Introducing THE PALACE RAT, and author Lynne Marie ~ Christy Mihaly

I'm pleased to welcome author and picture book booster Lynne Marie to chat with GROG. She's celebrating the release of The Palace Rat, illustrated by Eva Santana, and she offered to share some insider's insights. (Also, check out the adorable book trailer at the end of this post.)

You may already know Lynne Marie's work. She has several prior books (listed below) and is the owner/director of the RATE YOUR STORY critiquing and mentoring service,  as well as the organizer of March on With Mentor Texts, among her other activities. 

But let's get to our interview!

Q: Welcome, Lynne Marie! Your latest book is about a rat in the palace of Versailles. How did you ever come up with this idea?

Lynne Marie: The inspiration came on a family trip to France in 1997. We took an excursion to Versailles. As we waited for the tour guide to pass out the tickets, a rat scurried across the courtyard. That inspired a game of "what if?" in my mind. What if that rat was related to the rats of the French Revolution? What if the (long-ago relative) rat was the pampered pet of King Louis XIV? What if others in the Palace were jealous of the King’s attention for the rat? What would they do to get rid of it? How would the rat react? The wheels started turning and never stopped. 

Q: Wow! And the result was a great fairy-tale-like story. Nicely done. The Palace Rat is published by Yeehoo Press. I know they publish in China, too. How have they been to work with?

Lynne Marie: The Palace Rat is my first book published with Yeehoo Press. I am excited that it will also be published in China! The people I worked with were very accommodating and very communicative. It has been a pleasure working with them. 

Q: You’ve published other picture books based on fairy tales or folk tales. What's the secret to making those work? 

Lynne Marie: When writing a folktale, it is important to find a way that today's children can relate to the retold tale. In the case of THE PALACE RAT, my thought was to support the message to bloom where you are planted (as many children don’t have control over where they go or who they go with, both in divorces and foster care, etc.), and doing what you love to do best (this helps with coping and discovery). I hope that my story will inspire little ones, no matter the situation, to bloom where they are planted and to make the best of their strengths. 

 In MOLDILOCKS AND THE THREE SCARES it is more about following your heart and being open to the fact that someday, when you least expect it, you will find your “place.” 

THE THREE LITTLE PIGS AND THE ROCKET PROJECT supports that sometimes the losers can be winners. It just matters that you use what you have to play the right game.

Q: Excellent points! You often discuss the importance of mentor texts. Did you have any particular texts in mind as you wrote this? 

Lynne Marie:  For this story, I used a variety of Mentor Texts, including picture books that featured rat characters, were set in France, or were about moving. I also looked at retellings of City Mouse/Country Mouse and The Prince and the Pauper. 

I wanted to make sure that my story was new and different, a fresh retelling, and could stand out among and above the rest. I also really wanted to introduce this historic period to readers, to plant a seed and grow a history lover. 

Q:  Much of what you do is supporting other picture book creators. Tell us what motivates you and what you like best about that. 

Lynne Marie: I was really fortunate to realize my dream of becoming a multi-published picture book author and it makes me feel like a fairy godmother to help others to achieve their dreams. I have worked as an editor for a few small presses and run a mentoring and critique service at www.thepicturebookmechanic.com. 

And, I am currently an Agent Mentee with the Seymour Agency and am on my way to becoming an Agent. I am very excited about this as it makes me an official Fairy Godmother. 😊 My own literary agent, Marisa Cleveland of the Seymour Agency, is my Agent Mentor. I adore her and think she is the best of the best – so enthusiastic and supportive.

Q: You and I first crossed paths when you took over the administration of Rate Your Story. What made you decide to take that on? 

Lynne Marie: I was already a big fan of the Rate Your Story Rating and Feedback Service (www.rateyourstory.org). I actually didn’t want to become a Judge as I would no longer be eligible to be a Member. But Sophia Gholz, the owner at the time, finally convinced me that I should. Then after I'd been a judge for several years, Sophia was ready to hand over the torch and convinced me that I was just the person to take it. I love Rate Your Story and being an important part of many writer’s journeys so I am grateful she did! 

Q: And in addition to your writing life, you’re a travel agent, too! What’s your favorite part of that job? 

Lynne Marie: Yes! I am a Travel Agent with Pixie Vacations (www.pixievacations.com/lynne) and I love that job. As mentioned, my travel inspired THE PALACE RAT so you can see that I am passionate about wearing both of these hats. I find travel and history very inspiring and often try to weave what I learn about the world through travel into my stories. I also love reading and collecting world folktales.

Lynne Marie

Q: Okay, now our readers want to know: How do you have time to do it all? What’s your secret? 

Lynne Marie: I love everything I do and it feeds each other. I think that the fact that all the things I do are related and feed each other, it really helps! So no matter what I am working on (writing, reading, travelling, mentoring, giving feedback, etc.), I am learning and growing and creating. 

Thanks for taking the time to chat, Lynne Marie. And good luck with all you're doing!

Thank you, dear Christy, for having me on the GROG blog. I am very happy to have you as a Judge at Rate Your Story and to be on this wonderful path together! 

Aaand, here's that trailer: 

More about Lynne Marie: She is co-host of #SeasonsofKidLit along with Heather Macht. And she is a long-time Cybils judge and feature columnist at Children's Book Insider. When she’s not traveling the world in search of story ideas, she lives in the heart of Florida with her family, a Schipperke named Anakin and a Mini Pinscher named Marlowe Charlotte. Visit her at 

 www.LiterallyLynneMarie.com. LynneMarie is represented by Marisa Cleveland and Jonathan Rosen ofwww.theseymouragency.com.

Here are Lynne Marie's earlier (and forthcoming) titles: 

Hedgehog Goes to Kindergarten -- art by Anne Kennedy (Scholastic 2011)

Hedgehog's 100th Day of School -- art by Lorna Hussey (Scholastic 2017)

The Star of the Christmas Play -- art by Lorna Hussey (Beaming Books 2018)

Moldilocks and the 3 Scares -- art by David Rodriguez Lorenzo (Sterling / Scholastic 2019)

Let’s Eat! Mealtime Around the World -- art by Parwinder Singh (Beaming Books 2019)

The Three Little Pigs and the Rocket Project and The Three Little Pigs and the Rocket Project Coloring Book -- art by Wendy Fedan (Mac and Cheese Press 2022)

The Palace Rat -- art by Eva Santana (Yeehoo Press 2023)

forthcoming: 

Broommates co-written with Brenda Reeves Sturgis – art by Nico Ecenarro (The Little Press 2024)

And if you're looking for Lynne Marie, here are some of the places she hangs out:

FACEBOOK: 

https://www.facebook.com/WordsandPictures.by.LynneMarie

AUTHOR FACEBOOK PAGE: Children's Author Lynne Marie

 https://www.facebook.com/LiterallyLynneMarie/

TWITTER: @Literally_Lynne

https://www.facebook.com/WordsandPictures.by.LynneMarie

INSTAGRAM: 

https://www.instagram.com/literally.lynne.marie/

THREADS: 

https://www.threads.net/@literally.lynne.marie

GOODREADS:

https://www.goodreads.com/author/show/4848931.Lynne_Marie

RATE YOUR STORY ON TWITTER: @RateYourStory    

https://twitter.com/RateYourStory

RATE YOUR STORY RATINGS AND FEEDBACK:

http://www.rateyourstory.org

CRITIQUE and MENTORSHIP WEBSITE:

http://www.thepicturebookmechanic.com 

Henry Herz Fractures a Fairy Tale ~ by Patricia Toht

Fracture. Sounds painful, doesn't it?

Illustration from
Squibs of California, Or Every-day Life Illustrated

But a fracture is anything but painful in the hands of Henry Herz, because Henry has been fracturing fairy tales! 

LITTLE RED CUTTLEFISH,
Pelican Publishing

His newest picture book, LITTLE RED CUTTLEFISH, is a clever take on the old childhood tale Little Red Riding Hood. The story is set in an ocean reef, where Little Red innocently heads off to deliver crab cakes to her grandmother. But a big, bad tiger shark is on the hunt for a tasty seafood snack! Little Red must use her cuttlefish defenses to save the day. Readers will cheer her on while learning a bit about sea life in the reef, too.

I recently tossed a line to Henry, asking for tips on fracturing fairy tales, and he was generous with advice.

Henry: "Before we discuss fractured fairy tales, let's first unpack the term 'fairy tale.' Fairy tales are commonly defined as children's short stories featuring fantasy creatures and magical enchantments. 

THE GOLDEN BOOK OF FAIRY TALES

"Thomas Keightley indicated that the word 'fairy' derived from the old French faerie, denoting enchantment. 

Ida Rentoul Outhwaite's illustration from
ELVES AND FAIRIES, 1916

Fairies have been flitting around literature for centuries, from Morgan le Fay (King Arthur), to Tinkerbell (J.M. Barrie's PETER PAN), to Holly Short (Eoin Colfer's ARTEMIS FOWL). You can find them in modern picture books, too, like Doreen Cronin's BLOOM, and [Henry's other new release!] MABEL AND THE QUEEN OF DREAMS, inspired by Queen Mab in Romeo and Juliet.

Henry's other 2016 release,
MABEL AND THE QUEEN OF DREAMS,
Schiffer Publishing

"But today the term 'fractured fairy tale' seems to have broadened to mean the recasting of a story, whether technically a fairy tale or not. WHEN YOU GIVE AN IMP A PENNY from IF YOU GIVE A MOUSE A COOKIE or WEST SIDE STORY from ROMEO AND JULIET are two examples of recasting stories that were not originally fairy tales. By 'recasting' we mean a new version in which the author changes the setting, the character(s), the story arc, and/or the theme.

"When I consider writing a fractured fairy tale, I start with the choice of source material. For me, it must be both a story I love and a story sufficiently well-known so that readers will recognize the provenance, or origin, of the fractured version. The latter is critical, both for market appeal, and because much of the charm of a fractured fairy tale derives from when the reader notices and appreciates the differences between the two stories. A musical analogy would be a 'cover,' like this pair of Slovakian cellists shredding AC/DC's 'Thunderstruck':

"I find the most critical writing decision is which aspects should be changed versus which aspects should be kept the same. I generally try to keep the theme intact, although it's okay to add a layer. For example, in LITTLE RED CUTTLEFISH, the setting is changed from forest to underwater, and the characters are swapped for aquatic creatures. I also changed the story arc so that the heroine resolves her own challenge. This makes her more empathetic and adds a layer of ingenuity to the original theme of beware of strangers. 

"In INTERSTELLAR CINDERELLA, Deborah Underwood not only put the story in space and makes Cinderella a skilled mechanic, she also transformed the story into rhyme!"

I would like to thank Henry Herz for his insights, and I encourage you to check out his new books. If you would like to try your hand at fracturing a fairy tale, readers, begin by studying some mentor texts - Henry provides a list here.
Tara Lazar also offers some advice here. 

Go forth and fracture! Just don't get hurt in the process...

Fracturing a Fairy Tale ~ by Patricia Toht

Back in July, I wrote a post about creating a picture book text by giving an old theme a new twist. Today I'm going to focus on one popular way of doing this --  

Let's fracture some fairy tales, folks!

Fractured fairy tales are nothing new. From way back in the 1960's comes historic proof:

Obviously there's staying power in fractured fairy tales. So, how exactly do you make a fairy tale dance to a different tune? Here are just three of the moves you can do to change a fairy tale or childhood story/rhyme.

The Two-Step (or Three-Step, Four-Step, Five-Step, ...)

Take a short, simple childhood rhyme or story and add to it, expand it. The crucial factor is to assure that the expansion has a story arc to it that will propel the reader forward. Jim Aylesworth has written picture books in this vein.

THE COMPLETED HICKORY DICKORY DOCK begins with the well-known verse and then the author extends it by following the mouse through twelve hours of the day. The book is written in verse, each stanza opens with a fun-to-say nonsense word. The reader can count up the hours as the mouse moves through the day.

MY SON JOHN ends with the familiar verse. Readers follow an arc from sun-up to sun-down. Each spread depicts another child from the rural area taking part in simple activities. Son John ends the day in bed with his one shoe on.






The Twist

THE TRUE STORY OF THE 3 LITTLE PIGS by Jon Scieszka is a well-known example of a fractured fairy tale. The story is relayed by the wolf, who tells the "true" story of what happened with the pigs from his point of view. According to him, the whole misunderstanding was about a cup of sugar and a case of the sneezes. If you'd like to try writing something similar, take the "bad guy" of a story and examine events from his/her point of view, being sure to add lots of emotion. How does that change the story?

NINJA RED RIDING HOOD by Corey Rosen Schwartz. Corey has written a Ninja trilogy; each one combines a childhood tale with ninja training. The limerick verses in this one are terrifically catchy, and the author manages to work in traditional lines (e.g. "The better to see you with, my dear") with seeming effortlessness. She also dares to even out the match between Wolf and Red -- they've both had ninja lessons! Someone else shows up in a gi to help save the day. To twist like Corey does, select a well-known childhood story and add an element that kids are crazy about. Tara Lazar's "500+ Things that Kids Like" is a great source for brainstorming.


The Mash

What might happen if you mash together a whole bunch of tales or characters? 

Tara Lazar's LITTLE RED GLIDING HOOD is one-part twist and one part mash up. It begins with an amazing title. Obviously "gliding" implies that Red is doing something special -- she's skating. Tara sets a goal for Red that reflects the title. What would a skater want? Why, to win a skating competition, of course. This storyline propels the reader through the story (on a ribbon of ice). But the author adds SO much more! Easily recognized characters are peppered throughout the story, and the feared big bad wolf is not-so-bad after all. Cleverness and puns abound.

The tale in INTERRUPTING CHICKEN by David Ezra Stein combines several childhood stories, but doesn't really scramble them up. As Papa Chicken reads his Chick a bedtime story, Chick keeps interrupting the stories by jumping in them to save characters from harm. 

Penny Parker Klostermann (who won the Best in Rhyme award for THERE WAS AN OLD DRAGON WHO SWALLOWED A KNIGHT) has said that INTERRUPTING CHICKEN was one of the mentor texts for her upcoming mash up, A COOKED UP FAIRY TALE (Summer, 2017). For an interview with Penny about her use of mentor texts, see the interview here.

I hope these examples will give you some ideas for fracturing fairy tales. Start dancing, writers, and see what shakes out!