Showing posts with label Melissa Stewart. Show all posts
Showing posts with label Melissa Stewart. Show all posts

Wednesday, January 31, 2024

Introducing the GROG’s Greatest HIts: Happy 10th Year Anniversary! by Kathy Halsey



2014 to 2024!  Happy 10th year anniversary to the Grog. Woohoo! Let the celebration begin.  


Throughout this year the GROG team will be featuring a “blast to the past" with our most popular posts through the years. 


Look for these gems and other surprises to be revealed as we celebrate 2024.

  • How about a book giveaway?
  • An AMA (Ask Me Anything) chat?
  • A critique?
Stay tuned every Wednesday for our weekly posts! Let's dance through 2024 in writer style!

Not Gangnam style or Tiktok style, but writer style!

A GROG Greatest Hit: Nonfiction vs. Informational Fiction: A Former School Librarian's View with NF Maven Melissa Stewart


Waaaay back in 2020 before we all added N-95 face masks to our fashion ensembles, there were burning questions about nonfiction: 

  • What is nonfiction? 
  • What is creative nonfiction? 
  • What is informational fiction? 
  • Are these terms interchangeable? 


Melissa Stewart and I got together and had a confab about it. Can you believe we are still discussing the intricacies of nonfiction in 2024? And like Back to the Future, we mentioned NF Fest in that post and it's coming back in February 2024, too! 

NFFEST begins February 1. NFFEST.COM

In our 2020, post Melissa and I gave pointers on how to tell if a book is fiction or nonfiction by reviewing how librarians catalog books as well as sharing examples and an exercise useful for writers, teachers, and students on classifying a book as informational fiction or nonfiction. Check that post out here.


Fast forward to 2024, and Melissa Stewart and Marlene Correia’s 2021 book 5 KInds of Nonfiction we mentioned then is becoming the preferred way for nonfiction writers and school librarians to categorize nonfiction.


Drum roll, please. . .and the 5 categories are Active, Browseable, Traditional, Expository Literature and Narrative nonfiction. Informational fiction still has “made-up parts" and creative nonfiction is synonymous with unique ways of crafting all types of nonfiction.

I'm using this book now to decide what type of NF my WIP should be.

A Look Back and a Look Forward 

        Then: NESCBWI               Now: NCTE Columbus OH

To win a prize of an Ask Me Anything 20 minute Zoom chat or Ask Infowoman: A Library Consult from Kathy, share your look back to 2020 or 2014 and look forward to 2024 with us in the comments. They don't have to be fancy, either. (I did mine in Canva.) If you haven't done so yet, please subscribe to our blog in the blue box at the top right side of this site! Thank you!

Wednesday, September 8, 2021

Five Kinds of Nonfiction

Sue Heavenrich with Melissa Stewart

When I look at contemporary children’s nonfiction, I am drawn to the enticing covers and interior artwork and photos. I love the way writers use sidebars and textboxes to highlight fun facts. And I’m a huge fan of back matter and the use of end pages to extend exploration. But if you take a closer look at children’s nonfiction, you might notice something important. Something exciting.

There are different kinds of nonfiction.

Five kinds, says Melissa Stewart, whose new book (co-authored with Marlene Correia) takes readers on a deep dive into what modern children’s nonfiction is. Melissa has been thinking about different kinds of nonfiction for a while. So I was thrilled when she agreed to hang out (virtually) here at the GROG and talk about her book and nonfiction with me.

Sue: The primary audience for 5 Kinds of Nonfiction: Enriching Reading and Writing with Children’s Books is educators, but I think there’s a lot here for children’s book writers too. Did you have writers in mind as you were creating the book?

 Melissa: Yes! The truth is I developed the 5 Kinds of Nonfiction classification system for myself—so that I could better understand the children’s nonfiction market. Back in 2012, when I started thinking about nonfiction classification, I was having a lot of trouble selling manuscripts. I thought developing categories might help me figure out what kinds of manuscripts publishers would be most likely to acquire.

It wasn’t until later that I realized it’s value for teachers and students. When I posted an article describing the system on my blog in 2017, the response was incredible. To date, that original blog post has received more than 500,000 hits.

Because the origin of the system is author-centric, everything that’s come out of it is relevant to us. I’m excited that 5 Kinds of Nonfiction shares more than 150 mentor texts and discusses everything from the history of nonfiction to the differences between expository and narrative nonfiction to nonfiction craft. There are more than 20 activities and most of them are just as relevant to children’s book writers as they are to teachers working with K-8 students.

Sue: I know. I’ve actually been doing some of those activities. So I remember back in 2013 you were trying to develop a nonfiction “family tree.” Over the years, your thinking about this family tree evolved. So can you tell us a little bit about the way you currently classify nonfiction?

Melissa: Sure. We’re used to subdividing fiction into categories like mystery, science fiction, realistic fiction, and historical fiction, but in the past, we’ve just lumped all nonfiction together. The 5 Kinds of Nonfiction classification system brings clarity to the wide world of nonfiction by breaking it down into groups with specific traits.

 




Once readers understand the characteristics of the five categories, they can quickly and easily determine the kind of information they’ll find in a book, predict how the information will be presented, and identify the kind(s) of nonfiction they enjoy reading most.

 And when I say “readers.” I mean kids and children’s book authors as they study books as mentor texts. The system helps to make patterns visible. For example, it highlights why narrative nonfiction is ideal for picture book biographies, books about historical events, and books that describe a scientific process. And why expository nonfiction is a better fit for books about broad topics or specific science concepts.

Before I developed this system, writing every manuscript was like shooting in the dark. I was just stumbling along, reinventing the wheel every time. But now that I understand the patterns of different kinds of books, I can go about my work more intentionally. This has made me a faster, more efficient writer. Now I have general guidelines to get me started, but I also know when and how to break the “rules” so that each book is uniquely creative.

Sue: Which sections in your book are relevant for writers creating nonfiction books for children?

Melissa: That’s a great question. Chapter 1 includes the origins and history of nonfiction, which I think is helpful because it explains some of the things about nonfiction that don’t seem to make sense, such as why folktales and drama are shelved in the nonfiction section of the library and why it’s so hard to pin down a definition for the term “informational book.”

Chapter 2 introduced the 5 Kinds of Nonfiction classification system and provides lots of sample texts. Chapters 3 and 4 are worth a quick scan, but Chapters 5-7 should be incredibly helpful to writers. They look closely at the craft of nonfiction writing. There are interviews with highly-regarded authors, and we’ve analyzed excerpts from a wide range of children’s books. If you’re a regular reader of my blog, you might recognize some of the material, but here it’s expanded and updated, and, of course, it’s all together in one place.

Sue: Those are the three chapters I have been spending the most time with, for sure. I especially like the way you show how text structures are used in different books, and the insight you provide into voice, language and point of view.

 Melissa: Chapter 9 also deserves a close read. It looks at today’s most innovative authors and books and where nonfiction may be headed in the future. 

Sue: What other books would you recommend for children’s nonfiction writers who finish reading your book and are looking for more?  


Melissa
: One is an anthology I edited called Nonfiction Writers Dig Deep: 50 Award-winning Children’s Books. It’s a must have because it features powerful, insightful essays by today’s leading authors.

Sue: I love that book. Not only does it contain essays from amazing writers, but it also includes a treasure trove of ideas for things to do in the classroom – or homeschool – to help young writers develop their own “secret sauce” for writing nonfiction.

Melissa: Another great book is Finding the Heart of Nonfiction by Georgia Heard. Like my books, it’s written for students, so it’s particularly relevant to us.

If you are especially interested in narrative nonfiction, there are three books you may want to take a look at Draft No. 4 by John McPhee; Telling True Stories: A Nonfiction Writers’ Guide from the Nieman Foundation, edited by Mark Kramer and Wendy Call; and Story Craft by Jack Hart.


Sue:
I’m going to add one more to the list: Anatomy of Nonfiction, by Margery Facklam and Peggy Thomas. I find myself referring back to it every now and then.

 A huge Thank You to Melissa for sharing her book and her thoughts on nonfiction with us today. Melissa has written more than 180 science-themed nonfiction books for children, including the ALA Notable Feathers: Not Just for Flying, illustrated by Sarah S. Brannen; the SCBWI Golden Kite Honor title Pipsqueaks, Slowpokes and Stinkers: Celebrating Animal Underdogs, illustrated by Stephanie Laberis; and her newest book Fourteen Monkeys: A Rain Forest Rhyme, illustrated by Caldecott Honoree Steve Jenkins. She maintains the award-winning Info-licious Inspiration blog, and her highly-regarded website features a rich array of nonfiction writing resources.

 

Wednesday, February 19, 2020

Nonfiction vs. Informational Fiction: A Former School Librarian's View by Kathy Halsey

During February. I've taken advantage of NF Fest, a new challenge for nonfiction picture book authors. It's a free deep dive into the genre created by the NF Chicks, Pat Miller, Linda Skeers, Lisa Amstutz, Nancy Churnin, Peggy Thomas, Stephanie Bearce, Susie 
Kralovansky.  
The Facebook Discussion from NF Fest

Recently we've had an in-depth Facebook discussion about the nomenclature of "informational fiction" vs. "nonfiction." Melissa Stewart, who I consider an authority on the subject, has given us definitions and examples of each, yet confusion still remains. 


From our discussion, Melissa indicated, "An informational fiction book has some  documented information and some made up parts." She goes on to say that labeling a book as informational fiction alerts readers "to the fact that some of the info in the book is made up. We need to be honest with them." I agree. 

Some writers in the NF Fest suggested libraries create a separate section for informational fiction. However, this may be problematic for school librarians who have cataloging done by library jobbers such as Follett. (Note that many school librarians are in charge of several buildings and don't have the time to catalog.)

Another trend nonfiction writers need to know about is the "genrification" of library collections. To gentrify is to arrange a library by category to make book location easier, similar to bookstores. Some libraries may only genrify fiction (all dragon books shelved as a subgenre in fantasy.) Other school libraries may place all fiction, nonfiction, biographies and picture books together in genres such as war, sports or supernatural. (They ditched the Dewey Decimal system.)  School librarian and nonfiction author Marcie Flincum Atkins said, "Books that haven't moved in years are getting lots of love." It transformed her circulation numbers - data that administrators understand when determining library budgets.

Melissa Stewart and I continued our discussion privately where she shed more light on this topic.
  • First, wholesalers are already tagging informational fiction in their databases, so it's no longer a matter of debate as to whether people agree to the term "informational fiction." As Melissa states, "It's part of the landscape."
  • Stay tuned for Melissa's new book this fall from Stenhouse about the classification of nonfiction and the research showing that many kids prefer expository nonfiction. She does discuss informational fiction in this book, but it isn't a major focus.
  • Finally, here's a blurb from Stenhouse, a publisher that provides professional resources for educators. 5 Kinds of Nonfiction: Enriching Reading and Writing Instruction with Children's Books highlights more than 150 high-quality children's nonfiction titles for K-8. It provides strategies for building strong, diverse classroom and library collections and includes 22 innovative reading and writing activities that show teachers how to utilize the many wonderful nonfiction children's books being published today. This book will be a boon for writers, too.
NF vs. Informational Fiction Exercise
As a former school librarian, I'm sharing a process of determining whether these exemplary books are informational fiction or nonfiction. 


Both Sea Otter Heroes: The Predators That Saved an Ecosystem by Patricia Newman and Wait, Rest, Pause: Dormancy in Nature by Marcie Flinchum Atkins are nonfiction. Check out these books, and follow theses clues with me yourself.
  • If one turns to the dedication pages and looks at the CIP, Cataloging-In-Publishing data, we see their Dewey Decimal numbers - 599.7695 for Sea Otter Heroes and 571.78 for Wait, Rest, Pause. 
    Patricia's book - DDC 599.7695

  • They are both by Millbrook Press, a well-respected name in nonfiction. 
  • They have back matter that includes further reading, web sites, photo acknowledgments, and acknowledgments of subject matter experts who have provided information or vetted the book. 
    Marcie's book back matter







Atlantic by G. Brian Karas is a lyrical informational fiction book. Follow the clues to see why.
  •  The writing uses extended metaphors and a first person POV to give facts about the ocean. 
  • From the book one can pick out the facts: "I am the blue water at the beach, the waves, mist and storms. That salty smell is me, too. / I stretch from the icy poles, North and South. I rub shoulders with North America and bump into Africa. I slosh around South American and crash into Europe. 
  • The Cataloging-In-Publishing data indicates no actual Dewey number but places it in "E" (a designator for picture books organized by author's last name). The cataloging summary indicate the text gives characteristics "as described by the ocean itself." The ocean is speaking. That is a fictional element.
    Can you find the "E" designator and heading "Fiction"?





Head over to the NF Fest and join in the Facebook discussion and go to the web site to read posts. You may want to try these exercises with students or for yourself asking questions like this: 1. Can you identify the real stuff and the made up parts? 2. Can you figure out why the author included them? 3. Is it NF or IF? Happy classifying.










Wednesday, May 22, 2019

Melissa Stewart Demystifies Nonfiction and Makes It Fun! by Kathy Halsey

There's no question that Melissa Stewart makes nonfiction bewitching and accessible. With over 180+ books under her belt, she knows this category's ins and outs along with the difference between narrative nonfiction, expository nonfiction and more. (Take a look at her nonfiction tree here.)

Last week, I caught up with Melissa at my local indie bookstore, Cover To Cover Books for Young Readers. after her three day author visit to New Albany schools. Melissa tailored her talk to the crowd of seashell lovers, educators, and librarians. 

 Today I'll share my review of Seashells More Than a Home, some key points from her talk and a few fun facts. 


Book Review 

This expository dual-text picture book follows the structure set up by author Melissa and illustrator Sarah S. Brannen in their first book together, the award-winning Feathers: not Just for Flying. Written for ages 6-9, grades 1-4, Seashells is an engaging, accessible introduction to 13 seashells that "sink like a submarine," and "send a warning like the signal from a lighthouse." 
Melissa's use of similes and metaphors makes the main text a joy to dive into, while the second layer gives well-chosen facts still steeped in lyrical language. 
Sarah Brannen's brilliant watercolor illustrations invite readers to pick up their own science sketch book and take to the outdoors to examine, draw, and take note of the natural world. Even the end papers add information with maps that show the habitats for each sheet/mollusk. Young scientists, parents, and educators will enjoy dipping back into this picture book time and again. 
Third grader in Columbus, Ohio, New Albany Schools  share facts from Melissa Stewarts's visit.

Key Points and Fun Facts
  1. Melissa and illustrator Sarah Brannen created an elaborate back story for the illustrations of the children examining the seashells for the book. More work goes on in the creation of captivating nonfiction than you'd think.
  2. During Melissa's Cover to Cover author visit, we chatted about how informational fiction and true expository fiction are  confused by lay people as well as many educators. Check out Melissa Stewart's award-winning blog, Celebrate Science, to learn more here.
  3. Melissa and Sarah are in the same critique group in Massachusetts that has been meeting for over 20 years. They were paired together for Feathers: Not Just for Flying by happenstance. (Typically authors an illustrators do not know each other.)
  4. Again, in a break with customary publishing practices, Steve Jenkins and Melissa worked closely together on CAN AN AARDVARK BARK? Melissa had to go back and revise the text when Steve changed the type of porcupine depicted for artistic reasons.
  5. Even authors with 180+ books get rejections from publishers. Melissa says that sometimes industry professionals don't know how to edit expository work. They want it to have a plot. Expository nonfiction needs a structure or a pattern to create a through line, not a plot. Melissa says children can pick out a pattern/structure more easily than adults.

Cover to Cover owner Melia Wolf welcomes Melissa Stewart

    What's Up Next?
    Melissa has several school visits in her home state of Massachusetts before she wraps up the school year. She and Steve Jenkins are at work on another collaboration and she's writing a professional development book for educators. Finally, Melissa has revamped her web site which is a treasure trove for educators, librarians, and writers. Take a look soon.








    http://www.theclassroombookshelf.com/2019/04/exploring-adaptations-and-design-with-seashells-more-than-a-home/

    Wednesday, May 11, 2016

    #NESCBWI Spring Conference: A Midwestern Gal Leaves for Parts UNKNOWN by Kathy Halsey

    Should I stay or should I go? My happy conundrum this spring - go to The Wild Wild Midwest or head to New England for Parts UNKNOWN?" I chose the latter and that has made all the difference. I blame it all on MG/PB writer, friend, photog, Writer's Loft Board member, Pam Vaughan. And two others to blame... conference co-chairs, Josh Funk and Heather Gerry Kelly.
    Pam likes to joke that I left my "tennis shoes" back in Ohio and slipped into Eastern "sneakers" to reinvent myself. Writers, challenge yourself to go outside your usual circle, your own SCBWI group, and grow. I learned so much, met so many new writers, talked w/industry experts, received a hug from Jane Yolen, and snapped a pic of nonfiction writer extraordinaire, Melissa Stewart, 2015 Crystal Kite winner. 

    It will take me several months to unpack my new knowledge and several more blog posts, too. Don't worry, I will be sharing the expertise and juicy tidbits. GROGger Christy Mihaly will tag team with me, too. We met up several times and shared stories with 12x12 folks for pizza and camaraderie.

    Short, Sweet Takeaways for Today
    1. Have a goal in mind when choosing conferences. My goals included extending my network, meeting some author luminaries. getting a critique from editor Julie Bliven; following a nonfiction track throughout the conference.
    2. Meet on social media before you go to a new conference. Many of us newbies connected via the #NESCBWI16 hashtag first and planned to meet at specific sessions/events.



    3. Try something new. (Well, the theme WAS reinvent.) I challenged myself. I struck out and did not cling to my roommate the entire conference. I entered the Pitchapalooza contest and ate alone at the MVP lounge one night. Results...stronger pitch and new friends. 
    4. Be brave, confident, and know you have something to share. Approach editors, agents, published writers and really talk. I now have a new vision and way to tackle a WIP for educators because I sat w/ Megan Dowd Lambert at the #AskAMentor session. With no one at her MFA table, we instead discussed her amazing professional book, READING PICTURE BOOKS WITH CHILDREN. Lucky me, I had 30 minutes uninterupted with her. 
    5. Attend every event you can, even if it goes into the wee hours. The keynotes were amazing and the sessions were vetted beforehand, so this really was the best of the best. 
    Yes, I am still drinking the NESCBWI conference Kool-Aid and will share more with you later! I still have to tell you about The Writer's Loft, and The Unlikely StoryBookstore & Cafe owned by Jeff Kinney, and...stay tuned. 

    Monday, December 14, 2015

    Attend a Library Convention! Here's Why. by Kathy Halsey

    Columbus Skyline @ AASL
    AASL and ALA are not alphabet soup that our favorite literary dog Martha cooked up. They're acronyms for the American Association of School Librarians and American Library Association. In the world of publishing, they have been called gatekeepers, but I prefer the word "ally." As a former school librarian myself, I know our goals are similar- to promote literacy and to engage readers for a lifetime. Librarian go to conferences for the same reason as writers: connections, professional development, and fun.



    Even if you are a pre-published writer, you can learn so much from your local school library association conference or one of the national conferences. AASL came to Columbus, OH, my home town, this past fall and I attended the conference for only $25! The secret? Only purchase an exhibit/vendor hall pass. You will miss the great presentations, but chatting up vendors, getting piles of free books, and meeting amazing authors kept me busy.
    Only some of the loot I snagged for FREE!
    Make a game plan before you peruse the exhibit hall. It is a dizzying array of swag, companies, and librarians. I targeted the vendors by my writing interests: PB, NF,  and library/educational publishers. Look at their displayed books, snag a catalog, introduce yourself as a writer, and hand them your business card. (Tip: The best time to chat with folks you really want to meet is during  concurrent sessions. The vendor hall is almost empty and reps appreciate your interest.)
    Discuss commonalities and areas of expertise with the reps. I pitched this blog and its readership to get a free trial to some library apps that could be useful to writers, such as StoryboardThat, an AASL best app. 
    Science & Children Journal
    Avail yourself of free professional magazines, also. I found PW, School Library Journal, a chapter book series pub, and best of all for NF writers, and Science & Children, a National Science Teachers Association journal. This particular issue's focus is writing in science. Many articles give the appropriate Next Gen Science Standards for articles. Writers can save time if they plug these into their science manuscripts. Visit NSTA for more resources. 
    J. Patrick Lewis, Former Children's Poet Laureate
    Author Tim Federle, writer of MG, PB, and funny drink books (He knows librarians & their habits well. LOL)


    Connecting with the authors seen above along w/the likes of Matt de la Pena, Don Tate, Michael J. Rosen, and Melissa Stewart made AASL a stellar experience! 
    Share your conference tips and favorite finds in the comment section so we can all benefit!





    Wednesday, August 26, 2015

    Making Science Sing: Writing creative nonfiction about science, for kids. By Christy Mihaly

    If you're interested in writing about science for children, you've probably heard that editors are looking for creative nonfiction. If you find that confusing, you're not alone.

    What is creative nonfiction? Writers, readers (and a few editors) sometimes trip over the definition. My librarian friends could talk all day about how best to categorize science-related books. But the basic rule is simple:

    NONFICTION=ALL TRUE


    If you want to write nonfiction—to submit to a nonfiction magazine, or for educational publishing, or because you want teachers to teach your book as nonfiction—you can’t make anything up.

    Take this quick quiz.

    Is it Fiction or Nonfiction if . . .

    1. a fictional character tells a friend (or a student, or a grandchild) important factual information you want to convey to readers?
    A: FICTION. You may call it “informational fiction” or some other name, but it’s basically fiction, with factual information embedded in it.

    2.  in describing a scientific discovery, you invent a dialog between the scientist and her husband?
    A: FICTION. Use a single word that you can’t substantiate with a reliable source, and you’ve turned your story into fiction.

    3.  you describe the planet Mars from the perspective of a resident there?
    A: Again, FICTION. If you’re writing from a Martian’s perspective, you’re making something up. It may be science fiction – but that’s fiction.

    Nonfiction requires thorough  research, and checking your facts. If you say anything that you can’t verify as factual, then it’s fiction. Which is fine—I like fiction! Just don’t call it nonfiction. 

    Which brings us back to our question of the day:

    Q: How do I make an article about ants, or a book about physics, compelling to young readers? How do I use creative nonfiction for science?

    The answer: use the fiction writer's tools . . . tools like poetic language, a story arc, setting the scene with detailed descriptions and an engaging voice . . . to liven up your nonfiction. 

    Here are some ideas and examples.

    Make it poetic

    As long as you keep your text factual and accurate, you can use poetry to breathe life into simple concepts such as the water cycle.

    Wait . . . the water cycle?

    Yes, even that. In Water is Water, Miranda Paul uses simple rhymes to show us the cycle from water to steam, to clouds, and on and on.

    Laura Purdie Salas, in her poetic series of books (A Leaf Can Be; A Rock Can Be; Water Can Be . . . ) explores different aspects of the natural world.

    In these books, the art, while scientifically accurate, can also introduce kid-friendly whimsy and even show characters and story lines that draw readers in. 

    Jason Chin’s illustrations in Water is Water show a sweet family story to illuminate the text, and the cover of A Rock Can Be features a smiling crab.

    Nonfiction writing need not be altogether serious. Jane Yolen has published several poetry collections conveying information about animals. A recent example is Bug Off!, which contains 13 funny poems about insects paired with fabulous photographs and facts about the featured bugs.

    Non-poets, take heart! You don’t have to write actual poetry to use lyrical language for science topics, like horseshoe crabs . . . .  

    Lisa Kahn Schnell’s beautiful book about horseshoe crabs provides factual information while drawing young readers into a story about the life cycle of these fascinating creatures. See more in this prior GROG post.
    . . . or eggs.

    In An Egg is Quiet, Dianna Aston’s lyrical language and Sylvia Long’s beautiful illustrations illuminate eggs in all their colorful and mysterious glory.


    Make it tell a story

    A great way to write lively science is to make it “narrative nonfiction” with a story arc.

    Obvious examples are biographies of scientists or inventors, or stories of their inventions. In BOMB: The Race to Build—and Steal—the World’s Most Dangerous Weapon, Steve Sheinkin recounts for middle grade and YA readers a riveting tale of history and scientific discovery, along with politics and philosophy along the way. 

    Nonfiction? Yes. Great narrative writing? Absolutely.

    Sometimes it's challenging to uncover a story arc. Here’s where creativity comes in! In writing about an animal, for example, you could follow it through its life cycle, or a single day, or a migration.

    Melissa Stewart found a fascinating story arc in a rain forest ecosystem. Her book, No Monkeys, No Chocolate, uses the delicious hook of “Chocolate!” to explain how cocoa pods, monkeys, and brain-eating coffin fly maggots are all part of the interdependent process that makes chocolate possible. This book is written on several different levels, from the simple narrative for the younger reader, to more detailed information for older kids (or adults).

    Make it interactive
    How could you make medical history interesting to kids? Carlyn Beccia did it with a humorous (and sometimes revolting) multiple-choice quiz, in her 2010 book, I Feel Better with a Frog in My Throat: History’s Strangest Cures. 

    Do you know, for example, whether any of these old-fashioned treatments cured a sore throat?
    A: A frog down the throat;
    B: A necklace made from earthworms;
    C: A dirty sock tied around the neck.

    For each choice, the book explains the origin of the “cure,” and provides the answer (Yes, No, or Maybe) with a discussion of why the particular procedure may or may not have worked. This book packs a surprising amount of information into 48 illustrated pages. 

    Cheddar finds it fascinating.

    Magazines often incorporate crafts, quizzes, experiments and other projects into science articles. 


    Increasingly, book publishers are getting into the act with how-to manuals, project books, and the like. Check out titles such as those illustrated here for inspiration to increase your interactivity.

    Make it fun
    Just because you can’t make anything up in your story doesn’t mean that you can’t make it fun. Think of an imaginative format. If you were a kid, how would you view a topic?

    Susan Goodman’s middle grade book for kids about space travel uses a title sure to intrigue her readers: How do you BURP in Space?

    This 2013 book is set up as a travel guide, with chapters such as “Planning your trip” and “Dining.” It presents technical information on gravity and other important topics in a fun format. Interested readers can refer to a glossary, index, and timeline of space exploration and travel in the back. The futuristic fonts and jazzy illustrations (a mix of cartoons and space photography) add to the kid appeal.


    Bottom line: 
    If you love science, why not write about a topic you care about, in a way that will make kids love it too? That's creative nonfiction!

    +++++++++++++

    For further reading, check out these selections from the GROG archives:

    See some nature books that GROGGer Leslie Colin Tribble loves here. 

    Read about science books for kids in Sherri Rivers' two-part post with interviews from writers Miranda Paul and Heather Montgomery. 

    And for a fun chat about nonfiction rhyming picture books, look to Sherri's interview of Nancy Day.