricia Toht

Come, gather at my knee, youngster...


I started writing for children way back in the 20th century. (GASP!) While many aspects of writing children have changed over the years, one goal that has remained constant is to find the editor (or agent) who will love my manuscript. 

Here are the Top 10 ways that I've used to research editors and agents:

1. CWIM
In 1995, the year I committed to writing for children, my "bible" for researching editors and agents was the Children's Writer's and Illustrator's Market. This book contains listings that are updated annually - names, addresses, and pertinent information about each entity - as well as helpful articles. It is currently in its 32nd printing, so it must be doing something right!


2. Agency Websites
Agency websites are a great way to find a list of their agents and a description of what types of books they represent. You may find a list of clients, too, where you might spot artists that you feel an affinity to. Sometimes individual agents post their wish lists. Above all, this is a definitive place to find specific submissions information for the agency.

You can get a feel for publishing houses and imprints by looking over their current and upcoming titles, but long gone are the days of requesting printed catalogs. These days, with publishing houses merging and morphing, I find the easiest way to peek at a catalog is through Edelweiss+. I search for an imprint and find their latest list.

4. Other websites/blogs
There are so many great kidlit websites! My top picks for submissions information are:

The Purple Crayon. Harold Underdown's website has so much to offer! In particular, the "Who's Moving Where?" section provides me with the latest information on editor changes at publishing houses.


Kathy Temean's Writing and Illustrating blog has terrific, in-depth interviews with agents each month, as well as editor and art director interviews. 



KidLit411, by Sylvia Liu and Elaine Kiely Kearns, describes itself as "a one stop info shop for children's writers and illustrators," and that's the truth. Scroll down their Topics list to check out Agent Spotlight, Editor Spotlight, and Submissions.

5. Social Media
On Twitter, I find handy hashtags to harvest information on editors and agents. Do a search for these hashtags: #askanagent, #askaneditor, and #MSWL (manuscript wish list), to name a few. Follow your favorite publishers and professionals to keep up-to-date with them. 

6. Conferences and workshops
Attending conferences and workshops may involve a cost, but they come with the possibility of great rewards. Often you can get an editorial critique of your work, which lets you to get tips from the top. And faculty members usually open their submissions window for a few months for attendees - so important for unagented manuscripts!

SCBWI is the Society of Children's Book Writers and Illustrators. If you are serious about writing for kids, membership in this organization is one of the most important steps you can take.
Among its resources, SCBWI has compiled The Book: Essential Guide to Publishing for Children. It details how to prepare and submit your work. The Market Survey section gives a current snapshot of the market (although change is continual). I like the section "Edited by..." with information that can help pair your book with a receptive editor. 

Querytracker is a database of agents and editors, and a channel used by many of them to recieve submissions. The standard membership is free; a premium membership has more to offer, but comes with a cost. (I've browsed the database for information, but I haven't used it for submissions.)

9. Author Acknowledgments
For novelists, you may discover agent and editor names for your favorite authors by checking out the acknowledgments in the back of their books. 


10. The PW Children's Bookshelf newsletter
This is my favorite way of tracking agent and editor preferences! Near the bottom of this twice-weekly newsletter is a list of current book deals. Each announcement includes the name of the author (and illustrator, if it's a picture book deal), the editor who bought the book, the book title, a brief description of the book, and the name of the agent(s) securing the deal. It takes some work, but I maintain a spreadsheet of this information that I can search when I have a new manuscript ready. Using Control + F brings up a search box where I can enter key words to find deals that have similarities to my work. (E.g. I search "rhyme" to discover editors that may be open to rhyming picture books.) Sign up for the Children's Bookshelf newsletter here.

These sources are my Top 10, but you'll undoubtedly find many more. If you have a favorite, please share it in the Comments below.

Happy writing, everyone! Good luck with those submissions!