Cozy up with your tea or cocoa, children's writers. Get comfy as Miranda Paul, an amazing writer friend of the GROG, chats with us about writerly topics as her book One Plastic Bag debuts February 1!
When did you
decide you wanted to write for children? How long did it take you to get your
first book published -- and how did you end up with 3 or 4 all coming out at
once?
I decided in 2010. (Keep in mind that I’d already gotten a degree
in English six years before that, and was actively freelancing). It was the
same year that a New York Times
article declared the death of the picture book. (Ouch.)
I knew trying to write and sell a picture book wasn’t going
to be easy. It made me work harder right out of the gate. So to improve my odds
I wrote (and revised) about 32 picture books and a bunch of other stuff. If you
do the math, that means 4 of every 5 books I write aren’t getting
published. It really isn’t easy, people!
Here are some more numbers to throw at you:
2011 - wrote the first draft of One
Plastic Bag
2012 - got the offer (December)
2015 - book publication
What is
your advice on trying to
make a living as a writer?
Write more, get organized, stop making excuses, and learn when/how
to shut off the internet. (Also: Eat more dark chocolate.)
What is your
favorite thing about being a writer?
Besides the actual writing, it’s a toss up
between working in my pajamas and getting letters from kids.
What was the
most surprising thing about the industry?
“It’s a small world after all...”
When do you let
a manuscript simmer? Stop sending it out?
I almost always let a manuscript simmer
before sending it out for critique or to my agent.
I don’t send books out on submission in droves. If it
doesn’t sell after maybe five to eight submissions, I stop sending it out. I
might make revisions and resubmit, but many times I retire a manuscript that
isn’t working. I don’t get sappy about rejection. In fact, sometimes I brag about
how many rejection letters I have when I do school visits. Kids are oddly
fascinated when grown-ups admit their failures!
Do you have a
special time when you write, or how is your day structured?
Right now, I write between 9-3, when the kids are in school.
But...this is the first time in 8 years all of my kids are in school. I used to
wake up very early and write before everyone got up, during naptime or free
period (when I was teaching), and after the kids went to bed. Laundry never got
done, but I sure as heck got those books done!
What books are
you currently reading?
I’m reading a number of books written by the We Need
Diverse Books team members and other diverse authors. Recent titles
finished: Ellen Oh’s PROPHECY, e.e. charleton-trujillo’s FAT ANGIE, Lamar
Giles’s FAKE ID, and Jacqueline Woodson’s BROWN GIRL DREAMING. Up next: Cece
Bell’s EL DEAFO and Andrea Davis Pinkney’s THE RED PENCIL. After that: Aisha
Saeed’s WRITTEN IN THE STARS, I.W. Gregorio’s NONE OF THE ABOVE, Kat Yeh’s THE
TRUTH ABOUT TWINKIE PIE, and Tracey Baptiste’s THE JUMBIES. And of course, I’m
always checking out crates of picture books. Too many to list here, since I’m
always “currently reading” about a dozen or more.
What things are
you doing to market your new book, One Plastic Bag? How much marketing belongs
to the publisher and how much to you, the author?
My publisher has been great. I continue to get emails that
the book has been reviewed here or there, which shows me how much goes on
behind the scenes. The book has already been named a Junior Library Guild
selection, and received a starred review from School Library Journal as well as
reviews in Kirkus, Publisher’s
Weekly, and The Horn Book.
Lerner created a teacher lesson extension activity that will be put on their
site. I also received advance galleys and a whole box of bookmarks. They’ve put
a bio and listed events for me on their website and have also done some social
media posting. I’m sure I’m missing things here like their catalog marketing
and in-person sales meetings—good publishers do a lot for the book that even
authors aren’t aware of!
On my end, I probably should be doing more. I’m not a
natural marketer, but I’ve chosen to be proactive about booking a few events,
school visits, and festivals. I also made a very short book trailer and put up
a website for the book at oneplasticbag.com. Those are certainly not
small feats, but I know that I could have done more. I also know that
publishing a book by myself isn’t something I would want to do!
How have travel
and your other interests intersected with your writing?
One Plastic Bag wouldn’t
exist if I hadn’t ever traveled to/been a teacher in the Gambia. Also, my love
for water was fully realized after traveling around the world and realizing how
lucky I was to have grown up near the shores of Lake Michigan, with so much
access to clean water. That love really comes through in Water
is Water, which releases in May.
Helping Hands, my third book, is
inspired by the possibilities of all things kids can be when they grow up. And
10 Little Ninjas was sparked my by husband’s large St. Lucian family (he’s the
youngest of 10 children). Even though I write for kids, there’s not a book I’ve
got that doesn’t intersect my life or interests in a very real way.
Can you name
one/two best conferences/workshops you’ve attended?
Whispering Woods - a private retreat with Jill Esbaum and
Linda Skeers. Those two individuals are some of the best teachers/mentors in
the business!
I’ve also enjoyed workshops at Highlights, through SCBWI
(national and regional), and Kristen Fulton’s WOW picture book retreat.
What is the most
challenging thing about being a writer (excluding the slow process of the industry)?
I could go on about the challenges of being a writer. But,
as Isatou Ceesay says (and is quoted on the back cover of One
Plastic Bag) - “I didn’t call out the problems—I called out solutions.”
I try and focus on overcoming whatever challenges come up at each stage of my
writing. There are enough “miserable” and “whiny” writers out there. Count me
out of that group, please!
How do
you define success as a writer?
I will call myself successful if I just get to continue
doing this for the rest of my life. I’m so happy in my job, and that’s a
treasure.
What do you want
your writing legacy to be?
I envision my future self as that old cat lady who published
500+ books and now lives peacefully at her cottage in the glen, sipping hot
tea.
Seriously, though - my goal is to inspire, entertain, and
broaden horizons. If kids come to like reading, our world, each other, or
themselves a bit more because of my writing, I’d consider that a job well done.
Thank you, Miranda, for showing us the passion, inspiration, and goals for being truly successful in our chosen field! To enjoy reading, the world, each other because of children's books, there is no better reward. And don't forget to check out Miranda's book trailer here and We Need Diverse Books, too.
